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Need a Bass? May be Sub-bass octaves?
Present a sub octave generator for your signal. But its not just sub-octave genertor, not pitch-down shifter.. Like an classical divider pedal, the tone is warm, fat, and a bit synth-like, as opposed to the crisper, more acoustically accurate transpositions of modern pitch-shift pedals. This effect unit contain main function section of Octave Diver (emulate Mu-Tron Octave Divider pedal), control of input and output levels, Destruct section, classical ringer effect, compressor with limiter to control your signal clipping, built-in LFO and also - widening function. Its pretty good hybrid effect for various situations. Bigger aspect to run SubColours - add or generate to any sound new sub-octave with gain signal, compression, limiting and widening.
Use this fx with guitars for warm sub backgrounds, with any samples for punch and sub-modulation, with synths to give subtle sounds fatty weight, with drums to expand the foundation of the basic source.
What at other side? All CV-inputs that you need.
Compressor to control sub frequencies.
Limiter to limit dry or wet signals.
Widening to spread your output signal.
Destruct to overdrive you sound.
So.. Lets start use it.
Max Freq - Maximum input frequency a sub octave will be generated for. Set from 35Hz up to 560Hz
Tone - Set harmonic content of generated sub-octave. Set from 0 up to 100%.
In fundamental SubClours OctaveDiver part is effect like a Mu-Tron Octave Divider classic pedal. There you can find modulation of sub-tone. But we add more in our device to make it more useful.
Correction Input - correction of input level (unprocessed input signal) befor it going to DRY/WET control Correction Output - correction of output level of the effected signal after DRY/WET control.
DRY/WET - level of the unprocessed input signal sent to the output with morphing to level of the effected signal.
Can be used as Bypass / PRE / POST / SUM / END position in chain.
Level - set level of signal gain
Mode - OVER (overdrive gain), SCREAM (classical green Screamer pedal), FUZZ (pioneer of destruction effects)
Ringer is very old and classical effect, that reproduce second tone to signal, based on Green Ringer ring modulation pedal by Dan Armstrong.
Classic Compressor that can be used as Bypass / PRE / POST / SUM / END position in chain.
Limiter with SOFT / HARD / CLIP modes, can be used as Bypass / PRE / POST / SUM / END position in chain.
Help to spread and wide more your signal with 4 zone selection.
Built-in Modulation with LFO.
Modulation Source: Constant / Automata A1, A2, A3 CV Inputs (can be controlled with controllers on front panel)
Modulation Destination: Max Freq, Tone, Dry and Wet signal.
Built-in LFO with 8 waveforms (Sine, Tri, Saw, Sq, Pulse, Tangens, RiseUp, Trapezoid), rate and affect of rate, depth and random. Modulation with LFO help you create various creative active-effects (as auto-bass and more)
USE positions in chain.
Its very useful to set positions of compressor, destruct and limiter in various position.
Not move at start of work to WET max positions. Wet is not better! Wet is only processed sub-signal. If signal is clipping, try to use compressor, limiter and signal correction (Input/Output). Sub-bass activity in track need accurate use and control.