Only when you're near, at the door.Sleepgolfer wrote:I am Antichrist...does that count?
Groet, Erik
Only when you're near, at the door.Sleepgolfer wrote:I am Antichrist...does that count?

hm, sorry, i didn't read the whole thread, just the end to see what kept this topic going. But that statement is nonsense to me for sure.aMUSEd wrote:Well maybe but don't forget what started this was the statement that Polyphony started with the Christian Church. The stuff about harmony, notation etc was added later.Panda wrote:I think you are both right. It is true that polyphony and harmony go back a long time in China and Asia in general, but also that *in general* the role of harmony is more important in western music than in Chinese.
You can say Chinese music is rather modal, that is, more melody-oriented, and western music is more tonal, being more harmony-oriented. That of course doesn't mean that in modal music there's no room for harmony and vice versa...
Don't agree, there's plenty of music that's tied to a religion without any lyrics necessary. I do agree that 'any Chriqtians making music here' is kind of an awkward question...oldevil wrote:even on a music forum religion rears its ugly little head...there is no such thing as 'christian music', 'muslim music', etc...there is music with christian lyrics, muslim lyrics, etc...but music is just music, good or bad...religion is the Great Divider, pitting one 'true religion' against another...'are there any Jews here making music', 'any Muslims', etc...what does it matter when it comes music? any Scientologists making music here? where's Tom Cruise?
well i fail to see why all the fuss about this simple question.oldevil wrote:even on a music forum religion rears its ugly little head...there is no such thing as 'christian music', 'muslim music', etc...there is music with christian lyrics, muslim lyrics, etc...but music is just music, good or bad...religion is the Great Divider, pitting one 'true religion' against another...'are there any Jews here making music', 'any Muslims', etc...what does it matter when it comes music? any Scientologists making music here? where's Tom Cruise?
i´m happy to meet people sharing the same desire which is music. i´m happy to meet people sharing the same air and the same planet.Wopelka wrote:
it's a human thing to seek fellowship with their peers, whatever criteria it might be. why assuming it is against others that we are happy to meet persons sharing the same religion, the same nationality, the same sex, etc? as long as it's open and friendly, not sectarist, it shouldn't annoy anybody, really.
who's doing the witch hunt nowadays?
this is the best sentence uttered so far in this thread!!oldevil wrote: religion rears its ugly little head
yes, something would be wrong, but that's absolutely not the case here.abi wrote:something is wrong when i have to share someone´s religious beliefs in order to be accepted as his "mate", isn´t it?
nice lesson of tolerance and humanism, thank you.abi wrote:this is the best sentence uttered so far in this thread!!oldevil wrote:religion rears its ugly little head
OK, it is time to make some distinctions herePanda wrote:hm, sorry, i didn't read the whole thread, just the end to see what kept this topic going. But that statement is nonsense to me for sure.aMUSEd wrote:Well maybe but don't forget what started this was the statement that Polyphony started with the Christian Church. The stuff about harmony, notation etc was added later.Panda wrote:I think you are both right. It is true that polyphony and harmony go back a long time in China and Asia in general, but also that *in general* the role of harmony is more important in western music than in Chinese.
You can say Chinese music is rather modal, that is, more melody-oriented, and western music is more tonal, being more harmony-oriented. That of course doesn't mean that in modal music there's no room for harmony and vice versa...
AFAIK, polyphony got into the Christian music via folk music, so it was already there... In fact, the Christians didn't even want polyphony in the beginning, because according to them, music should concentrate on the message, on the word of god, and not the means or the envelope, hence for example the monotonic gregorian chants.
Unless you count paraphony and heterophony as forms of polyphony (which i don't because polyphony to me means several *equivalent* voices at the same time), polyphony didn't appear in 'high western culture' before the renaissance, which in fact was in a way a movement *away* from the church.
This "What Christians wanted" sort of statement is rather too sweeping. Just about everyone in medieval europe was a christian. Some of them were stodgy old men, and some were enthusiastic young people. Some were trying to conserve the past and some were trying to break from it. But in any case, the first firmly attested, documented polyphony was from the Ars Nova period (circa 1290-1360), well before the Rennaissance.Christians didn't even want polyphony in the beginning, because according to them, music should concentrate on the message, on the word of god, and not the means or the envelope, hence for example the monotonic gregorian chants.
Unless you count paraphony and heterophony as forms of polyphony (which i don't because polyphony to me means several *equivalent* voices at the same time), polyphony didn't appear in 'high western culture' before the renaissance, which in fact was in a way a movement *away* from the church

Glad SOMEONE knows the facts!herodotus wrote:First, "Polyphony" is a word that has both general and specific meanings. Literally, of course, it means "fake parrot"

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