To be specific about what key-switching means, it sets out certain trigger keys (normally far below the lowest note of the multisample) to change the articulation. So if you play a C1, then play some notes, they will all be legato, and then you play a D1, and after that, all the notes you play are marcato. Play an E1, after that everything is staccato. Of course, there are more articulations in Miroslav than that, but just for example purposes.
I ask because I think it's the best way of handling articulations - they're the same instrument/section, so why should there need to be separate tracks for the instrument/section playing a different way? As far as I know, key-switching is utilized in many of the top orchestral libraries and is supported by most of the top samplers, so it's not a totally out-of-the-blue question.
If the answer is no, is there some reason? I hope IK/SR will consider it
Also, when does Philharmonik come out?
