Session Analyzer

FLUX: Studio Session Analyzer – The basics of audio analysis with all the analysis tools you need to get full visual control of your mix.

*The add-on options requires FLUX: Analyzer and are NOT compatible with the Studio Session Analyzer.

Main Features

Basic metering with Peak / Basic RMS meter:

• Peak meter, Basic RMS meter, Fully customizable scale and ballistics.

Phase meter:

• Weighting filters; ITU-R BS.1770-2 (K-weighting), ANSI A, ANSI B, ANSI C.

Real-time spectrum analyzer:

• Standard FFT or unique Flux: Spectrum representation.
• Block size up to 64 K.
• Configurable analysis window; Rectangular, Barlett, Blackman, Hamming, Hann.
• Real Time waterfall (see "slide" option in spectrum setup).
• Amplitude or power frequency scaling.
• Time-averaging; Continuously running, Fill/freeze refresh/display cycle, User-adjustable length up to 200 frames.
• Max (accumulated) or running mode.
• Display channels sum or a number of channels, user-selected.
• User-adjustable fixed range or automatic range.
• Simultaneous display of: Raw, full-resolution curve, Smoothed curve with user-adjustable detail setting, Peak curve.
• Independently adjustable curve ballistics.
• Peak tracking with user definable frequency range and several display variations.
• Keyboard and mouse frequency-axis zoom.
• Fully-customizable curve visual options.

Spectrogram Display:

• Color modes.
• Power grading, Frequency grading.
• Range Min / Max.

Vector Scope:

• Internal processing up to 768 kHz.
• Auto-scaling.
• Fully adjustable display; Blending, Fading, Blurring, Scaling.
• Several color modes; Static color, Power grading, Dynamic grading, Power + Dynamic grading.

Flux: Nebula Stereo:

• Nebula stereo (Front projection only).

Unique spectrum over space scope:

• Providing real-time visualization of the the audio content in the stereo space-frequency domain.
• Auto-scaling with user adjustable ballistics.
• Focus Control.
• Linear or logarithmic blending.
• Fully adjustable display; Fading / persistence, Blurring, Scaling.
• Choice of color modes.
• Power grading: color varies according to signal power.
• Dynamic grading: color varies according to signal dynamics.
• Power/dynamic grading: combines both previous modes.
• Frequency grading: color varies according to frequency.
• Channel-selection with surround input content.

Oscilloscope:

• Multi-channel, Zero-crossing trigger.

Sample Rates (kHz) – 44.1, 48, 88.2, 96.

{See video at top of page}