How's Kontakt 2 going?
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- KVRist
- 105 posts since 13 May, 2005
Hi all
I really want to get Kontakt out of my Protools HD setup as they aren't playing well together.
Unfortunately, there are no receptors around where I live so I would have to order one without trying before buying.
Are there any users successfully running Kontakt II on a receptor?
Even if I have to have buffers up around 128 to get solid reliable performance I'd be happy.
Please let me know.
Thanks
Kim
I really want to get Kontakt out of my Protools HD setup as they aren't playing well together.
Unfortunately, there are no receptors around where I live so I would have to order one without trying before buying.
Are there any users successfully running Kontakt II on a receptor?
Even if I have to have buffers up around 128 to get solid reliable performance I'd be happy.
Please let me know.
Thanks
Kim
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- KVRian
- 576 posts since 5 May, 2005 from Canada
Hey Kim ~ I hope you don't mind a 'piggy-back' on your topic...
I'm also anxious to hear what people have to say about Kontact 2.
I've been runnig Kompact on my Receptor, and would like to know if it is more or less efficient with the CPU and and load times.
Some time ago, someone from Muse told me that Kontact (the original) was actually more efficient than Kompact
So I'd especially like to hear from anyone who went from Kompact to Kontact 2
Thanks,
I'm also anxious to hear what people have to say about Kontact 2.
I've been runnig Kompact on my Receptor, and would like to know if it is more or less efficient with the CPU and and load times.
Some time ago, someone from Muse told me that Kontact (the original) was actually more efficient than Kompact
So I'd especially like to hear from anyone who went from Kompact to Kontact 2
Thanks,
JV
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- KVRian
- 1116 posts since 22 Apr, 2005 from Nashville, TN USA
I cannot prove it, but I feel as though the DFD on Kontakt2 works better than Kompakt on Receptor. I use some pretty large piano samples (from PMI and Sampletekk) and I'm pretty sure that Kontakt2 allows more polyphony and lower-latency. Of course, since Kontakt2 can load any Kompakt sound, I've pretty much switched to Kontakt2 exclusively now, since Kontakt also has some really excellent effects and such. Both programs cause quick "spikes" in CPU usage with DFD on, but again I think Kontakt2 less so. Also, with Kontakt2, you can adjust DFD settings PER program. Turning off DFD for smaller sounds (like a pad you might layer with a big piano) makes things MUCH easier on the CPU. All-in-all, I still think DFD on Receptor needs improving. It does not tax my Dell host NEARLY as much as on the Receptor (and I have a "fast" 160MB HD on my Receptor, and 2GB RAM).
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- KVRist
- 387 posts since 24 Aug, 2004
I'll echo this. I also use it for large pianos Another thing to add is that PARTSHybernation wrote:I cannot prove it, but I feel as though the DFD on Kontakt2 works better than Kompakt on Receptor. I use some pretty large piano samples (from PMI and Sampletekk) and I'm pretty sure that Kontakt2 allows more polyphony and lower-latency. Of course, since Kontakt2 can load any Kompakt sound, I've pretty much switched to Kontakt2 exclusively now, since Kontakt also has some really excellent effects and such. Both programs cause quick "spikes" in CPU usage with DFD on, but again I think Kontakt2 less so. Also, with Kontakt2, you can adjust DFD settings PER program. Turning off DFD for smaller sounds (like a pad you might layer with a big piano) makes things MUCH easier on the CPU. All-in-all, I still think DFD on Receptor needs improving. It does not tax my Dell host NEARLY as much as on the Receptor (and I have a "fast" 160MB HD on my Receptor, and 2GB RAM).
of a sound can have the DFD turned off, so you can say, load all of the release samples into RAM, while using DFD from the body of notes. You can also futher customize the libraries by, say, using less samples for the lowest octave, removing the pedal down layer and using a script, using a self-masking script to control runaway polyphony, stuff like that.
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- KVRist
- 387 posts since 24 Aug, 2004
I was wondering the same thing!!
But there are excellent shareware scipts available for short money at: http://music.mezo.com
Also: there is a self-masking script that comes with KontaktII.
The other scripts mentioned above have self masking and much more, though.
But there are excellent shareware scipts available for short money at: http://music.mezo.com
Also: there is a self-masking script that comes with KontaktII.
The other scripts mentioned above have self masking and much more, though.
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- KVRist
- 387 posts since 24 Aug, 2004
Say you hit the same note repeatedly on a sampled piano with the pedal down. THe first time you hit it, you hear the note, and your polyphony is 1.
When you hit it the 2nd time, the 1st note is still sounding, so now you are hearing both notes, using up two notes of polyphony, and so on. Especially if you are playing stereo samples, this can build up very rapidly. A self masking script tells Kontakt that if you play a note when it is still ringing, to only play the 2nd strike.
I'm certainly no expert on this stuff, but a very good source of information about all things sample related is www.northernsounds.com
THe forums are informative, pretty civil, and have a high signal to noise ratio. Some of the top sample library developers handgthere.
When you hit it the 2nd time, the 1st note is still sounding, so now you are hearing both notes, using up two notes of polyphony, and so on. Especially if you are playing stereo samples, this can build up very rapidly. A self masking script tells Kontakt that if you play a note when it is still ringing, to only play the 2nd strike.
I'm certainly no expert on this stuff, but a very good source of information about all things sample related is www.northernsounds.com
THe forums are informative, pretty civil, and have a high signal to noise ratio. Some of the top sample library developers handgthere.
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- KVRist
- 91 posts since 29 Apr, 2005 from Fort Lauderdale, FL
Just when I thought I knew everything, I have been given a new obsession...self-masking scripts!!! 
Never even heard the term before today, but suddenly I envision even more sleepless nights ahead, in the quest for the perfect 'script. Thanks a lot guys, really. HA
My poor, thermally-challenged Receptor is en route back to Muse as we speak. Until it is all cooled down and back in the rack, I will continue to lurk this great forum. thank goodness for this place! Tons of info.
Good luck to all, I look forward to joing the ranks of the re-receptored.
Matt
Never even heard the term before today, but suddenly I envision even more sleepless nights ahead, in the quest for the perfect 'script. Thanks a lot guys, really. HA
My poor, thermally-challenged Receptor is en route back to Muse as we speak. Until it is all cooled down and back in the rack, I will continue to lurk this great forum. thank goodness for this place! Tons of info.
Good luck to all, I look forward to joing the ranks of the re-receptored.
Matt
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- KVRian
- 1116 posts since 22 Apr, 2005 from Nashville, TN USA
This is truly amazing stuff, and I don't believe any other sampler can do this kind of thing yet.PhilAiken wrote:More obsession fodder:
The main function of the PSR scripts I linked to isn't really the self-masking , but sympathetic harmonic resonance between the strings...
Once you hear one of PMI's pianos with the "Holy Grail" script doing exactly this, your life will never be the same (and neither will your CPU consumption

