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BLEASS Granulizer

BLEASS Granulizer
What is it?
Format(s)
Effect(s)  
Operating System Availability
Operating System Latest Version
 1.3.0 
System Requirements
Windows 8 and later (64-bit)
VST3
 1.3.0 
System Requirements
macOS 10.9 and later (64-bit only) (including macOS 11 Big Sur and M1 processors)
VST3 / Audio Unit
License & Installation Method
Code for redemption on other website or application
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BLEASS Granulizer

Granular Texture Effect

BLEASS Granulizer is a granular texture effect plugin with randomization, 4 multi-bus audio inputs and a mesmerizing 3D visualizer. BLEASS Granulizer generates short samples ('grains') from different input signals by modulating different parameters which you can visualize.

The Input Stage allows you to choose between a low-shelf or high-pass filter (to filter out the bass frequencies from input) as well as a gain adjustment.

BLEASS Granulizer takes up to 4 sources from different busses as inputs (compatible DAW required). When multiple busses are on, each grain is randomly extracted from one of the available sources.

The Granulizer generates short samples ('grains') from different input signals by modulating different parameters which you can visualize thanks to the 3D Visualizer:

  • Volume.
  • Pan (represented by width in the visualizer).
  • Size (= grain's duration).
  • Density (= frequency of grains generation).
  • Offset (= the amount of time between record and play represented by the depth in the 3D visualizer).
  • Backward/Forward Playback Direction.
  • Shape (= grain's envelope, represented by the height dimension in the visualizer).
  • Warmth (= strength of the distortion applied to the grain).
  • Tune (= grains can be pitched up or down according to different modes: "Fine" / Chromatic / Major / Minor / 5th / Major 7th. / Minor 7th / Octave and other tuning modes such as dim / Dom / Maj 7th Chords).

The amount of randomization can be set with the "dice" knobs. Density, grain size and offset range can be freely synced or beat-synced to the host's tempo.

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