In the 90s, quality graphic equalizers are used for mastering tasks. Some of these equalizers of at least 16 bands, had a global bandwidth control (Q), to obtain very musical cuts with little stridency and a pleasant response. Its architecture varied according to the manufacturer, and its filters were designed in series or parallel. Parallel filters, how to completely cut off the signal, as a volume control is treated, but that positive aspect is truncated with phase problems. On the other hand, the architecture of filters located in series (such as parametric equalizers), without many problems of this type, being currently the most used design.
MASTERGRAPHIC, It consists of the implementation of series filters with a total of 30 cuts, and a control of the bandwidth (Q), which allows us to create very musical curves, even with the most problematic sound material. This allows us to overlap the bands, creating with a few "dB" a correction and smooth coloring, but effective.
We return like this a few years ago, remembering the way in which those subjects were mastered, of which some have become a reference in the collective memory of all.
The set of -4dB, is oriented to creative work, so that more selectively we start coloring curves.
Visit the plugins with musicality: