Vurt, could you REPLACE his soundtrack for "A.I" with your stuff? That soundtrack sucked bad ....vurt wrote:pfft i worked with john williams about 3 years back.And yes im a pro tools user as well
Digi Banned me......
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- KVRian
- 868 posts since 7 May, 2002 from Sydney, Australia
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- KVRian
- 945 posts since 8 Jan, 2004 from California
"Hello again."
Hello.
"Do you like my DAW?"
"I most certainly do not like your DAW"
"Well goodbye then"
"Goodbye"
...go daw, go!
GO AROUND AGAIN!
Hello.
"Do you like my DAW?"
"I most certainly do not like your DAW"
"Well goodbye then"
"Goodbye"
...go daw, go!
GO AROUND AGAIN!
The armchair is more than the sum of the bastards
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- KVRist
- 36 posts since 27 Sep, 2003 from Manchester, UK
At least the torrent of desperate credentials has stopped. Sorry Composer11, but what started out as probably a legitimate thread, turned into something much less credible when you felt the need to start telling us all how much of a "pro" you are. In my experience, pro's don't generally behave like that.
If PT is not for you - move on and don't be bitter. It's not worth the stress.
Peace.
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- KVRist
- 234 posts since 30 Sep, 2002
You have to vent some well documented frustrations from time to time to keep those devs on their toes.
I work on TDM systems all the time, and they're fine, but the cost factor is not the only factor in our considerations when we build a new post facility for a series.
Protools LE is an interesting option for doing work at home and then taking that to the big systems, or rather it was supposed to be that way. Digidesign has stood by the sidelines and let Apple and Steinberg systematically firehose users with innovative features that increase productivity. They didn't do it perfectly(OMF catastrophies anyone?) but on a lot of stuff they're ahead of Protools on interface issues. The interface is the productivity enabler.
Some examples.
All playouts in Protools are realtime. It never had nor will it have a non-realtime export-a-mix option like most other applications have. A full mixdown of eight M&E tracks and three stereo mixes for one of our 25 minute series here takes 12 minutes on one of our Nuendo systems. That system has some UAD cards in it as well. The Protools systems have to do two full realtime playouts, because we can't block another Protools system to record 14 tracks(3 stereo +
or have the necessary disk power for a full session playback record if this stuff.
Protools LE misses automation pasting from the TDM version, as well as the scrub trimmer, as well as search capabilty of the comments field in the Digibase(useless trash compared to full audiodatabases), scaling of bus counts to TDM levels(increased in PT7LE though which is nice) and a lot more. Hell they've castrated the interface which leads me to believe that their hardware isn't a strong enough selling point any longer.
Any Protools HD 2 and up system outperforms almost ANY native DAW out there right now. It's performance and sometimes even its stability(in postproduction with video options) is just way above the rest. Make no mistake though that Protools LE is vastly inferior to Nuendo, which in turn degrades even Protools TDM on many,many levels interface-wise. While Nuendo isn't perfect, Protools LE is much further from even coming close to getting there.
Hey, the gap's closing in some areas. I've ranted like a lunatic in the DUC on the shortcomings of PTLE and I think you, Composer11 should return to the DUC and bitch and moan with cold hard facts in your hand, just like Shane and the rest do. I will.
I work on TDM systems all the time, and they're fine, but the cost factor is not the only factor in our considerations when we build a new post facility for a series.
Protools LE is an interesting option for doing work at home and then taking that to the big systems, or rather it was supposed to be that way. Digidesign has stood by the sidelines and let Apple and Steinberg systematically firehose users with innovative features that increase productivity. They didn't do it perfectly(OMF catastrophies anyone?) but on a lot of stuff they're ahead of Protools on interface issues. The interface is the productivity enabler.
Some examples.
All playouts in Protools are realtime. It never had nor will it have a non-realtime export-a-mix option like most other applications have. A full mixdown of eight M&E tracks and three stereo mixes for one of our 25 minute series here takes 12 minutes on one of our Nuendo systems. That system has some UAD cards in it as well. The Protools systems have to do two full realtime playouts, because we can't block another Protools system to record 14 tracks(3 stereo +
Protools LE misses automation pasting from the TDM version, as well as the scrub trimmer, as well as search capabilty of the comments field in the Digibase(useless trash compared to full audiodatabases), scaling of bus counts to TDM levels(increased in PT7LE though which is nice) and a lot more. Hell they've castrated the interface which leads me to believe that their hardware isn't a strong enough selling point any longer.
Any Protools HD 2 and up system outperforms almost ANY native DAW out there right now. It's performance and sometimes even its stability(in postproduction with video options) is just way above the rest. Make no mistake though that Protools LE is vastly inferior to Nuendo, which in turn degrades even Protools TDM on many,many levels interface-wise. While Nuendo isn't perfect, Protools LE is much further from even coming close to getting there.
Hey, the gap's closing in some areas. I've ranted like a lunatic in the DUC on the shortcomings of PTLE and I think you, Composer11 should return to the DUC and bitch and moan with cold hard facts in your hand, just like Shane and the rest do. I will.
Will mix for fun
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- KVRAF
- 4222 posts since 23 Feb, 2004 from Tucson Arizona USA
He does have quite a portfolio of compositions. I suspect his chest thumping is just a Brazilian thing.Trailerman wrote:Sorry Composer11, but what started out as probably a legitimate thread, turned into something much less credible when you felt the need to start telling us all how much of a "pro" you are. In my experience, pro's don't generally behave like that.
Maybe you can't get laid in Brazil unless you can convince a chick that you're way better than every other guy -- it won't do to just be one of the guys. Something like that?
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- KVRAF
- 4960 posts since 21 Oct, 2003 from UK
Composer 11 and coldmachine are like 2 politicians here.
"Let me ask you a question or 20..."
"Fine, but I won't actually answer your question except to ask you some more questions..."
"Ask away, I will only answer with another set of questions..."
So guys, what exactly are the 'insider' answers?
"Let me ask you a question or 20..."
"Fine, but I won't actually answer your question except to ask you some more questions..."
"Ask away, I will only answer with another set of questions..."
So guys, what exactly are the 'insider' answers?
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- KVRist
- 263 posts since 17 Jun, 2005 from Holding your humor hostage at your home
Haha, and that from the bling bling country.Trailerman wrote: He does have quite a portfolio of compositions. I suspect his chest thumping is just a Brazilian thing.
Maybe you can't get laid in Brazil unless you can convince a chick that you're way better than every other guy -- it won't do to just be one of the guys. Something like that?
Black text on a white canvas, do racist people close their eyes when they read a book?
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- KVRist
- 410 posts since 8 Jan, 2004 from Switzerland
wrong...PT 4 had non-realtime bouncing and this feature was take of by the demand of tdm or/and mix users who wanted to use external hardware during bounce...It never had nor will it have a non-realtime export-a-mix option like most other applications have.
Digi simply took this feature off instead of giving the user the choice to bounce in realtime AND faster than realtime.
Now they're simply a bit long (at the last...can we say that like this?) to put this feature again (with the choice which is essential.)
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- Banned
- 22457 posts since 5 Sep, 2001
[DELETED]
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- Banned
- 22457 posts since 5 Sep, 2001
[DELETED]
- KVRAF
- 25049 posts since 12 Jul, 2003 from West Caprazumia
dramsenik wrote:.
Digi simply took this feature off instead of giving the user the choice to bounce in realtime AND faster than realtime.
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- KVRian
- 897 posts since 2 Aug, 2001 from norway
- Beware the Quoth
- 35523 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
Its when you've done a tarnce remix, and someone emails you begging you to tell them how to get the same sounds out of Synth1.composer11 wrote: What is a "beg" letter? It's a insider term used for something, what is it? What does it mean.
You're ex-wife can only get a share of sync and master rights.What's the difference between sync and master rights vs singles rights?
Only if you know where the publisher lives, and are handy with a sniper rifle.If a publisher offers you a deal and wants 100% of the publishing and you retain 100% of the writers share and are up and coming, is this a good deal?
The ever-increasing cost of contract killers.If so, why, if not, why?
They get to shag the third-prettiest member of cast -or- their choice of used underwear from the costume department. Plus $15 for travelling expenses.What deals do most composers for tv theme get for their theme?
This would be used underwear which might have sentimental or collector's value, but has been damaged or soiled during filiming.Name what the split is and terms of the standard deal and explain why it is or isn't fair.
Trying to establish who the third-prettiest member of the cast is.What is a spotting session?
The composer, the third-prettiest member of cast, and optionally a cameraman, although the composer has to pay for them out of their own pocket.Who has to be there, who does not.
One shag per half-hour length of film, or 5 episodes per series. Rounded down.How often do these take place for both film and tv.
Sculptors and painters get 8%, everybody else gets 7.5%What is considered the standard royalty rate for an artist cd?
No its always the same length every time you play it.How about a single on a soundtrack, can it vary?
Buy a high-powered rifle, and be prepated to spend time locating the relatives of management.Can the writer for a song on a soundtrack do something to make sure that he/she receives the same rate as everyone else on the soundtrack?
'Hard bargaining'If so, what is that called?
The name and address of the CEO's mistress.If you are an artist and leery of the A&R deal, what do you have placed in the contract to protect your rights?
Santa. Although the work is seasonal.What is the name of the "clause" Who has one of the largest royalty rates as an artist
If you've been bad, its zero. If you've been good, it can be as much as a shiny new penny.and what is that rate or rather, what would be considered an excellent above average rate?
Irn Bru bottles; think its 10p per bottle now.What are reasonable returns?
(fuck - all) * 0.5What is the formula for determining an artist CD royalty rate?
A really, really, really big spotlight with an orange filter on it.What equipment does SSL use on Sunset?
RFC 1149How is the info transferred, or uplinked?
Is work for hire a good deal for a tv theme if you retain the writers share?
Give your anwser and why.
Yes. Who wouldnt want to add to their 'famous underwear' collection?
Its how you tell whether your baby is going to be a boy or a girl.What is soundscan?
You put vaseline on the stomach, and then read off the info with a barcode machine.How is it used?
What determains the top 200 album
charts?
The fickleness of the consuming classes.
Marketing is where you sell stuff at a stall, or from a barrow. Mechandising is where you can take credit cards.What's the difference between Marketing and Merchandising, give me some details.
It depends how pretty they are.What is the United States standard Union rate for a vocalist?
Yes, because you can't see how pretty they are.Can this be problematic for sample cd's, if so why?
Always keep about 10%. Best hidden under the bed in case something goes wrong.What is reasonable reserves for an album. Explain.
Always hire a soundalike, and have them killed afterwards, just in case.What two steps are needed for a song to clear for usage in film or television,
The artist's mum.who has the final say, can the artist or is it controlled by the publisher?
Who can overide a publisher decision to use a "cue".
Any professional snooker or billiards player.
Its for wiping the chalk off your fingers. You just kinda wipe...What is a cue sheet and how is it used.
One-potato, two-potato, mostly. Last potato gets half, everyone else splits the remainder.Explain how the royalty rates are determained on a Feature Film soundtrack.
Its a little old lady on a bike who brings the checks.What is the pay cycle for the publisher/writer from Ascap, BMI, SESAC,
'Eric' and 'Millicent'.who are the FILM people at BMI and ASCAP?
Erica and Stanley.Who where they 4 years ago?
Name the last three presidents of Capitol Records.
Bush, Clinton, and erm, Bush.
When did A&M join with Polygram records, who was the #1 key mover and shaker that made this happen?
1923 and Jelly Roll Morton.
the blank is 'nu-metal'When Jon Secada crossed over from latin to....(fill in the blank) what is that called?
Its called "havin' a larf"
John Paramount, Monty Warner, and Clive Universal/Name any music people from Parmount Pictures, Warner Brothers, Universal.
They were depth-charged in the North Sea by a Norwegian navy ship. 1987 I think.What happened to Geffen records and when?
Metric or imperial?What is the standard rate for renting an avid system?
Twelve shillings an hour, and all the dogfood they can eat.What is the standard pay rate for a Avid Editor?
A million dollars.How much does a Avid system cost?
A million dollars.How much did it cost 5 years ago.
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
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- KVRian
- 1442 posts since 30 May, 2005
Hahaha,whyterabbyt wrote:...
post of the day!!! Man did I laugh. This should become a sticky. Bookmarked.
All the best, FRitz
P.S. Composer11: No offense. This is nothing against you, just a great joke.
In the end will be the word.
Check out some of my music at www.fritzmetal.de
Check out some of my music at www.fritzmetal.de

