- Do you use reference tracks in your productions?
- Do you use them while creating material? for mixing? for mastering?
- How do you go about choosing reference tracks?
- Any pointers to tutorials (YT, etc.) about reference tracks that you've found helpful?
Your Thoughts on Reference Tracks?
-
- KVRian
- 958 posts since 14 Apr, 2004 from Maryland, USA
I'm embarking on full production of a new song, after having recently watched Mastering.com's Radio Ready Single event. That presentation got me thinking about reference tracks, something I've really never used, so I thought I'd solicit some advice:
You can twist perceptions, reality won't budge.
-- Rush Show Don't Tell
-- Rush Show Don't Tell
-
- KVRAF
- 7115 posts since 22 Jan, 2005 from Sweden
I always calibrate ears with reference tracks as I start any mixing at all.
Just as important as taking pauses and then go back and continue.
I just put together a combined track with 90s of various recordings that I feel sound really good regarding either drums, vocals or something else.
But never bothered with Radio Ready or something like that. Just calibrate ears.
Just as important as taking pauses and then go back and continue.
I just put together a combined track with 90s of various recordings that I feel sound really good regarding either drums, vocals or something else.
But never bothered with Radio Ready or something like that. Just calibrate ears.
- KVRAF
- 14271 posts since 20 Nov, 2003 from Lost and Spaced
I don't really understand them because unless you get one from a CD you get it (I assume) from a streaming service that has loudness maximized that track for its service. All these services seem to have different requirements.
Unless it's for EQing, then I get.
Unless it's for EQing, then I get.
-
- KVRian
- Topic Starter
- 958 posts since 14 Apr, 2004 from Maryland, USA
In my case I'd be used MP3 ripped from CDs in my collection. I don't make much use of streaming services. It would be more for getting EQ and general feel in the same ballpark as the reference tracks, and for resetting the ears, as others have mentioned.osiris wrote: Fri Aug 22, 2025 12:34 pm I don't really understand them because unless you get one from a CD you get it (I assume) from a streaming service that has loudness maximized that track for its service. All these services seem to have different requirements.
Unless it's for EQing, then I get.
You can twist perceptions, reality won't budge.
-- Rush Show Don't Tell
-- Rush Show Don't Tell
- KVRAF
- 20908 posts since 22 Nov, 2000 from Southern California
Yes
For mixing and mastering, not for writing.[*]Do you use them while creating material? for mixing? for mastering?
If it's my own stuff, I pick two commercially successful tracks that are balanced in polar opposites of each other, that way I know I just need to land somewhere between the them.[*]How do you go about choosing reference tracks?
Different if it's work for someone else.
Tutorials on using reference tracks? I don't understand why this would exist.[*]Any pointers to tutorials (YT, etc.) about reference tracks that you've found helpful?
- KVRAF
- 14271 posts since 20 Nov, 2003 from Lost and Spaced
Izotope has the free Audiolens, and I got it and ended never using it.
- KVRian
- 1160 posts since 9 Apr, 2012
I am using Expose 2 (Mastering the Mix) a lot lately. And I like it. It gives a brief summary of the tracks you let it analyze. But only for the Info part. Not the "matching eq" thingy. And my reference tracks are coming from Apple Music in hires losless audio (iirc up to 24-bit/192kHz).
My DAC / Amp combo can play up to 384kHz/32bit. And I am using open Back Planar headphones. Great combo for me.
I won't say that I hear a big difference between losless and hires losless. But my setup supports it and therefore I use it.
Usage is for mixing only.
My DAC / Amp combo can play up to 384kHz/32bit. And I am using open Back Planar headphones. Great combo for me.
I won't say that I hear a big difference between losless and hires losless. But my setup supports it and therefore I use it.
Usage is for mixing only.
Underground Music Production: Sound Design, Machine Funk, High Tech Soul
- KVRAF
- 44141 posts since 11 Aug, 2008 from clown world
Do you use reference tracks? - Yes. They keep your ears from thinking your stuff sounds great when really it doesn't.
How do you go about choosing reference tracks? I just use what I think sounds good. Some early blues records sound terrible technically but perfect for the genre. Eighties is not as bass heavy as modern music but it grooves better because it's not weighed down in heavyness. It had a lightness to it. An essential element.
Just use what YOU like. Make the music the way YOU like it. YOU are unique.
How do you go about choosing reference tracks? I just use what I think sounds good. Some early blues records sound terrible technically but perfect for the genre. Eighties is not as bass heavy as modern music but it grooves better because it's not weighed down in heavyness. It had a lightness to it. An essential element.
Just use what YOU like. Make the music the way YOU like it. YOU are unique.
This is the same method MJ used when he was working on Anthony Marinelli's Thriller.
-
- KVRAF
- 5273 posts since 2 Jul, 2005
I use references mostly when working on production or mixing for others. I generally ask for something that they think is a good representation of their genre. It helps a lot to have a good idea of how the bass and drums are balanced in different genres and subgenres.
Don't F**K with Mr. Zero.
-
- KVRian
- 661 posts since 8 Dec, 2025
1) Yes.
2) Only for mixing and (obviously) for mastering.
3) Genre/style/mood/vibe or (if the material is too unique) reference tracks which are mixed good in general and sometimes even white/pink noise.
4) I don't know, I learned about reference tracks before YouTube existed.
2) Only for mixing and (obviously) for mastering.
3) Genre/style/mood/vibe or (if the material is too unique) reference tracks which are mixed good in general and sometimes even white/pink noise.
4) I don't know, I learned about reference tracks before YouTube existed.
- KVRian
- 719 posts since 17 Aug, 2015 from Finland
I personally don't use reference tracks, but I don't knock anyone who does.
My solo projects:
Hekkräiser (experimental) | MFG38 (electronic/soundtrack) | The Santtu Pesonen Project (metal/prog)
Hekkräiser (experimental) | MFG38 (electronic/soundtrack) | The Santtu Pesonen Project (metal/prog)
-
- KVRer
- 5 posts since 16 Mar, 2026 from Italy
It's kinda of a love and hate kind of relationship for me with referencing, as the few times I did the result was objectively better arranging wise, for sure, but creativity wise, meh.
Usually if I use them I use them right of the bat, probably to get some ideas for drums and from there I get lost in my creativity and stop following them. But as someone like me, that ALWAYS gets stuck on the synths part, it can be very useful to get an idea on how to get going.
Personally, I choose them just by listening to them, sort of like "I like this I wanna make something like this" or because I played them live and liked the response they got.
Usually if I use them I use them right of the bat, probably to get some ideas for drums and from there I get lost in my creativity and stop following them. But as someone like me, that ALWAYS gets stuck on the synths part, it can be very useful to get an idea on how to get going.
Personally, I choose them just by listening to them, sort of like "I like this I wanna make something like this" or because I played them live and liked the response they got.
- KVRist
- 490 posts since 21 Jun, 2002 from Hamburg
This tells you everything you need to understand.
aka rktic. demoscener (Farbrausch, Holon, MFX, Still), sound designer, ux-dude, sth @AudioRealism, human synthesizer—not necessarily in that order.