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TOMiC Drum Synth

Drum Synthesizer Plugin by Tomasz Głuc
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TOMiC
TOMiC Drum Synth by Tomasz Głuc is a Virtual Instrument Audio Plugin and a Software Application for Windows and Linux. It functions as a VST 3 Plugin, a CLAP Plugin and a Standalone Application.
Product
Version
0.1 ALPHA
Product
Version
0.1 ALPHA
Instrument
Formats
Sample Formats
Loads and/or Saves
WAV

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TOMiC Drum Synth

Free, open-architecture drum synthesizer plugin built entirely in Rust. Precision DSP meets intuitive step sequencing.

Full Description

TOMiC is a professional-grade drum synthesizer plugin designed for producers who demand both sonic depth and programming flexibility. Built from the ground up in Rust for maximum real-time safety, it delivers eight fully independent synthesis engines — each capable of sculpting any percussive sound from tight kicks to evolving metallic textures — all within a clean, scalable interface.

Every channel combines an oscillator layer with a dedicated noise generator, running through a choice of twelve analogue-modelled filters and a comprehensive FX chain. The result is a synth that can convincingly cover kick, snare, hi-hat, clap, tom, and percussion duties in a single instance, while still leaving room for experimental sound design.

Synthesis Engine

  • Oscillator: band-limited waveforms with poly-BLEP anti-aliasing, pitch envelope with concave/linear/convex shaping, hard sync, FM, cluster/detune, and PWM.
  • Noise generator: White, Pink, Brown, Velvet, and Metallic modes; Metallic uses a feedback delay network for realistic cymbal and bell tones.
  • Sample layer: per-channel sample playback with slice support, independent from synthesis layers.
  • 12 analogue-modelled filter models: Clean SVF, Moog Ladder, 303 Diode, Korg35, OB-Xd, Comb, Vintage, Cutoff Warp, Resonance Warp, Formant, Sample & Hold.
  • Two synthesis layers (A/B) with Morph crossfade and independent parameter sets.

Effects

  • Reverb: custom 8-line Feedback Delay Network (FDN) with Hadamard mixing matrix, per-line stereo modulation, frequency-dependent damping — fully self-contained, no convolution required.
  • Delay: 4-point Hermite interpolation, one-pole LP in feedback path, DC blocker, no pitch zippering.
  • Distortion: 8 algorithms (ArcTan, Tape, Tube, Fuzz, Rectify, Half Rectify, Diode, Foldback) with 2× oversampling via polyphase IIR anti-aliasing.
  • Bit Crusher: TPDF dither with dual Xorshift PRNG for true-colour quantisation noise; zero-order-hold sample rate reduction.
  • Chorus, Phaser, Parametric EQ, Stereo Widener
  • Master Compressor: full ADSR control with makeup gain.
  • Master Limiter: configurable ceiling.

Modulation & Control

  • 2× LFO per channel — syncable to host tempo, routable to 140+ destinations including filter cutoff, pitch, pan, reverb send, and per-step parameters.
  • 2× Mod Envelope per channel — one-shot ADSR for transient shaping of any parameter.
  • Per-step parameter automation lanes: pitch, volume, pan, probability, gate, micro-offset, ratchet, morph, mutation, and more.
  • Song-level automation: tempo, swing, and per-pattern parameter snapshots.

Step Sequencer

  • 13 patterns (A–L + Fill), up to 64 steps per channel, independent step length per channel.
  • Per-step controls: trigger, accent, probability (0–100%), reverse, ratchet (1–4×), gate length, pitch offset, micro-offset (±100 ms nudge), slice index, morph.
  • Trigger conditions: Ratio (x:y), Not Ratio, First, Not First — Elektron-style conditional trigs.
  • 6 Groove templates: Laid Back, Push, Shuffle, Bossa Nova, Funk Heavy, Human.
  • Euclidean pattern generator with rotation.
  • Auto-randomise per lane with configurable density, range, and interval.
  • Song mode: full song arrangement with pattern chain, per-pattern channel automation.
  • Clip launch: per-channel independent start/stop queuing for live performance.

Workflow

  • Undo/Redo — 20-step history for all sequencer edits (Ctrl+Z / Ctrl+Y).
  • Editable channel names — rename via double-click or context menu, saved with project.
  • Copy/Paste: full pattern, step range, channel preset.
  • MIDI CC Learn with per-parameter mapping and override values.
  • MIDI Export: full song chain or individual channel patterns as standard MIDI files.
  • Audio Export: WAV (16/24/32-bit float), AIFF, at 44.1/48/96 kHz.
  • MicroTonic preset import — load .mtpreset and .mtdrum files directly.
  • UI Scaling: 80% / 100% / 125% / 150%.

Technical Specifications

Architecture

  • Zero dynamic allocation in the audio thread — lock-free triple-buffer design.
  • Hardware-level denormal protection (FTZ/DAZ via MXCSR).
  • All DSP components fully sample-rate aware.
  • Developed entirely in Rust for memory safety and real-time guarantees.

Formats & Platforms

  • Plugin formats: VST3, CLAP, Standalone.
  • Platforms: Windows, Linux (macOS in development).
  • Sample rates: 44.1 kHz, 48 kHz, 96 kHz (all supported dynamically).

System Requirements

  • Multi-threaded CPU (audio thread is lock-free, MIDI/file I/O on background threads).
  • ~256 MB RAM typical.
  • Modern DAW with VST3 or CLAP support (OMNi DAW, Reaper, Ableton Live 12+, Bitwig Studio, etc.).

About

TOMiC is free and open to the community, developed with care by Tomasz Głuc (OMNi DAW).

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Comments & Discussion for Tomasz Głuc TOMiC Drum Synth

Discussion
Discussion: Active
nr1killabee
nr1killabee
7 July 2026 at 4:44pm

"Load .mtpreset and .mtdrum files directly. Migrate your MicroTonic library with one click."

How cool is that? :)

THIS POST HAS BEEN REMOVED

nr1killabee
nr1killabee
7 July 2026 at 9:04pm

When I press on the second button under the scaling, the VST3 crashes and also Reaper.

I believe it is called: "open song". But apart from that I like it already :).

THIS POST HAS BEEN REMOVED

id3at
id3at
8 July 2026 at 5:07pm

I've just uploaded a version with fixes for the Windows bug you reported and other minor issues. Let me know if it works for you too :).

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