Logic and multipleout vsti's,, easiest way to use them ?
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- KVRist
- 33 posts since 8 Sep, 2002 from järfälla\sweden
Whats the easiest way of connecting different midi tracks with different midi channels to one vsti in logic ?
I change the track so it "clones" in the mixer but there got to be a better way ?
best regards
I change the track so it "clones" in the mixer but there got to be a better way ?
best regards
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- KVRian
- 534 posts since 18 Mar, 2002 from france
select the multi version of the instrument, go to the arrange, create a track, hold down on the track to select what kind of track it is, you should see the name of the instrument in the 'audio' list, select the channel and roberts your fathers brother.
galaxy rayyys! powerful.
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- KVRAF
- 2830 posts since 2 Mar, 2003 from The only civilized county in Texas
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- KVRian
- 980 posts since 25 Feb, 2003
One way (and I suppose the one that most people use) is to set the Audio Instrument Channel's MIDI channel to "All" and then cable a (MIDI) Multi Instrument object to the Audio Instrument Channel. Then use the Multi Instrument object and it's sub-channels in the Arrange.
The other way (and the one I prefer) is to make copies of the Audio Instrument Channel and set them to different MIDI channels each. I prefer that, because then you have always access to the Audio Instrument Channel, no matter which of the tracks playing it you have selected in the Arrange.
(I suppose the latter is what you meant by "clones in the mixer" anyway?)
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- KVRian
- 980 posts since 25 Feb, 2003
Seems you read the thred title, but not the post.splattabreakz wrote:select the multi version of the instrument, go to the arrange, create a track, hold down on the track to select what kind of track it is, you should see the name of the instrument in the 'audio' list, select the channel and roberts your fathers brother.
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- KVRAF
- 13444 posts since 14 Nov, 2000 from Hannover / Germany
Same here. Most virtual instruments share their grafic and (if required) sample resources anyways if loaded more than once, so there's very little CPU overhead, if at all.dr.wackler wrote: The other way (and the one I prefer) is to make copies of the Audio Instrument Channel and set them to different MIDI channels each. I prefer that, because then you have always access to the Audio Instrument Channel, no matter which of the tracks playing it you have selected in the Arrange.
It's just becoming impossible in case you're using, say, the free versions of Sampletank or SonicSynth which can only be opened once per song.
In that case the multiinstrument thing is the only way to go.
There are 3 kinds of people:
Those who can do maths and those who can't.
Those who can do maths and those who can't.
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- KVRAF
- 4878 posts since 13 Jun, 2002 from Montreal
Why is it so convoluted? Logic 7 is such an advanced host? I am puzzled at the level of difficulty required to do what in other hosts is a very simple operation. 
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- KVRian
- 980 posts since 25 Feb, 2003
Hehe, I guess you misunderstood: I don't actually create a new Audio Instrument channel. What I do is have multiple copies of one and the same Audio Instrument channel and set each copy just to another MIDI channel.Sascha Franck wrote:Same here. Most virtual instruments share their grafic and (if required) sample resources anyways if loaded more than once, so there's very little CPU overhead, if at all.dr.wackler wrote: The other way (and the one I prefer) is to make copies of the Audio Instrument Channel and set them to different MIDI channels each. I prefer that, because then you have always access to the Audio Instrument Channel, no matter which of the tracks playing it you have selected in the Arrange.
It's just becoming impossible in case you're using, say, the free versions of Sampletank or SonicSynth which can only be opened once per song.
In that case the multiinstrument thing is the only way to go.
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- KVRAF
- 13444 posts since 14 Nov, 2000 from Hannover / Germany
Oh, I see!dr.wackler wrote: Hehe, I guess you misunderstood: I don't actually create a new Audio Instrument channel. What I do is have multiple copies of one and the same Audio Instrument channel and set each copy just to another MIDI channel.
Well then, not a bad idea either.
There are 3 kinds of people:
Those who can do maths and those who can't.
Those who can do maths and those who can't.
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- KVRian
- 980 posts since 25 Feb, 2003
How many steps is it in the host you use? In Logic, once I've configured it to my preference, all I have to do is hit my single key command for "Create Track with next Instrument". Could it be easier than one step? Does Cubase do it as soon as you only think it?Beardedone wrote:Why is it so convoluted? Logic 7 is such an advanced host? I am puzzled at the level of difficulty required to do what in other hosts is a very simple operation.
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- KVRAF
- 4878 posts since 13 Jun, 2002 from Montreal
Sounds good. For a poweruser in Logic I am sure it's a breeze. I'm glad it is. I wonder how long a novice would need to get there.
I don't use Cubase and would never want to. I am a dyed in the wool Sonar and Fruity Loops user (yes I can hear your condescending laughs of derision). In Sonar it is a simple matter of loading the instrument an assigning tracks by patch. Then select audio outs as desired. I set up a full orchestral multi of GPO into two or three instances of Kontakt 1.52 in the time that it takes Kontakt to read all of the respective patches.
Please don't misread me here. I would be happy to love Logic and Macs. Please prove me wrong. I speak from my experience with Apple computers in my Postdoctoral work and later with Logic versions 4.8 -5.5. Both of these have proven to be huge disappointments for me hence my skepticism.
Note I mean disappointment in the computers not my postdoc work
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I don't use Cubase and would never want to. I am a dyed in the wool Sonar and Fruity Loops user (yes I can hear your condescending laughs of derision). In Sonar it is a simple matter of loading the instrument an assigning tracks by patch. Then select audio outs as desired. I set up a full orchestral multi of GPO into two or three instances of Kontakt 1.52 in the time that it takes Kontakt to read all of the respective patches.
Please don't misread me here. I would be happy to love Logic and Macs. Please prove me wrong. I speak from my experience with Apple computers in my Postdoctoral work and later with Logic versions 4.8 -5.5. Both of these have proven to be huge disappointments for me hence my skepticism.
Note I mean disappointment in the computers not my postdoc work
Last edited by Beardedone on Thu Dec 09, 2004 3:29 am, edited 1 time in total.
- KVRAF
- 2696 posts since 3 Aug, 2003 from Narnia
One reason is so that Logic's environment can be as flexible as it is. The user can set things up in many different ways according to how they work and what results they want.Beardedone wrote:Why is it so convoluted? Logic 7 is such an advanced host? I am puzzled at the level of difficulty required to do what in other hosts is a very simple operation.
It's really not that bad. It only takes a few seconds to do, and once it's done - it's done.
It actually speeds things up in the long run.
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- KVRAF
- 4878 posts since 13 Jun, 2002 from Montreal
I spent a few hours with a friend's version 5.5 and got nowhere. I can't imagine it taking second to learn.One reason is so that Logic's environment can be as flexible as it is. The user can set things up in many different ways according to how they work and what results they want.
It's really not that bad. It only takes a few seconds to do, and once it's done - it's done.
It actually speeds things up in the long run.
- KVRAF
- 2696 posts since 3 Aug, 2003 from Narnia
Not from me you won't.Beardedone wrote:I am a dyed in the wool Sonar and Fruity Loops user (yes I can hear your condescending laughs of derision).
I believe you should use whatever's the right one for you. If Sonar and FL fit the bill for you, then you've made the right choice.
I don't see any point in praising one host over another (or slagging of hosts) just because you like host A and I like host B.
As long as they work, and as long as music is made. That's what really counts.
