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CS-80 V4

Synth (Analogue / Subtractive) Plugin by Arturia
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CS-80 V4 has an average user rating of 4.20 from 5 reviews

Rate & Review CS-80 V4

User Reviews by KVR Members for CS-80 V4

CS-80 V4

Reviewed By pethu [all]
August 15th, 2007
Version reviewed: 1.6 on Windows

INTERFACE

The CS-80V manages to combine a confusing user interface with being one of the most user-friendly synths out there. It should be impossible, but it does.

The blame for the unwieldy interface is squarely divided between Arturia and Yamaha. Arturia's miniscule, almost unreadable fonts makes sure you have to learn the interface by heart if you are to get up to speed programming your own sounds; That the English version of the manual is predominantly written in classic Gibberish does not help.

Yamaha brings some non-standard terminology, filter controls and performance functions to the mix, though they have an excellent excuse considering the synth really was designed before any de-facto standards had evolved. Point in case: To make an ordinary sustain pedal perform as expected, you first have to set two (2) rocker switches and one slider in their proper positions!

So, 5 out of 10 on the GUI on that score, but then you start to find your way around the performance-tweaking controls, and you suddenly have to add a few more stars to the rating: Basically, the lower part of the GUI is a sophisticated quick-tweak area (akin to, say, the easy-edit page of the FM7/FM8), where you can make RADICAL changes to presets in a very efficient and consistent manner. Add to that an unequaled "plug-and-play" support for performance controls such as expression pedals and polyphonic aftertouch, and you have a true musician's instrument, very responsive to every nuance in playing style and a joy to play live.

SOUNDS

The CS-80V manages to combine a fairly basic subtractive synthesis architecture with being one of the true Virtual Analog sonic powerhouses. This should also be impossible, but it does.

First of all, the distinct "squared sawtooth" waveform makes this THE synth for stringy brass (or brassy string) sounds. For "heroic all-synthetic orchestra" film scores, look no further. Also, it cuts through a mix like not much else, fleshing out without muddying or overwhelming. You may not be able to emulate Vangelis 100%, but if you have a roughly Vangelis-shaped hole in your sonic arsenal, chances are this synth will fit admirably.

Even without delving into Arturia's add-on virtual features, the "dual synth line" architecture of the CS-80V means that it more or less expects and encourages you to use layered-type sounds, producing a fat and lush tone. If you want even more majestic sounds, switch to Arturia's "Multi mode", where you can assign a separate patch to each of the 8 voices. Slightly different versions of the same patch -- combined with some tasteful individual voice detuning -- can produce an emulation of the analog circuitry's quirkyness and tendency for sonic shifts from note to note.

SUMMARY

If you are looking for a quick "load and play" synth, you may find the price of this one a bit steep. Cheaper, more standardised alternatives may suit you better. On the other hand, if you are a "live keyboard player" willing to put some time into getting to know it, and have the hardware performance controls to tame it, it will reward you in a truly stylish manner.
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Comments & Discussion for Arturia CS-80 V4

Discussion
Discussion: Active
biomekk
biomekk
3 July 2012 at 7:55am

Arturias products are GREAT. The recreation of the original circuitry is very good. (I'm almost that old so I can remember what analog synths used to sound/feel like)

But foremost, to my experience so far, CS80v (and other Arturia products ) are very CPU friendly and Incredibly stable. Great coding in other words.

The plugin LOOKS great but I wish Arturia would do some sort of optional GUI to their products that works better on a computer,keyb and mouse. Of course you can easily assign the knobs to your favorite hw controller but I'm pretty sure that most people still end up "whipping cream" with their mouse for hours....

Guy Richardson
Guy Richardson
26 January 2013 at 4:28pm

I've been using the V Collection for a few years now. Love the Modular, Quite like the others, especially the Prophet. But I can't get my head round the CS80. Can anyone explain what the fuss is about.? Is this just not a very good emulation? I haven't heard a single preset I want to use, and I've yet to get a decent sound out of it myself. Maybe I'm missing something?

FredrikaMoberg
FredrikaMoberg
16 February 2013 at 8:19pm

What's the best way to put this to use? I can't find a good way to use the ribbon. Also, I haven't found a good way to emulate key pressure/vibrato. Any suggestions?

Guy Richardson
Guy Richardson
17 February 2013 at 12:47pm

Hi - the ribbon controller is like a pitch wheel. I guess you need a controller with a ribbon on it to use it. I think Paul McCartney used one (with a moog) on some of the tracks on Abbey Road, and Keith Emerson used to use one live to make silly noises - eg on Pictures at an exhibition.

To get aftertouch vibrato, open the panel on the left hand side - this gives you access to the modulation matrix. Select aftertouch from the first source menu and LFO 1 as the destination. In the next source box select LFO 1 and select VCO 1 Freq as the destination.

Repeat the entire process in the next two rows, but this time select VCO2 as the final destination.

Hope this helps. Guy

Guy Richardson
Guy Richardson
17 February 2013 at 12:55pm

Ps - adjust the Amount knobs to taste. The LFO speed is adjusted in the VCO section to the immediate right of the panel

Norrin_Radd
Norrin_Radd
6 September 2015 at 11:26am

Can we be honest here? This VST is broken, right? This is the only VST I have ever paid money for where, after 3 years of updates and trying again and again, I am convinced it is actually just not put together properly. I'd say stay away from this VST. It's unbelievably frustrating even for experienced users. And not frustrating because the original synth was too complex. It's frustrating because it was not make properly. It is genuinely missing some virtual screws.

If you think I am kidding, just try the demo patches for yourself. Do those sound like patches you would here in a retail synth VST? Think about it, and don't just assume it must be right because it is Arturia, or based on a famous synth. This is the worlds most broken and frustrating VST. Prove me wrong.

T-CM11
T-CM11
6 September 2015 at 4:13pm

You must have gotten a virtually defective virtual unit! It's a rare thing, but it happens sometimes. If it's still under warranty, I'd ship it back to the virtual factory for virtual repair.

THIS POST HAS BEEN REMOVED

Norrin_Radd
Norrin_Radd
12 September 2015 at 11:21pm

Actually, I figured it out, and decided to come back and post about it. Cubase 6. Quick Controls. TURN THEM OFF. I must have fiddled with them years ago to try and record the control changes I played live to be more like Vangelis. Instead, they ended up manipulating certain control changes that I didn't want, and restricted others to only what was set in the quick controls. I couldn't get vibrato to work to save my life, even though I was setting it up correctly. This was because of the Quick Controls I had enabled. They permanently stole my modwheel for filter control and it was driving me mental. Again, this was my doing, and my misunderstanding of how Quick Controls were supposed to work (I never did get them working like I wanted).

So I figured it out, turned that crap off, and was FINALLY able to make a Blade Runner patch in really no time at all. Vibrato on the modwheel, filter on the after touch. Pitch bends finally worked as expected too.

So, I take it back somewhat. I still think the age of this VST combined with the quick controls caused some more unusual things than you would expect, but in the end, it all worked out and finally I am happy to own this synth.

THIS POST HAS BEEN REMOVED

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