That's hot!Mr Arkadin wrote:Or you could get one of these.The other option would be use a hardware sampler/work station - this would be a costly route too.
I don't know that I'd buy one ... but it looks great!
Doug
That's hot!Mr Arkadin wrote:Or you could get one of these.The other option would be use a hardware sampler/work station - this would be a costly route too.
Mmmm, it sounds good, too.Mr Arkadin wrote:Or you could get one of these (at the auditorium, you will need to be a member to download it).The other option would be use a hardware sampler/work station - this would be a costly route too.
Personally i use M-Tron plus the three extra tape banks.
Mr A
Depends on whether you want an accurate Mellotron sound or an idealized Mellotron sound. M-Tron replicates the Mellotron in all its glory and all its limitations. It does not loop the samples, it does not compress or noise reduce the samples. And the controls on it are only slightly better than the original Mellotron -- i.e. it has an Attack and Release envelope, which the original didn't. Other than that one difference, and the fact that changing "tape banks" doesn't require pulling the guts out of the beast, it IS a Mellotron.mooter wrote:Personally I would recommend a sample cd of Mellotron sounds such as Mellotron Archives because you have more control over the sounds than the M-Tron + am I wrong but the M-Tron doesn't have infinite sustain, right?
Please don't talk smutty round these parts. Infinite sustain indeedIf you're looking for an idealized Mellotron with clean samples and infinite sustain,
Neither do mine - my Tron samples are just the audio output of a Tron M400 straight into an S5000 sampled full length ... as raw as you're gonna get 'em!!mooter wrote:Depends on whether you want an accurate Mellotron sound or an idealized Mellotron sound. M-Tron replicates the Mellotron in all its glory and all its limitations. It does not loop the samples, it does not compress or noise reduce the samples.emdot_ambient wrote:am I wrong but the M-Tron doesn't have infinite sustain, right?
Mine is an "idealized" Tron that's true... it's the Tron that I (and countless other Tronists at the time) always wanted (and the Tron that Isao Tomita created using it with his colossal Moog modular and clever recording techniques - heavenly, ethereal, floating, brutal, gothic, surreal ... add your own adjective) but mine are not "clean" or sanitised or processed in any way - they are as raw and and genuine as you're likely to find (except that they don't grind gracelessly to a halt after 8 - or less - seconds)!mooter wrote:If you're looking for an idealized Mellotron with clean samples and infinite sustain, then you have to go with more traditional sample libraries like the Akai ones.
Ha!Mr Arkadin wrote:Please don't talk smutty round these parts. Infinite sustain indeed
I seem to recall that when M-Tron was released, G Media made a big thing about how they had recorded the tape banks in to Pro Tools one at a time and used various clean up & NR plug ins on them. I'm also pretty certain that they didn't even use a real Mellotron to play the tapes back in to Pro Tools.emdot_ambient wrote:Depends on whether you want an accurate Mellotron sound or an idealized Mellotron sound. M-Tron replicates the Mellotron in all its glory and all its limitations. It does not loop the samples, it does not compress or noise reduce the samples. And the controls on it are only slightly better than the original Mellotron -- i.e. it has an Attack and Release envelope, which the original didn't. Other than that one difference, and the fact that changing "tape banks" doesn't require pulling the guts out of the beast, it IS a Mellotron.mooter wrote:Personally I would recommend a sample cd of Mellotron sounds such as Mellotron Archives because you have more control over the sounds than the M-Tron + am I wrong but the M-Tron doesn't have infinite sustain, right?
If you're looking for an idealized Mellotron with clean samples and infinite sustain, then you have to go with more traditional sample libraries like the Akai ones.
I think you are mistaken there. I remember reading in the M-Tron literature that no tape clean-up was done. They certainly didn't do any pitch correction or clean-up to remove tape noises, as some of the tape banks have severely bum notes on them. The flute part in the song I linked to earlier had to be edited because the note on which it resolves in the false ending had a bad bump or click in it. That came from the origianl tape bank used, not from something in my Cubase project (though it sounded a lot like a digital glitch in the final mix). Listening to the sound raw isolated the problem as a bad tape noise from the Tron they used.Lovesign wrote:I seem to recall that when M-Tron was released, G Media made a big thing about how they had recorded the tape banks in to Pro Tools one at a time and used various clean up & NR plug ins on them. I'm also pretty certain that they didn't even use a real Mellotron to play the tapes back in to Pro Tools.
I've heard that from other former Tron owners, and read that from famous producers who worked with the beasts over the years. It's funny how the legendary status of an instrument will make some people want nothing but the pure experience, even if that pure experience was frustrating to people who used the gear before in its day.hollowsun wrote:Neither do mine - my Tron samples are just the audio output of a Tron M400 straight into an S5000 sampled full length ... as raw as you're gonna get 'em!!mooter wrote:Depends on whether you want an accurate Mellotron sound or an idealized Mellotron sound. M-Tron replicates the Mellotron in all its glory and all its limitations. It does not loop the samples, it does not compress or noise reduce the samples.emdot_ambient wrote:am I wrong but the M-Tron doesn't have infinite sustain, right?
Yes - I have looped them because as an ex-Tron owner in their heyday back in the 70s (showing my age now!!!), apart from their unreliability, the fixed length tape was its biggest restriction and was very frustrating.
Excellent point. I've wondered about that (how fast the original tape mechanism could rewind).hollowsun wrote:Although the M-Tron presumably has this 'limitation' as well, it doesn't suffer from another problem the original had - that the return springs wouldn't always return to the very start of the tape. This meant that not only did you have a nasty, clicky attack but you could never know how much time you'd get out of any given note.
Like GPO?hollowsun wrote:The fact that my Tron samples are looped doesn't mean that you have to sustain them for hours on end but you do get that extra flexibility if you need that extra half second or whatever in an arrangement. Your argument could be levelled against many instruments that don't have infinite sustain but still most libraries will loop them.
And being the humble owner of a lot of the old Hollow Sun free samples--THANKS!--I would recommend anyone interested in the Mellotron sound to look into Steve's product. I'm sure it's fantastic!hollowsun wrote:Mine is an "idealized" Tron that's true... it's the Tron that I (and countless other Tronists at the time) always wanted
Flexibility? With Mellotron sounds? Really, the youth of todaypersonally prefer to use my sampler which allows me more flexibility.
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