fedZEP

CLASSIC ROCK WAS DUE AN UPGRADE

Decades of playing, studying and abusing tube amps, distilled into two untameable rock machines that deliver sparkly clean to shamelessly dirty tones. Completed by a collection of original SFX and cabs, fedZEP has you covered for all things rock.

"I've been using plugins for many years, but I've never used anything like the fedZEP. When I played it for the first time, it was as if I were playing on an real amplifier. Because I really like to record and play with a lot of dynamics, you know? I play softly, I play loudly, I use the guitar's volume a lot. And I found in the fedZEP exactly what I was looking for. The dynamics of a real amplifier."

Henrique Garcia, Guitarist and 3x Latin Grammy Winner

THE 'REAL' GUITAR EXPERIENCE, SEAMLESSLY MADE DIGITAL.

fedZEP is built around real playing and real feel. Instead of bringing yet another attempt at recreating existing analog circuits to the digital market, we set out to create something new: an original pair of rock amps with true-to-life response, refined in the only way amps should be, with hands and ears.

These amps, pedals and effect units capture familiar characteristics of legacy hardware and evolve them into a modern, versatile all-rounder that responds to your playing like a tube amp should, keeping the tone glued to your fingers thanks to our signature zero latency.

This collection of unique original designs has been shaped by passion forged over twenty years of playing tube amps, from bedrooms to recording studios to live festivals. With fedZEP, you get the whole package.

TWO BOLD AMPS WITH INFINITE FLEXIBILITY.

CLEAN takes tone sculpting to a new level. VOL1 controls front-end bite and attack saturation, while VOL2 builds harmonic density and sustain, taking you from pristine clean to touch-sensitive breakup.

Fine-tuned BASS, MIDDLE and TREBLE controls are completed by MASTER plus wide-reaching PRESENCE and DEPTH, with advanced settings for deeper tone shaping.

CRUNCH explores distortion from chunky rhythm tones to huge walls of rock guitars. GAIN1 drives front-end attack and grind, while GAIN2 adds body, sustain and bloom.

Its BASS, MIDDLE and TREBLE stack works in tandem with more aggressive PRESENCE and DEPTH controls, giving you maximum flexibility to chase the exact distorted sound in your head.

BUILT-IN PEDALS

SNAPPER

Time to squash or snap. SNAPPER is built around an original circuit that captures the snappiness of OTA compressors. With variable linked attack/release, a soft analog sounding saturation, the pedal has all it takes to handle your transient and dynamics before the front end of the amp.

ELEGANTE

More than just distortion, ELEGANTE offers direction. A TS-style stage before your amp tightens the lows, adds a mid push that keeps riffs articulate and clear, and lifts leads smoothly without fizz.

MORSO

Inspired by classic guitar pedals from the 70s and 80s, MORSO delivers thick and unruly distortion in two distinct flavours, with a switch toggling between vintage fullness and aggressive top-end clarity.

BUILT-IN RACKS SFX

ECO DELAY draws from the tape echoes of the 70s and 80s, where repeats carry tone and movement, sometimes in unpredictable ways. Sync it to your session BPM, run it mono or stereo, and set it from tight, barely-there slapback to long trails that stay musical as they decay.

Push feedback past 100% for self-oscillation, then add as much character as you want with switchable vibrato/chorus modulation and a dedicated depth control.

WHOLE LOTTA VERB is a custom space between plate and hall, custom-programmed to inspire and designed to shimmer and breathe on its own.

It can sit as a quiet halo around the source or open into a deeper, immersive bloom. Shape it even further with HP/LP filters to keep the tail as lush as you need.

DOUBLE DENIM CHORUS adds width and motion without blurring the performance. Classic Rate/Depth/Mix controls take you from gentle thickening to obvious modulation.

Flexible placement lets you decide how it interacts with the rest of the chain. Put it before the ambience to let it bloom into the rest of the chain, or move it to the end for a cleaner, polished stereo finish.