What's the basic implementation of multi-resonant filters?

[BertKoor]

it's not like you're in an exam.

Nor is this a pissing contest

[S0lo]

it's not like you're in an exam.

Nor is this a pissing contest

But pissing can be a relieve

[S0lo]

On a more serious thought. If we go 50 years back where there was only analog. Spring reverb and bucket brigade delay is pretty much cheating. Spring sounds horribly metallic and nothing like real room echos. Bucket brigade is limited and noisy.

Yet now, people like them and want to emulate/model them with digital means despite the fact that digital can do a much better job at the original aim. (Edit: and there nothing wrong with that, which was my point)

[imrae]

50 years ago the pro option for studio reverb was real echo chambers. And high-end spring reverbs can actually sound nice, check out the Nevo impulse responses.

[S0lo]

50 years ago the pro option for studio reverb was real echo chambers.

And thats why spring can't replace "real echo chambers".

And high-end spring reverbs can actually sound nice, check out the Nevo impulse responses.

I actually agree. Because sounding nice is different than sounding real acoustic. And both can sound nice when put in the right musical context. That was the whole point of me saying:

If it sounds good, who cares whats inside it.

Well, developers and engineers should care of-course, but what I meant is not to religiously prevent them selves from using something that may seam wrong at first glance.

This is all given musical endeavors are the goal. Otherwise, If the goal is developing a plug for audio engineers. That's a different thing.

[Architeuthis]

this is kinda silly since one of my "wanna-be ladder" filters can produce similar sound (but less nasty sounding), and i did it with some silly multiplication on the feedback, i think... not sure, gotta look it up

Now that I've calmed down from you trying to call me out, I'm happy that you were able to do some filter experiments and get interesting results.

[antto]

i was just trying to guess and give answer to the previous post

i'm not new here btw

faking the resonance is a legit approach in synthesis, there are no rules, i did not say "fake" in a negative manner

and yes, i'm almost sure in the filter i mentioned i took a signal from the feedback somewhere where it was just the resonance, and i multiplied it, this gives overtones, but it only sounded okay-ish in some filter modes, on others it was bad

sine waves are magical in so many different ways

[Architeuthis]

i'm not new here btw

hah sorry, I know that, I was just being mean.