Transforce

Transforce is the transient shaper plugin for designers and producers who want both punch and control without the usual trade-offs. Independent processing on attack and sustain. Spectral processing that separates tonal content from noise. Parametric EQ and saturation per band, on each side. A Stylize module, a Clipper, and a Limiter to finish the job. Built for sound design, yet equally capable in music production.

Independent EQ on Attack and Sustain

Transient EQ that does what a transient shaper plugin can't do alone.

Most transient tools force a trade-off. Push the attack and the sustain rides up with it. Tame the body and the punch goes flat. TRANSFORCE splits attack and sustain into two signals you shape separately, each with its own parametric EQ across multiple bands and its own saturation. Shape the low end of the attack and remove rumble from the sustain at the same time. You get punch hits hard, and the sustain element sits exactly where you want it.

The Spectral Slider - Tonal-vs-Broadband Separation

Spectral processing across attack and sustain, independently.

This is special, the Spectral Slider separates the tonal resonances in a signal from the noise content, then lets you process each across attack and sustain. On a sci-fi element, add tonal character to the attack and leave the sustain clean. On a guitar, pull the pick attack off the front of the note without touching the body. On a snare, shape the ring without touching the crack.

Key Features

• Independent parametric EQ on attack and sustain, with multiple bands per module.
• Per-module saturation.
• Spectral Slider — tonal-vs-broadband separation across attack and sustain.
• Transient section with hold, decay, and sidechain trigger input.
• Stylize, Clipper, and Limiter modules.
• Up to 4× oversampling.
• Look-ahead transient detection (user-adjustable).
• Full parameter automation.
• Presets drawn from real production scenarios.
• VST 3, AU, AAX Native, AudioSuite. Native Apple Silicon. NKS-Ready.

Use Cases

• Sound design for film, TV, and games — drums, footsteps, impacts, dialogue, whooshes.
• Game audio teams shaping large sets of sounds at scale.
• Sci-fi, impact, and creature work where attack and sustain need different tonal treatment.
• Drum bus and individual drum processing.

{See video at top of page}