UltraChannel

Here two sets of sympathetic drone effets That means two different process chain , covering each notes of chromatic transpositions both in an insert and in a send/return situation Of course the delay times has been chosen manually, and I much appreciate the quality and stability of Eventide’s delay lines, being a well established company in the market at least from the seventies the experience in the domain is undeniable As advices, I would recommend to use instruments being poor in harmonics, I had pretty nice sounds mainly with Trillian’s fretless and diverse electric pianos when not too bright in their harmonic content Otherwise a sort of metallic feel appears, that might be desired but with a less warmer feel induced As a composer advice, I suggest to choose the fundamental of your scale (monotonal compositions, without modal transpositions) major (Ionian) and lydian mode are IMO the most effective, but not necessarily, depend on the way you’ll mix your sound sources together As an example, here a short tune on an a capella improvisation of a singer from Burkina Faso (on a minor scale) https://www.dropbox.com/s/h5b2qsbr8uhpilb/Awa percent 20En percent 20Deuil.mp3?dl=0 As usual, if the link doest not work by itself then copy/paste it in your browser For any reason, if you wish to contact the artist, here her professional Facebook page (in frensh) https://www.facebook.com/awa.chibala To conclude, I suggest to drop my folder among those from other sound designer that contributed to create presets for this plugin (on a Mac : User / « your name » / Documents / Eventide / Ultrachannel / Presets) Alexandre Borcic A copy of this « read me » page is inside the download package…