Yeah, I'd say it's just about *that* time of year...You™ wrote:So has September officially passed? Is this the end? Now on to Rocktoberfest?
- m
Yeah, I'd say it's just about *that* time of year...You™ wrote:So has September officially passed? Is this the end? Now on to Rocktoberfest?
Well, if you want to just have a place to speculate for now, I can accomodate for that...vurt wrote:can we have a gossip thread as well...
vurt wrote:its just given this theme and the following theme i think seperate threads would be best yes
Thanks for the very positive review. I can't hear the mush in the low-mid ranges myself - just as well I am not an audio engineeremdot_ambient wrote:Slartibartfast -- Albinoni Adagio in Gm: Yeah, good song choice. Sounds nicely done, too. Great string sounds. My only issue is the reverb seems to be a bit too much, either that or the EQ's off enough to make things rather mushy in the low-mid ranges. Love the song, though. I know it's good when I start hearing all these new parts in my head, like analog tubular bell sounds and some improvisational variations in the bass line. That lead instrument that comes in at 2:15 is a bit piercing and unexpected. Love it all the same, thanks!
Thanks for your very positive comments.Marc JX8P wrote:Albinoni - Adagio in Gm - slartibartfast:
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Very Wendy Carlos... beautiful sounds in a beautiful piece. Wonderful!
Time did not permit me to create this all from scratch this month - if it had been a competition month, I probably would not have entered. But I am glad you enjoyed it, nevertheless. Thanks for taking the time to review.Glassback wrote:Slartibartfarst - Albinoni - Adagio in Gm
More of that 'switched on' stuff. Sounds authentic, my only gripe is your self-confessed use of a midifile. I'd have been really impressed if you'd actually recreated this yourself. Still, I drifted away nicely for a few minutes.![]()
I am glad you enjoyed it. Rest assured that the sounds are not presets, although they are based on presets - I am not smart enough to be able to program these sounds from an empty patch (yet). But I can assure you that I will have something much more original for this month's theme. Thanks for taking the time to review, and for the sonograms - they are an interesting view of each track.You™ wrote:Realizing that you used a MIDI file is kind of like finding out that The Last Supper was a paint-by-number - although I knew that going in - so why feel crummy? I guess it's because my estimation of the work naturally goes down slightly thinking you didn't have to strain as much to perform or arrange the piece. In fact, I Googled a similar MIDI file in less than a minute on the ol' intarweb. At least the sounds you employed were really good and authentically analog-sounding. If you reveal that they were in fact presets, I will not be responsible for my actions. Aside from those caveats, it's beautiful.
Thanks for your comments. The bass pluck happens to be one of my favourite sounds - just as well we have differing opinionsDiek wrote:Slartibartfast Adagio
I'm quite reluctant to covers. The less known (like You or Emdot ones) the less pain for me to see here.
Once said that, what could I say about Adagio. I'm a Baroque fan. The italian school is great, but one of the most known bits is that Adagio (despite the masterpiece it is). In the sounds plain, all the voices are very good programmed except the low, that sounds too dark for my taste.
I couldn't have put it better myself. I dips me lid.knockman wrote:slartibartfast the solemn splendour of souls in extremis, carried beyond the physical frame til they commune in some higher order, a moment of the continuum unlocked.
yes i enjoy it very much, even though i don't have a clue how you did that.You™ wrote:Well, it's a few hours late, but here's my September Mashup:
Pitchblended
Art and info
I approached this in a wholly different way: I merged all the sonograms together, then made three *exposures* of the composite image. I ran each exposure through Xx ( a tool for converting images in to MIDI data. Then I imported the MIDI files into my sequencer and reassigned the channels and event data to a bunch of my synths. I also did a bit of reduundant note weeding, time scaling and harmonizing. I mixed that down to three stereo tracks (one for each exposure) and mixed them with some bits of real sound from several of the songs. Viola!
It took a few hours, but it was an interesting experiment for me and I really did manage to include nearly a good portion of everyone's song in the final product - though you'd never be able to tell...
I hope you enjoy it.
It's me, isn't it? I bet it's me. Is it me?Glooper wrote:and no one guessed me guest vocal..
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