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MonoOne

Synth (Analogue / Subtractive) Plugin by SC
MyKVRFAVORITE4WANT0
No Longer Available

MonoOne has an average user rating of 3.00 from 2 reviews

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User Reviews by KVR Members for MonoOne

MonoOne

Reviewed By kritikon [all]
February 28th, 2003
Version reviewed: 1.0 on Windows

This is one of those synths that I just had to do a review for because it gives me so many mixed feeling.

First off - it is really really basic - there are hardly any mod options, and not much of anything to speak of. It has a nice GUI, but it's never going to be a synth that has you scratching your head on how to program it - it's just too cut down and underdeveloped.

BUT ..... This odd little synth (which I guess was someones first dabblings in synth development) has the best sounding oscillators of any VSTi's I own!

Really and truly - the oscillators are beautiful - they are meaty and fat, and have the full spectrum in there. They could be from a Moog or an OSCar! They are the most analogue oscillators I have heard on any VSTi - no trace of thin-ness, weediness, or nasty brightness. The problem is, there is nothing much you can do with them in terms of a real synth and modulation options.

I wholeheartedly recommend that you d/l this baby and then put it through a plugin filter, or even a hardware filter. My problem was that I don't overmuch like most plugin filters - Waldorf are getting better at it, and I quite like the Phatsync bundled with Cubase 5.1, but the rest leave me cold. I haven't heard the new quad Frohmage from OhmForce yet, so maybe that is one good option for these oscillators. It cries out for more functions and it could be a beast - I love, love, love those oscillators and can think of loads of good VSTi's that would be incredible with these oscillators - imagine something like Crystal with these huge OSCar-like oscillators! (gulp)

So overall, the synth is hardly credible as a VSTi because it doesn't do anything, but play those oscillators even with no filter on them, and it just takes you back to VCO heaven in the 60s and 70s - better than all new ones by far, and they need no Eq - why then don't they make this into a real synth? It puzzles me no end.
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