The typical housestab!
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- KVRist
- 88 posts since 19 Feb, 2004
Okay, Ive been going nuts about this lately. I usually produce melodic trance but recently ive become more interested in housemusic. And by housemusic I mean the cheesy commercial type of house.
The one thing that pisses me off is the stab/synth/guitar that most of these commercial tracks use. Ive talked to a friend and he says that I should try sampling old housetracks to get that particular stab im looking for but I don´t want to rely on other peoples tracks. I want to compose something on my own which is why I´m asking you guys if anyone knows some refill or VSTi whatever which is able to create this particular sound which in my opinion is the most essential element in a houseproduction.
If you don´t know which sound im asking for just shout and I´ll see if I can fix a little demo on the sound.
//cheers
The one thing that pisses me off is the stab/synth/guitar that most of these commercial tracks use. Ive talked to a friend and he says that I should try sampling old housetracks to get that particular stab im looking for but I don´t want to rely on other peoples tracks. I want to compose something on my own which is why I´m asking you guys if anyone knows some refill or VSTi whatever which is able to create this particular sound which in my opinion is the most essential element in a houseproduction.
If you don´t know which sound im asking for just shout and I´ll see if I can fix a little demo on the sound.
//cheers
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- Hun #3
- 4265 posts since 25 Mar, 2002 from A quaint little village just south of Hamburg, Germany
Hi Amblin!
A sound example would have been nice, as you're obviously after one particular sound (?)
Here's my school of do. Almost anything can be a house stab provided it has a chordlike feeling to it, that's why i go for sampling and resampling. Try playing a minor chord on a synth,, sample it and load it as a sampler instrument – say you used a piano chord, there's instant acieed for you! etc etc etc. Some of my favourite housey stabs are off other songs I did (or never completed
), those little magic moments in a track, being played back on a keyboard will work wonders (sometimes)... 
So, go forth and experiment , I say!
Marco
A sound example would have been nice, as you're obviously after one particular sound (?)
Here's my school of do. Almost anything can be a house stab provided it has a chordlike feeling to it, that's why i go for sampling and resampling. Try playing a minor chord on a synth,, sample it and load it as a sampler instrument – say you used a piano chord, there's instant acieed for you! etc etc etc. Some of my favourite housey stabs are off other songs I did (or never completed
So, go forth and experiment , I say!
Marco
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- KVRist
- 238 posts since 23 Jul, 2001
So, this is how you do it...Bonteburg wrote:Hi Amblin!
A sound example would have been nice, as you're obviously after one particular sound (?)
Here's my school of do. Almost anything can be a house stab provided it has a chordlike feeling to it, that's why i go for sampling and resampling. Try playing a minor chord on a synth,, sample it and load it as a sampler instrument – say you used a piano chord, there's instant acieed for you! etc etc etc. Some of my favourite housey stabs are off other songs I did (or never completed), those little magic moments in a track, being played back on a keyboard will work wonders (sometimes)...
So, go forth and experiment , I say!
Marco
WinXP * CubaseSX3 * Intel Core2Duo6800 * 2GB RAM * M-Audio 24/96
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- KVRAF
- 7936 posts since 18 Feb, 2003 from out there somewhere
Marco, silly question maybe, but why would you choose to sample it instead of just playing it across the keyboard?Bonteburg wrote:Hi Amblin!
A sound example would have been nice, as you're obviously after one particular sound (?)
Here's my school of do. Almost anything can be a house stab provided it has a chordlike feeling to it, that's why i go for sampling and resampling. Try playing a minor chord on a synth,, sample it and load it as a sampler instrument – say you used a piano chord, there's instant acieed for you! etc etc etc. Some of my favourite housey stabs are off other songs I did (or never completed), those little magic moments in a track, being played back on a keyboard will work wonders (sometimes)...
So, go forth and experiment , I say!
Marco
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- KVRist
- 123 posts since 15 Mar, 2004 from closer than you think
It's the easiest method of beat sampling (as opposed to constructive sampling where you're attempting to simulate real instruments).CypherOne wrote:Marco, silly question maybe, but why would you choose to sample it instead of just playing it across the keyboard?
You just take a 'cut' of any sound and mangle it with a sampler. Then assign the new mangled sound to root notes that can be sequenced in with rest of the track, etc.
hth, deps
Mine's a Stella. Cheers !
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- KVRian
- 1258 posts since 25 Nov, 2003 from London
I start with a simple saw osc. Add some detuned oscs. Zero attack and a quick decay vol env. Similarly shaped cutoff envelope for an lp filter. Adjust to taste. Maybe a gentle lfo on the cutoff too.
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- KVRAF
- 6519 posts since 13 Mar, 2002 from UK
Parallel chords.CypherOne wrote:Marco, silly question maybe, but why would you choose to sample it instead of just playing it across the keyboard?Bonteburg wrote:Hi Amblin!
A sound example would have been nice, as you're obviously after one particular sound (?)
Here's my school of do. Almost anything can be a house stab provided it has a chordlike feeling to it, that's why i go for sampling and resampling. Try playing a minor chord on a synth,, sample it and load it as a sampler instrument – say you used a piano chord, there's instant acieed for you! etc etc etc. Some of my favourite housey stabs are off other songs I did (or never completed), those little magic moments in a track, being played back on a keyboard will work wonders (sometimes)...
So, go forth and experiment , I say!
Marco
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- KVRAF
- 7936 posts since 18 Feb, 2003 from out there somewhere
deps, I think you've misunderstood me. In relation to chord based stabs as mentioned by Marco, I don't understand what difference it would make to sample it to play across the keyboard rather than simply playing chords as normal?deps wrote:It's the easiest method of beat sampling (as opposed to constructive sampling where you're attempting to simulate real instruments).CypherOne wrote:Marco, silly question maybe, but why would you choose to sample it instead of just playing it across the keyboard?
You just take a 'cut' of any sound and mangle it with a sampler. Then assign the new mangled sound to root notes that can be sequenced in with rest of the track, etc.
hth, deps
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- KVRAF
- 4644 posts since 28 Nov, 2002 from Chicago
Playing a sampled chord out of its' root (in terms of sample freq) key does not produce quite the same chord as would be gained by playing the notes normally. Although very minor there is a slight detuning effect.CypherOne wrote: Marco, silly question maybe, but why would you choose to sample it instead of just playing it across the keyboard?
Some people argue that this gives those old sampled chords some of their character.
Someone shot the food. Remember: don't shoot food!
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- KVRAF
- 7936 posts since 18 Feb, 2003 from out there somewhere
okay, now explain that for an extra thick person like me, please?nuffink wrote:Parallel chords.CypherOne wrote:Marco, silly question maybe, but why would you choose to sample it instead of just playing it across the keyboard?Bonteburg wrote:Hi Amblin!
A sound example would have been nice, as you're obviously after one particular sound (?)
Here's my school of do. Almost anything can be a house stab provided it has a chordlike feeling to it, that's why i go for sampling and resampling. Try playing a minor chord on a synth,, sample it and load it as a sampler instrument – say you used a piano chord, there's instant acieed for you! etc etc etc. Some of my favourite housey stabs are off other songs I did (or never completed), those little magic moments in a track, being played back on a keyboard will work wonders (sometimes)...
So, go forth and experiment , I say!
Marco
- KVRAF
- 8700 posts since 9 Jan, 2004 from leroyaumeuni
valley wrote:Playing a sampled chord out of its' root (in terms of sample freq) key does not produce quite the same chord as would be gained by playing the notes normally. Although very minor there is a slight detuning effect.CypherOne wrote: Marco, silly question maybe, but why would you choose to sample it instead of just playing it across the keyboard?
Some people argue that this gives those old sampled chords some of their character.
I think cypher means.. why play the samples if you can just fire up a synth and play them yourself
My other host is Bruce Forsyth
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- KVRAF
- 7936 posts since 18 Feb, 2003 from out there somewhere
BINGO! give that man a kebab...spaceman wrote:valley wrote:Playing a sampled chord out of its' root (in terms of sample freq) key does not produce quite the same chord as would be gained by playing the notes normally. Although very minor there is a slight detuning effect.CypherOne wrote: Marco, silly question maybe, but why would you choose to sample it instead of just playing it across the keyboard?
Some people argue that this gives those old sampled chords some of their character.
I think cypher means.. why play the samples if you can just fire up a synth and play them yourself
so is there any difference in your opinion spaceman?
Thanks valley by the way
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- KVRAF
- 4644 posts since 28 Nov, 2002 from Chicago
Also, for some of the classic house vamps, the natural 'chipmunking' effect of playing samples at higher than natural frequency adds a lot of character too. As you move up the scale the envelope of the sample naturally shortens. This gives higher notes a slight sense of urgency, and lower notes a corresponding feel of 'soul'.
Someone shot the food. Remember: don't shoot food!
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- KVRAF
- 4644 posts since 28 Nov, 2002 from Chicago
I know. The point is that the synth will give you a nice, even, and clean set of chords with perfect tuning, and natural envelopes throughout the useful range. A single sampled chord played at varying pitches will alias, detune, and chipmunk to varying levels. These side effects are not always detrimental.spaceman wrote:I think cypher means.. why play the samples if you can just fire up a synth and play them yourself
Someone shot the food. Remember: don't shoot food!
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- KVRist
- 123 posts since 15 Mar, 2004 from closer than you think
I took Marco's original post to mean what I explained as he mentioned sampling, resampling, playing chords on a synth (which would give you an initial sweeping sound for instance), and then loading them in a sample player.CypherOne wrote:deps, I think you've misunderstood me. In relation to chord based stabs as mentioned by Marco, I don't understand what difference it would make to sample it to play across the keyboard rather than simply playing chords as normal?
But I could have completely misunderstod everyone
deps
Mine's a Stella. Cheers !