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SubMass

EQ / Bass Boost / Dynamic / End-low fix Plugin by DSPTone
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SubMasshttps://static.kvraudio.com/i/b/3d.png
SUBMASS SUBMASS SubMass
SubMass by DSPTone is a Virtual Effect Audio Plugin for macOS and Windows. It functions as an Audio Units Plugin, a VST 3 Plugin and an AAX Plugin.
Product
Version
1.0.5
64-bit only
Windows 10 or higher
At least 8GB of RAM, 16GB is recommended
At least 200MB of free drive space (OS drive)
Product
Version
1.0.5
64-bit only Intel & Apple silicon
Mac OS X 10.15 or higher
At least 8GB of RAM, 16GB is recommended
At least 400MB of free drive space (OS drive)
Effect
Formats
Copy Protection
Online Activation

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KVR Rank

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SubMass is a low-end bass resonator tool designed to solve the ultimate mixing challenge: achieving a massive, powerful bass response that remains perfectly tight, clean, and focused.

In standard mixing, boosting low-end with a traditional equalizer often introduces unwanted sub-bass mud, robs your mix of headroom, and creates a flabby, uncontrolled low-end. SubMass fixes this by using a specialized, interactive filtering circuit. It creates a tight, resonant volume peak right at your chosen target frequency while simultaneously executing an aggressive high-pass cutoff immediately below it.

Immediate psychoacoustic illusion of weight, punch, and authority that translates perfectly to any speaker system, without adding unnecessary sub-bass clutter.

Every engineer knows the struggle:

  • Bass track that sounds huge in solo but vanishes on small speakers.
  • Kick drum that pokes through but lacks "weight.".
  • Synth pad that rumbles but eats all your headroom.

SubMass is inspired by the legendary Little Labs Voice of God* 500-series device, an analog "bass resonator" designed to salvage, enhance, and redefine low-frequency content.

Unlike tools that use subharmonic synthesizers or artificial harmonic distortion, SubMass FX achieved its massive low-end purely through a precision-engineered, resonant solid-state filtering.

What it fixes?

  • Weak low-end: Instruments that lack fundamental body.
  • Muddy mixes: Resonant build-up that clouds up to 250 Hz.
  • Monitoring translation: Bass that feels present only on subwoofers.
  • Inconsistent sustain: Notes that die out before the groove resolves.

Making your bass instruments feel larger, more focused, and mix-ready

A simple low-shelf & EQ bell is static...

But SubMass is dynamic in perception, it reinforces what is already there. Whether you struggle with a thin DI bass or an 808 that needs "chest feel," SubMass delivers analog-style low-end control in a clean digital form.

It curves out low-frequency mud while magnifying the exact "sweet spot" of your bass.

By cutting the invisible, energy-robbing sub-frequencies below the resonant peak, your mixes will actually gain headroom and sound louder. Ditch complex multi-band workflows. With just a few knobs, SubMass lets you tune your low-end purely by ear in seconds.

A secret weapon among top-tier mix engineers

As original device, when it was been released, it became a secret weapon among top-tier mix engineers for transforming kick drums and bass guitars.

It achieved low-end "weight" using a completely clean, solid-state signal path.

It didn't rely on transformers to saturate or generate fake sub-harmonics. It relied purely on a beautifully tuned, highly interactive resonant filter circuit.

What It Can Do

  • Kick Drums (Acoustic & Electronic): Adds incredible chest-thumping punch to 808s, 909s, and rock kick drums.
  • Bass Guitars & Synths: Locks down the fluctuating low-end of a bass performance, giving it a consistent, steady foundation.
  • Voiceover & Male Vocals: Restores proximity effect to thin, poorly recorded microphones, giving vocals a deep, cinematic authority.
  • Tom-Toms: Tightens floor toms, accentuating their deep resonance while filtering out muddy bleed from the rest of the drum kit.

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