Killer Synth Lines?

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I struggle to write decent synth lines. I think I can usually put together decent basslines and drums and pads are easy enough. But I always struggle to come up with decent sequences and leads.

Does anyone have any tips on how to get better results?

I usually do things like opening filters, moving the mod wheel etc., I rarely use pitch bend or glide.

Once again this comes back to me thinking I must be missing something obvious, maybe I am maybe I'm not, I don't know.

I do know that I'm guilty of overusing a loop, i.e. I write a workable loop and let that play along whilst opening the filters or whatever. But I struggle to come up with variations or a method of making the synthy bits build with the rest of the track

Anyway, any hints or tips gratefully received.

I appreciate that there may not be an easy answer, just persistence...

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Well, for the type of music you in particular write, id say keep it simple. The sound you use is prob more important than the riff itself. Try getting a 5 note riff going, then just re-arrange them to add a bit of 'flair', even inverting the sequence has a good effect.

Another good tip is to play the riff for say 4 bars, then bang it up an octave for the next four.

Layer two synths playing the same notes/riff can also sound cool, as it can it they play opposite.

As always, its down to your ears to decide if you think it sounds good.

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cheers Dave. I might have known it would involve my ears... :)

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The point you make about layering two synths is interesting. I never really do that. The only time I do that is with perhaps a bassline and a plinky sound which is quite effective - I'll give that a try later on my latest feeble work in progress.

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CypherOne wrote:The point you make about layering two synths is interesting. I never really do that. The only time I do that is with perhaps a bassline and a plinky sound which is quite effective - I'll give that a try later on my latest feeble work in progress.
I have found good results sometimes doing this, especially if the first symth has a clean sound, then you bring in a really dirty distorted sound, not overly loud mind, playing the same part.

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might pm you later with my latest mess. :wink:

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BTW, remember i am king of the one note riffs, so my melodic tips may be taken with a big bag of salt :hihi:

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Heres a litle demo of what i mean. Playing normal, reversed, octave up, with 2nd synth and variations. Not a killer synth line by a long shot, but you get the idea :wink:

http://homepage.ntlworld.com/kriminal68/demo.mp3

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can you leave that up until tonight? I'm at work at the moment.

Thanks :)

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Sure, no prob.

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Hiya Cypher,

I'm currently addicted to built-in Arpeggiators with step control (so that you can transpose, gate, stretch each step, rewind, pause, fast forward). I don't know which synths do have this (I guess Albino2?), but here's a demo song for FilterscapeVA I'm currently working on:

VA_Arpeggio_Demo.mp3

It's not finished, but the "drums" are a single note held over the whole time, using a simple 3-steps rhythmic pattern (dotted qurter, sixteenth, quarter) with lfo modulation to add "snare noise" on second quarter.

The bass line is mostly a single note held over 4 bars using the transpose feature, and sometimes I pressed more keys to add what comes in as a "melody line". Furtherly, the Modwheel was used to fade in more modulations, such as the modulated EQ.

Oh yes, the intro sequence is an ordinary arpeggio in thirtytwos, using the Modwheel to change the filter modulation.

The gimmick at the very end of the song is made by playing short notes and thus only a part of the sequence.

What do you think?

Cheers,

;) Urs

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Educate yourself. :)

Forever,




Kim.

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Kriminal wrote:Heres a litle demo of what i mean. Playing normal, reversed, octave up, with 2nd synth and variations. Not a killer synth line by a long shot, but you get the idea :wink:

http://homepage.ntlworld.com/kriminal68/demo.mp3
very nice line

it would be nice to see the layout

is it possible to get an midifile of this ?

many thx

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Jeez wrote:Educate yourself. :)

Forever,




Kim.
Kim, no offence but several times now you have pointed me to that lengthy thread. I'm quite lazy and learn better from aural and visual examples. I have tried but I repeatedly lose the will to live after only a few minutes of reading all that text. Besides from what I can gather it talks predominantly about verse, bridge, chorus and I don't feel that's particularly helpful in my genre(s).

I know you're only trying to help but given that I haven't had the priviledge of your musical schooling, reading A A A B A A A B B C A D D or whatever means very little. Yes I know I have to start somewhere but that ain't working for me.

I will however give it yet another look and see if I can get past page one!

:wink:

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korn666 wrote:
Kriminal wrote:Heres a litle demo of what i mean. Playing normal, reversed, octave up, with 2nd synth and variations. Not a killer synth line by a long shot, but you get the idea :wink:

http://homepage.ntlworld.com/kriminal68/demo.mp3
very nice line

it would be nice to see the layout

is it possible to get an midifile of this ?

many thx
:lol: :lol: :lol:

If you really want, its here:

http://homepage.ntlworld.com/kriminal68/mid.zip

It looks like this:

Image

Image


using a simple delay setting (on a Send, about 25%)

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