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Clavisphere

Kontakt Instrument by Wrongtools
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Clavisphere
Clavisphere by Wrongtools is Soundware (samples or presets that load into other products).

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CLAVISPHERE is a leftfield electric-strings library, made with Clavinets. Suited to add intricate loops, lush soundscapes, melodic leads and cinematic atmospheres.

Clavisphere offers 107 patches and 6.6 GB of samples. every sample has been processed through real-world pedals, and with its sound sculpt settings, you can generate random, evolving sounds.

Features 9 CATEGORIES:

PULSE LOOPS
The most unique part of the library is probably the plethora of multi-layered loops, all performed with clavinets and an extensive range of pedals and amps. These loops provide deep, rich rhythmic sequences that deliver totally mind-boggling forward motions and arpeggios.

LEADS
Haunting, stirring leads float above it all, morphing with the winds. Strange and intriguing guitar-like sounds, which are not guitars but clavinets, add an unusual and captivating layer to the sonic landscape.

SPHERES
Inspired by the endless landscape of dune, crafting an ever-shifting, abstract backdrop. Each patch conjures a sense of vastness – the sprawling tundra stretching to infinity, untouched by time's passage.

CHORDS
The sweeping collection of emotive chord sections breathes life and surging emotion into an already breathtaking soundtrack, amplifying its depth and expressive power.

CLAVS
Clavinet sounds with a more conventional, still weird, touch.

CHORDS
The sweeping collection of emotive chord sections breathes life and surging emotion into an already breathtaking soundtrack, amplifying its depth and expressive power.

LOWS
Patches that sounds cool in the lower range.

SHRTS
shorter notes and staccs.

SURREAL
Evoking exotic and otherworldly moments. Patches drift and dance, sometimes weightless and ephemeral. Dusty strings and bending screws blend? you got it.


SPECS:

size 6.6 GB
77 instruments
38 multi layered loops
1990 samples.

Works for Kontakt 6.4.2 and upwards.

#Kontakt7 #Kontakt8.

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