This showed up on my Youtube feed and I thought it was really interesting. It's about using Melda MAGC to force a track back to it's source dynamics/volume after applying effects.
I could be behind and everyone is already doing something like this. I like the idea of using it on vocal reverb.
Interesting video on imposing gain...
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- KVRist
- 96 posts since 13 Jun, 2023
Gain is so crucial for our perception of sounds that I instantly disregard any EQ without good a auto/static-gain compensation. Glad they put an asterisk on the "free" part tho 
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- KVRian
- 534 posts since 26 Mar, 2014
What do you mean by that?
Mac mini m4 pro, Reaper, too many plugins, Modal Argon8, Novation Circuit Mono Station and now a lovely Waldorf Blofeld.
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- KVRAF
- 1904 posts since 8 Jan, 2022
I use letimix gainmatch in every session.
Same idea as Magc but a little more refined.
Magc is definitely great though and you can't beat that price!
I can't overstate how useful/consequential these gain matching tools are.
It's so easy to get fooled by things sounding "better" because they're louder.
Same idea as Magc but a little more refined.
Magc is definitely great though and you can't beat that price!
I can't overstate how useful/consequential these gain matching tools are.
It's so easy to get fooled by things sounding "better" because they're louder.
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- KVRAF
- 3507 posts since 27 Dec, 2002 from North East England
Thanks a lot for this. One of my favourite features in Unfiltered Audio's Byome is the unusual 'dry following' AGC, which behaves a lot like this at its highest setting. I'd often wished I could have that alone as an effect to use elsewhere, and this seems to fit the bill perfectly.