Z3TA+

This is the crown jewel in my setup that sets a new standard for synths, subtractive, hybrid, or otherwise. It boasts a GUI clearly superior to just about any other interface; a 16-slot modulation matrix unmatched right now; an overabundance of modulation options, functions, and parameters; X-Y pad, huge library of waveforms, waveshaping, etc. – the list reads like an expanded, comprehensive encyclopedia of modern sound synthesis.

Its sonic character is close to Pentagon, but with a much richer, more robust engine, and a much broader, more daring spectrum of sounds and possibilities. The abudance of stunning presets allow you to get a tiny taste of the myriads of z3ta’s potential flavours, from soaring leads and rich pads to clear basses, tintillating sweeps, and mystical cosmic ambience. Z3ta+ is like a beautiful lady: it begs to be played, tweaked, notched, doodled, and stroked…:^) And if you run out of inspiration, the built-in arpeggiator with the preset library turns it into an instant musicmaker.

It’s well suited to just about every flavour of electronic music, from ‘70s progressive electronica to New Age, trance to hard techno, and everything in-between. You can use it as a 'preset-player’, but make no mistake: it's a “tweaker’s synth”. The clear, functional organization of options allows even the beginner to get a relatively easy start, but it’s a mighty task: don’t underestimate it. It’s also addictive as hell, so be prepared to spend days tweaking instead of messing with your tunes…;^)

There are few VSTi’s out there that could be classed in the same category, much less compete with it. Vyrsin and Albino are right at the top with it, but these three have such unique character that it would be impossible to pick one over the others. I only gave it a 9 in features simply because I feel that in THIS class of synths, drawable envelopes should be the minimum standard; and less in documentation (which is great as it is) because you always need more.:^)