bass and guitar pics

Anything about MUSIC but doesn't fit into the forums above.
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since i've already posted shots of my synths and my studio in the studio pics thread, i thought this time i'd show off some of my stringed instruments. especially since it gives me the excuse to show off my latest acquisition, which is this beauty...

Modulus Quantum 6
1997, 2Tek bridge, bartolini electronics, alder body, quilted maple top, red over blue finish, and a matching colored gloss over the graphite neck. i had been dreaming of owning a modulus Q for 15 years and i've finally got one. i just recieved this bass last week! :hyper:

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Tune TWB-5
early 90's, built in Japan (not one of the korean knock-offs). ash body, maple neck, ebony fingerboard, Tune electronics. the pics dont quite do the finish on this bass justice. the sunburst is more gracefull than it looks and the colors, especially the blues, are deeper. i've tried several times to photograph it but the color has been difficult every time. even with fine tuning in photoshop, i still couldnt get it quite right. by the way, the string color isnt a photoshop trick...those are DR extra life strings in peacock blue. (i've got red devils and black beauties on some other basses.)

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Peavey Cirrus 5 Fretless
original USA cirrus, redwood top, alder body, maple and purpleheart neck, pau ferro fingerboard. loads of mwah.

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Tune Zi-3-8N
late 90's Japanese Tune 8 string. koa top and back, mahogany core, wenge accent, maple neck, ebony fingerboard, bartolini pickups, Tune preamp.

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Musicman StingRay 5
96' or 97', ash body, maple neck, maple fingerboard. this bass is good friend of mine and it was my main axe for 8 years. these days im playing the tune, and now the modulus, more...but only because i wanted to work with some new tones. it still plays awesome and still growls like a caged animal. its one of the best stingray 5's i've ever heard.

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Frankenstein Fretless Acoustic
this is one i threw together from spare parts over 5 years ago. i did a very, very sloppy job. i just felt like goofing around one day and i never thought it would hold together for long. but to my great surprise, its still in one piece and it still plays great. the body is a plywood jazz guitar body that i was given. it was already sprayed that funky green-gold by the time i got it. the neck is a japanese fender unlined fretless jazz...maple and rosewood. the keys are a cheep, used, 2x2 set i managed to fit on there. the bridge is somewhat oddly pre-compensated used wooden guitar bridge (i didnt need the compensation, which is why its angled the way it is now), and the tail piece is the bridge plate from a steinberger copy. one of these days i really ought to clean up the sloppy work and put some real keys on there. it deserves it.

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Samick Jazzbox
17" wide, 3 3/4" thick, hot rodded with a duncan jazz in the neck, duncan screamin demon in the bridge, gold bigsby, gold ABM roller bridge, and a graphite nut. one of these days i'll get around to putting locking keys on it.

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Ibanez RG270
hot rodded with a real floyd rose, gibson tony iomi in the bridge, duncan vintage staggard in the middle, duncan fat cat P90 in the neck, several additional switching options, skull knobs, and tuned down to BEADF#B.

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ok...your turn...lets see those strings. :)

-ugo

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I don't play guitar but here's a pic of my bro's :-

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Jackson JSX-94 Concept, Ibanez Jem 555

Shif.
"Micro Kid speaks digi-talk.."

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damn ugo. you've got some awesome basses. i always wondered how the peavy and the musicman played?

lates

t-willy

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t-willy wrote:damn ugo. you've got some awesome basses.
thanks :D
i always wondered how the peavy and the musicman played?
the peavey USA neck through cirrus basses are fantastic. i havent tried the new bolt-on's or the cheeper korean BXP versions yet.

they are built amazingly well and they play, feel, and sound great. the body shape and the neck shape are both very comfortable. the neck is on the thinner, flatter side of things and the action can setup very low if you want it to be. the cirrus 5 is 35" scale, but even my relatively small hands didnt have a problem with the extended scale.

i got this bass for $800 used, in virtually mint condition, and it was well worth the money. it looks, feels and sounds like a far more expensive bass than it is. peavey's electronics are quite good too. they are quiet and the tone is a modern hi-fi sound, but still woody. the 3 band EQ on the preamp is one of the more musical and usefull i've encountered too. the cirrus basses are available in several different wood combinations. i've tried a few and they all sound quite different.

the stingray 5's have a more rounded, traditional neck shape, but thankfully not like a baseball bat or anything. the string spacing is relatively close. if you're used to a lot of space, you might find the spacing a bit tight on the tight side for slap. its very quick for finger playing though. i've found that the bass can setup really well. after 8 years, its got more buzz than it used to, and the neck alignment isnt quite what it was (a bit more of a rising tongue...no twists though) but it still plays well. a few of the upper frets sometimes try to lift up a bit, but they tap back down easilly enough. one of these days i'll glue them back down into position.

stingray's tend to be on the heavy side because they use hard ash instead of swamp ash. the average weight is around 9 pounds or so. the low B's on stingrays is excellent. its argueably one of the best 34" B's made. i dont know how they do it.

-ugo

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Shifrin wrote:I don't play guitar but here's a pic of my bro's
nice jem! i always dig those.
one of these days i'd like to get a USA jackson too. (or a japanese built ESP.)
warp x wrote:mine is here
a baritone jag? very cool!

-ugo

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