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Production Grand Compact

Piano Plugin by Production Voices
Production Grand Compact Production Grand Compact
Production Grand Compact by Production Voices is a Virtual Instrument Audio Plugin and Soundware (samples or presets that load into other products) for macOS and Windows. It includes, and is therefore "powered by", sforzando, which functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin and an AAX Plugin.
The OS and Format icons below are for the latest version of sforzando. The version numbers are for Production Grand Compact.
System Requirements
Requires 64-bit version of Plogue sforzando available for free.
Mac OS X 10.7 or greater or PC with a 64-bit version of Windows
2 GB of free hard drive space. 8 GB RAM. Fast 7200 RPM hard drive or a solid state drive.
Solid State Drive or 7200rpm Hard Drive recommended for best performance.
Not Yet Released
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Copy Protection
Customized Per Customer
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Overall: 14575   1937

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Production Grand Compact is a piano sample library for the free Plogue sforzando sampled from a Yamaha C7 grand piano in a large format recording studio. Production Grand Compact contains samples from the larger Production Grand 2 without the need for the expensive Kontakt sampler.

Production Grand Compact takes a single microphone perspective from Production Grand 2 and places it in the Plogue sforzando player for a compact, fast-loading virtual instrument piano.

Production Grand Compact is ideal for Album Production, Live Stage Production, Film Score Production, Performance and more.

{See video at top of page}

Microphone Perspective:
Outside Microphones: Just outside the piano, Neumann M149 modern tube microphones were used. This microphone pair has a piano balanced tone compared to inside or hammer microphones.


  • Over 10 GB before losses compression to FLAC.
  • Fast Loading.
  • Authentic Grand Piano Sound.
  • 12 velocities pedal up samples.
  • 12 velocities pedal down samples.
  • 12 velocities release samples.
  • Sympathetic Resonance.
  • Authentic hammer mechanism noises (labeled: Pre-Attack).
  • Round robin pedal noises.
  • Recorded with Neumann M149 Tube microphones.
  • Recorded at Phase One Studios in Toronto.
  • A/D converters used: Burl Mothership.
  • Microphone preamps used: API and Neve.

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