Oz2

JAPANESE ORGAN FROM 1971 ROUTED INTO DIFFERENT HARDWARE CIRCUITS AND SPEAKERS

130 Patches: Beyond the Drawbars

The most striking aspect of OZ2 is its sheer scale. While most boutique libraries offer a handful of variations, OZ arrives with 130 curated patches.

Wrongtools has clearly designed this library with the modern composer in mind. The patches aren't just categorized by "Jazz" or "Rock." Instead, the library ventures into:

• Cinematic Noir: Haunting, dusty textures that feel like they belong in a 1970s psychological thriller.
• Mechanical Drones: Utilizing the inherent hum and electrical leakage of the original hardware.
• Experimental Soundscapes: Patches that have been pushed through modular gear and boutique outboard chains.

The Boutique Interface: Controlling the Chaos

The OZ2 interface reflects the Wrongtools philosophy: give the user control over the "flaws." Users can dial in the physical Key Clicks, the Tonewheel Leakage, and the Noise Floor of the original machine.

However, the "secret sauce" is the XY-Pad Morphing. This allows for real-time movement between different tonal states, turning a static organ chord into an evolving, breathing texture. When paired with our bespoke Rotary and Tube Drive emulation, the instrument can transition from a delicate, flute-like whisper to a screaming, overdriven beast that sounds like it's about to catch fire.

Why it Matters for Composers

In an era where "stock" sounds are everywhere, OZ2 offers a distinct sonic fingerprint. It's an instrument for those who find beauty in the dust of old circuits. Whether you are scoring for film, producing an indie-soul record, or looking for an organ that doesn't sound like a preset, OZ2 provides a level of character that mass-market libraries often polish away.

Wrongtools has proven once again that boutique doesn't just mean "small"—it means specialized, obsessive, and undeniably soulful.

Technical Specifications

{See video at top of page}:

• 70 Patches.
• 2969 Samples.
• Size : 5.58 GB.
• 2 main parts normal & reception.
• normal patches has 5 signals.
• reception patches are recorded with amps and some cool hardware.
• normal RR and release samples on individual patches.
• Articulation switcher control by ks or cc.
• Arrhythmic unlimited sound sculptering.
• Adjustable custom ir reverbs.
• 5 included signals – speaker, room, spring-reverb, mini-leslie and DI.
• Optional Random Sample-Start.
• Optional simulated round-robin from adjoining samples.

https://youtu.be/DPll7ujq7ro

Acetone GT-7 was manufactured in Japan in the late 60ties / early 70ties. We have deep-sampled it through 5 signals, as well as made a huge collection of tainted raw and multiple-amp patches.

Main patches got five signals : internal speaker / room recorded from a separat amp / stereo-spring reverb / mini-leslie / direct line.

https://youtu.be/y-x85NOTNI0

The 2nd part of the lib is of a more experimental nature. (called Reception) Endless lines of connected processors was utilized to create the tainted patches. Tape echos, warp pedals, modular boxes, circuit bent toys and amps of all sizes and forms.

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