What synth sounds can I not make?
- KVRAF
- Topic Starter
- 4940 posts since 19 Apr, 2002 from Utah
Among my synths, I have the following favorites:
Diva
Repro
Hive 2
Dexed
Cardinal
Quanta 2
Odin 2
Surge-XT
Yoshimi
Vaporizer 2
ADLPlug
Assuming that I also use a sampler (TAL-Sampler), and assuming the ability to layer sounds with multiple tracks, is there any synth sound that I can’t create? I’ve thought long and hard, and I can’t think of any.
I’m looking for holes in my sonic palette, but I don’t see any. In fact, I think the number of synths I currently have listed is redundant.Do any of you see anything missing in my tool set?
Diva
Repro
Hive 2
Dexed
Cardinal
Quanta 2
Odin 2
Surge-XT
Yoshimi
Vaporizer 2
ADLPlug
Assuming that I also use a sampler (TAL-Sampler), and assuming the ability to layer sounds with multiple tracks, is there any synth sound that I can’t create? I’ve thought long and hard, and I can’t think of any.
I’m looking for holes in my sonic palette, but I don’t see any. In fact, I think the number of synths I currently have listed is redundant.Do any of you see anything missing in my tool set?
Last edited by audiojunkie on Sat Jan 06, 2024 6:27 pm, edited 1 time in total.
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- addled muppet weed
- 106410 posts since 26 Jan, 2003 from through the looking glass
- KVRAF
- Topic Starter
- 4940 posts since 19 Apr, 2002 from Utah
At this point, no. But I’m interested in seeing how much I may be missing of the sonic palette. I’m working towards minimizing my tool set.
Last edited by audiojunkie on Sat Jan 06, 2024 6:31 pm, edited 1 time in total.
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- KVRAF
- Topic Starter
- 4940 posts since 19 Apr, 2002 from Utah
That sounds cool! What kind of synthesis must one use to create one?
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- addled muppet weed
- 106410 posts since 26 Jan, 2003 from through the looking glass
it's hard to know, till you try to come up with a sound, and can't quite get it right.
you are covered for all synth types for example, but does any one synth have everything required to perfect a given sound?
ie your va may lack the number of lfos or envelopes required...
but you can still make a va bass.
you are covered for all synth types for example, but does any one synth have everything required to perfect a given sound?
ie your va may lack the number of lfos or envelopes required...
but you can still make a va bass.
- KVRAF
- 4877 posts since 25 Jan, 2014 from The End of The World as We Knowit
You have no PM, or vocal or orchestral synth, so can't make those sounds, just off the top. Not that you want to. Dont see a cowbell synth either
F E E D
Y O U R
F L O W
Y O U R
F L O W
- KVRAF
- Topic Starter
- 4940 posts since 19 Apr, 2002 from Utah
Good pointvurt wrote: ↑Sat Jan 06, 2024 6:39 pm it's hard to know, till you try to come up with a sound, and can't quite get it right.
you are covered for all synth types for example, but does any one synth have everything required to perfect a given sound?
ie your va may lack the number of lfos or envelopes required...
but you can still make a va bass.
C/R, dongles & other intrusive copy protection equals less-control & more-hassle for consumers. Company gone-can’t authorize. Limit to # of auths. Instability-ie PACE. Forced internet auths. THE HONEST ARE HASSLED, NOT THE PIRATES.
- KVRAF
- Topic Starter
- 4940 posts since 19 Apr, 2002 from Utah
Well, I was speaking mainly about synth sounds. I have Sfizz and close to 120GB of sample libraries that I didn’t mention. In all honesty, once I sort through all the libraries and weed out what I don’t like, I’ll probably end up with a quarter of that that will make muster. But I figure I’m at least to some extent covered for acoustic/real/orchestral sounds. Though I do admit that I don’t have yet a guitar library with which I am satisfied.
As for PM synthesis, doesn’t FM synthesis cover largely the same ground?
As for vocal synthesis, that is one that I am planning on buying, but I don’t yet have—Synth V. As I get older and older, I find that my voice no longer sounds good to my ears—it was probably always that way, but now that I’ve noticed it, I can’t stop thinking about it—and I am my hardest critic. Also, my hands are starting to learn what arthritis feels like, and some days I just don’t want to play my guitar—thus the search for a proper guitar library.
C/R, dongles & other intrusive copy protection equals less-control & more-hassle for consumers. Company gone-can’t authorize. Limit to # of auths. Instability-ie PACE. Forced internet auths. THE HONEST ARE HASSLED, NOT THE PIRATES.
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gaggle of hermits gaggle of hermits https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=521655
- KVRian
- 965 posts since 18 Jul, 2021
if pm = phase modulation, kinda - there are key differences in the sound that come down to differences in implementation if you're comparing analogue-style fm to Yamaha-style pm.audiojunkie wrote: ↑Sat Jan 06, 2024 9:04 pm As for PM synthesis, doesn’t FM synthesis cover largely the same ground?
but I suspect Michael meant pm = physical modelling, so not so much.
- KVRAF
- 15201 posts since 26 Jun, 2006 from San Francisco Bay Area
Many PM synthesizers go beyond modeling known instruments and can create new, never before heard sounds. Check out Plasmonic.audiojunkie wrote: ↑Sat Jan 06, 2024 9:04 pmWell, I was speaking mainly about synth sounds. I have Sfizz and close to 120GB of sample libraries that I didn’t mention. In all honesty, once I sort through all the libraries and weed out what I don’t like, I’ll probably end up with a quarter of that that will make muster. But I figure I’m at least to some extent covered for acoustic/real/orchestral sounds. Though I do admit that I don’t have yet a guitar library with which I am satisfied.
As for PM synthesis, doesn’t FM synthesis cover largely the same ground?
As for vocal synthesis, that is one that I am planning on buying, but I don’t yet have—Synth V. As I get older and older, I find that my voice no longer sounds good to my ears—it was probably always that way, but now that I’ve noticed it, I can’t stop thinking about it—and I am my hardest critic. Also, my hands are starting to learn what arthritis feels like, and some days I just don’t want to play my guitar—thus the search for a proper guitar library.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
- KVRAF
- Topic Starter
- 4940 posts since 19 Apr, 2002 from Utah
Agreed! Plasmonic is one synth I’ve been watching. I’ve been trying really hard to stay completely Linux native with my software, but I have to admit that there are a few things that the Linux ecosystem lacks—like the above mentioned lack of a high quality virtual guitar library….and physical modeling to tge caliber of Plasmonic. That’s where WINE comes in, I guess. But I definitely prefer native apps.zerocrossing wrote: ↑Sat Jan 06, 2024 9:16 pmMany PM synthesizers go beyond modeling known instruments and can create new, never before heard sounds. Check out Plasmonic.audiojunkie wrote: ↑Sat Jan 06, 2024 9:04 pmWell, I was speaking mainly about synth sounds. I have Sfizz and close to 120GB of sample libraries that I didn’t mention. In all honesty, once I sort through all the libraries and weed out what I don’t like, I’ll probably end up with a quarter of that that will make muster. But I figure I’m at least to some extent covered for acoustic/real/orchestral sounds. Though I do admit that I don’t have yet a guitar library with which I am satisfied.
As for PM synthesis, doesn’t FM synthesis cover largely the same ground?
As for vocal synthesis, that is one that I am planning on buying, but I don’t yet have—Synth V. As I get older and older, I find that my voice no longer sounds good to my ears—it was probably always that way, but now that I’ve noticed it, I can’t stop thinking about it—and I am my hardest critic. Also, my hands are starting to learn what arthritis feels like, and some days I just don’t want to play my guitar—thus the search for a proper guitar library.
C/R, dongles & other intrusive copy protection equals less-control & more-hassle for consumers. Company gone-can’t authorize. Limit to # of auths. Instability-ie PACE. Forced internet auths. THE HONEST ARE HASSLED, NOT THE PIRATES.
- KVRAF
- 15201 posts since 26 Jun, 2006 from San Francisco Bay Area
Another thing that you seem to be missing is some sort of resynthesis-spectral or additive synthesis. I’m still using Camel Audio’s Alchemy, now only available on Macintosh devices. Virsyn’s Poseidon too, though it’s abandonware. Not sure what’s best now. I’m having fun with Tomofon by Klevgrand, I think it’s still on sale.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
- KVRAF
- 15201 posts since 26 Jun, 2006 from San Francisco Bay Area
My friend Noah is fond of saying, “Linux is only free to those who don’t value their time.audiojunkie wrote: ↑Sat Jan 06, 2024 9:24 pmAgreed! Plasmonic is one synth I’ve been watching. I’ve been trying really hard to stay completely Linux native with my software, but I have to admit that there are a few things that the Linux ecosystem lacks—like the above mentioned lack of a high quality virtual guitar library….and physical modeling to tge caliber of Plasmonic. That’s where WINE comes in, I guess. But I definitely prefer native apps.zerocrossing wrote: ↑Sat Jan 06, 2024 9:16 pmMany PM synthesizers go beyond modeling known instruments and can create new, never before heard sounds. Check out Plasmonic.audiojunkie wrote: ↑Sat Jan 06, 2024 9:04 pmWell, I was speaking mainly about synth sounds. I have Sfizz and close to 120GB of sample libraries that I didn’t mention. In all honesty, once I sort through all the libraries and weed out what I don’t like, I’ll probably end up with a quarter of that that will make muster. But I figure I’m at least to some extent covered for acoustic/real/orchestral sounds. Though I do admit that I don’t have yet a guitar library with which I am satisfied.
As for PM synthesis, doesn’t FM synthesis cover largely the same ground?
As for vocal synthesis, that is one that I am planning on buying, but I don’t yet have—Synth V. As I get older and older, I find that my voice no longer sounds good to my ears—it was probably always that way, but now that I’ve noticed it, I can’t stop thinking about it—and I am my hardest critic. Also, my hands are starting to learn what arthritis feels like, and some days I just don’t want to play my guitar—thus the search for a proper guitar library.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
- KVRAF
- Topic Starter
- 4940 posts since 19 Apr, 2002 from Utah
Yoshimi does additive synthesis, but I’ve always wanted to get something that has really good quality resynthesis. I don’t think anything I have does spectral. Wait, I think Vital does spectral. I didn’t list it because I feel like it is abandon-ware, but it still is available and is Linux native.zerocrossing wrote: ↑Sat Jan 06, 2024 9:26 pm Another thing that you seem to be missing is some sort of resynthesis-spectral or additive synthesis. I’m still using Camel Audio’s Alchemy, now only available on Macintosh devices. Virsyn’s Poseidon too, though it’s abandonware. Not sure what’s best now. I’m having fun with Tomofon by Klevgrand, I think it’s still on sale.
C/R, dongles & other intrusive copy protection equals less-control & more-hassle for consumers. Company gone-can’t authorize. Limit to # of auths. Instability-ie PACE. Forced internet auths. THE HONEST ARE HASSLED, NOT THE PIRATES.