Any auto make-up gain comps?

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I want to do the new york mixing style on my bass and drum and I need a compressor thats auto make up gain. What i'm going to do is have my bass and drums signal playing without compression and then have a send effect of a compressor that is going to be played at the same time over the original drums, sounds really good. but i need an auto make up gain thing to make it sound pretty decent.

I'm using cubase then reason for drums but I dont like using there auto make-up comp it sucks. Also im mixing all in cubase so it will be eaiser

Another question I have is, how do you go about tuning drums in cubase?

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blockfish has automakeup.

Kind regards

Dave Rich

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Sonalksis SV-315 has auto make-up gain as well.

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For the New York Style(e) Parallel Bus Compression trick, you don't really NEED to have Auto-Makeup Gain. But you do NEED to be certain that there is not delay/latency between the dry drums and the compressed drums.

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For the New York Style(e) Parallel Bus Compression trick, you don't really NEED to have Auto-Makeup Gain. But you do NEED to be certain that there is not delay/latency between the dry drums and the compressed drums.
Yes, that's what I would say too.
But I would think that most VST compressors have some kind of makeup gain control. In fact, for what you want to do you should also have a look at those compressors that have wet/dry controls built in directly. I believe there is a a bunch of those arround. That would be an easy way to achieve the parallel compression you refer to.
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when did this become "the new york style"? wtf?
is someone claiming to have "invented" it in EQ or Tape Op? ;-)
how 'bout the thing where you eq the drums, what style is that? sorry, just being a smart ass for no reason.

Billy

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bongo_x wrote:when did this become "the new york style"? wtf?
is someone claiming to have "invented" it in EQ or Tape Op? ;-)
how 'bout the thing where you eq the drums, what style is that? sorry, just being a smart ass for no reason.

Billy
New York style drums are heavily compressed. You can tell from most rap albums, if u want a good example of this take a listen to a lil john cd LOL. Also in my book called "The Mixing Engineer's Handbook" by Bobby Owsinski he defines LA style, New York style, Britsh style, and a lot more... mixing styles are just how different locations have evolved.

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so, the answer is yes, someone is claiming a basic engineering technique as their own style ;-)


Billy

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daverich wrote:blockfish has automakeup.

Kind regards

Dave Rich
Where is the auto make-up gain feature in this VST? Cant seem to see it...

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Billy,

This technique has been known as the New York City Drum Bus Technique for decades. In a manner that is similar to "The British Nuke" or "British All Buttons In" tecnique with the 1176 compressor.
bongo_x wrote:so, the answer is yes, someone is claiming a basic engineering technique as their own style ;-)


Billy

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Elfs1der wrote:
bongo_x wrote:when did this become "the new york style"? wtf?
is someone claiming to have "invented" it in EQ or Tape Op? ;-)
how 'bout the thing where you eq the drums, what style is that? sorry, just being a smart ass for no reason.

Billy
New York style drums are heavily compressed. You can tell from most rap albums, if u want a good example of this take a listen to a lil john cd LOL. Also in my book called "The Mixing Engineer's Handbook" by Bobby Owsinski he defines LA style, New York style, Britsh style, and a lot more... mixing styles are just how different locations have evolved.
The term you wanna use for this is "parallel compression".

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Elfs1der wrote:
daverich wrote:blockfish has automakeup.

Kind regards

Dave Rich
Where is the auto make-up gain feature in this VST? Cant seem to see it...
Certain compressors have a knob, certain compressors do it under the covers, some compressors don't do it at all. Some compressors do a straight across the board make-up gain, other compressors seem to have a touch of maximizer output gain sound & feel that pushes the gain up based on program content...that's just from a user point of view.

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