Reason 3 is simply awesome.

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BONES wrote:
Hovmod wrote:Hm. Funny. I didn't realize this was a thread where we're supposed to convince or persuade anyone. It seemed to me it was about one guy having a good day at the computer, and he felt like telling us.
Surely that's for Off-Topic? I would hope that threads in the main forums are informative.
Smug.
Open source debates aside, here's my little tale then:
I use reason in almost all my song projects, and just for fun. I know Reason well, I've used it for years. So making music with Reason doesn't include learning the tool first. I value that in itself, because tweaking OS or reading manuals doesn't ... swing.
Coming from hardware (many years ago I did actually work in studios and some live work and I had sound and lights at a theatre and so on, so I have had some experience with *actual stuff*), Reason was very intuitive and I didn't need to read the manual to get started. As soon as I hit TAB and saw those cables I knew what to do. So I learned it fast. Not only that, I had fun while learning it, and I was making songs. The distance from idea (or just a seed somewhere in the back of my head) to actual song was suddenly much shorter - earlier I had tried all sorts of other stuff on slower computers, which always ended up in reading manuals, tweaking Windows and swearing a lot, but no music.
So if only for sentimental reasons, Reason has a reserved place in my rack. It's still my go-to environment for testing out ideas. I can slap down something fairly useful in no time.
Then there's the refill (I don't like refills either, don't go off on that tangent) called Reason Drum Kits. Outstanding multisampled drums that I love working with. The sampler (or sample player if you want to nitpick) NNXT is simply very good, and the RDK is tailor made for it. With the combinator module that came in Reason 3, it's very simple to construct a drum kit setup complete with loads of velocity layers, with different effects and settings on the various instruments, routed to a mixer whose master output in turn ends up on one stereo channel in the main mixer (or more often goes straight out to the rewire host). The drum kit can be saved as a patch, complete with all that signal routing and tweaking, that opens in a "2U" rack unit with a single stereo output - in any song whenever I want. I haven't seen that anywhere else, if you don't count energyXT, where you could make a complete setup and save as an eXT file. Reason Drum kits is very useful. To me.
The combinator also opened up for more extensive routing of the CV signals, which is Reason's most powerful feature. If I want the LFO of one instrument control a parameter of something else, I can. Many of my setups use the LFO from a synth to control the pan pot of the mixer, for instance, or the rate of another LFO, or the depth of a phaser, or almost any knob on almost any unit in Reason. The Scream distortion unit can output CV generated by the envelope of incoming audio, which in turn can be routed to just about anything else on any unit in Reason. Say you want the cutoff frequency of the EQ to follow the envelope. You can. Very easily. I know you can get many of these things by way of extensive workaround methods using different VST audio and midi effects and intricate signal routing, but in Reason you can get from A to B with tools designed for it, in one environment, straight out of the box. And I think that's pretty unique. I don't *know* it's unique, because I haven't tested everything else. For instance, when I tested the demo version of Orion, I was put off by the multitude of overlapping windows with no visible signal routing. Insert x here - OK, where's the output go? Or worse, why do I get 16 channels in the mixer when I ask to rewire? Sure, I could read the manual and stick with it and learn how to *make* it intuitive, but that didn't suit me. (Note how I don't call you names for having a different opinion on that than me...). So maybe it's possible to route LFO2 from the WaveFusion to control Aux1 level in the Orion drum mixer, but I don't SEE it in the interface, if you know what I mean. It's not obvious.

These are some of the things I like about Reason. I even like the GUI, despite the loooong racks I sometimes have to scroll. I like the fact that I know how to do stuff there. I like the support I get, I like the community around it.

So. When I need audio, I use rewire. Reason has never said it can record audio. I have put in my two cents about that in the Feature Suggestion forum at the prop site, along with many others, but unlike a lot of people I don't think that suggestion requires the developers to do anything. I also don't think writing it two or twenty times is useful.
Anyway. I use rewire. Not because I love rewire or think it's brilliant or anything, but because I want to. I *want to* use Reason. Particularly for drums, and despite your best efforts there's nothing you can say that will change my mind on that. For me, there's nothing that beats RDK for drums, and if there is, I don't particularly feel like paying for it and learning it because RDK suits me and meets my specs and I already have it. I get things done with RDK. Once Reason is rewired I have all the rest of it rewired as well, of course, so I can do more stuff in Reason. Like I said, the NNXT is a good sampler. So I don't use other samplers much. The Sub and Mal often (not always) provide what I want. The effects are good, particularly the new so-called 'mastering' tools. And so on.
I could whine about what Reason lacks, or I could make music. Whine, make music. Whine, make music.
Once rewired, I control the Reason units from the host, and I can process the audio coming from Reason in the host if I feel like it. So I can choose. RV7000 (that's a reverb) or Glaceverb? Got both. I'm not praising rewire, but I use it. Because I love to use Reason. And I have found a way to work with it that isn't a pita. I have to save two files for one song. I can live with that.

So. I think Reason is brilliant, I have told you some of the reasons why I think so, and some of my thoughts about why I put up with rewire and the lack of certain features. I don't ask to be persuaded otherwise, and I'm not trying to persuade you. You can use what you want, and that's fine with me. I use your killers, too, sometimes. I just don't see red because I can't stick them in a Reason rack.
Rakkervoksen

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Glassback wrote:
Glassback wrote:What's Reason?
BONES wrote:Dunno, I looked but neither it nor its developers are in the database. I suppose that means this thread shoud be in Off-Topic.
Ian B wrote:It's a WMD :hihi: ........

a 'weapon of mass discussion'

a 'weapon of mass disagreement'

a 'weapon of mass discord'

There must be plenty more
:dog: Silly me!

And here was me thinking it was something sadly lacking in most of this thread. :roll: :lol:


@Ian B - a 'Weapon Of Mass Debation'?
Not bad Mick, this one doesn't quite fit, but I like 'a weapon of don't diss my host'
RIP Black Tom and Beckett. They weren't just cats, they were MY cats, the best cats ever.

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Hovmod wrote: I have to save two files for one song. I can live with that.
Sorry to grab just one quote out of the whole post, but I really wish the Propellerheads would investigate a way of automating the save on the Rewire side (perhaps if the host makes the song name available, the slave could save as original_songname_Rewired.(rns/osf/cwp/fls).

It was the only thing that really frustrated me about ReWire, especially as you don't get a prompt from some hosts when you close and you lose the song on the client side.

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Most hosts are supposed to tell you to close the slave program first (atleast Live! and GB does)..

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And I'm waiting for someone to actually create a hardware keyboard workstation using reason :)

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I don't care where this fucken' thread should be, but it definately shouldn't be in "Hosts". 'Coz it doesn't fucken host anything. Mabye "Instruments"?

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2 aggressive posts in a row - this and one in another thread - someone get out the wrong side of the bed hoffy? :roll:

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It's late-nite in Melbourne town ...
More like he had a long day :) :hihi:

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dogod wrote:@headquest: U need to learn something about programming my friend... RTAS == BLOAT == Shit Code...
Hi dogod. I'm a musician/teacher and I happy to confess to having zero programming knowledge. But...

I wasn't saying that either Rewire or RTAS are better or even good protocols (fact is I don't know)... just that they are significant industry standards widely accepted among professionals but often overlooked in people's discussions here.

Bearing that in mind, I take issue with the point that a few of the Reason-haters have reiterated here that Propellerhead have fallen behind in terms of industry standards. In fact the industry standard format that they themselves developed is currently the only one universally adopted by all the big players! That is precisely why they have no need at all imho to waste development time/resources chasing other, less popular formats/protocols.

As for RTAS, my point was simply that it has a reputation for stability (which I can't confirm either way) among professionals, and is plainly an industry standard, even if it is deliberately ignored by the establishment at KVR.
PT/RTAS will be unheard of in 10 yrs
On the contrary, I think that with their M-Audio partnership really beginning to fly, the future for Pro Tools as a home user/prosumer as well as an industry standard application has never looked brighter...

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This thread makes me want to open one of my old Reason 2.5 templates, and bang out some cool drum patterns on Redrum, damnit! :cry:

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dogod wrote:U need to learn something about programming my friend... RTAS == BLOAT == Shit Code
so I guess you've disassembled the binaries and analysed the code then?
Just take a look at the size of binaries next time, applications and plugins

Golden rule... Small Code == Good Code
is that the basis of your statement?
I guess less empirical data means beter descriptive formal systems too :roll:
My other host is Bruce Forsyth

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Is that "Do...God" or "Dogod" or "Doh! God!" or...



:hihi:

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headquest wrote:
Warmonger wrote:Any thread with "Reason" in the title should automatically be moved to HPC.
It's important to acknowledge that KVR existed firstly for developers, and the focus is clearly on "open standard plugins". The rationale is certainly clear, but there is now something of a problem with this approach. Because KVR has become an immensely popular site with people who aren't themselves developers, but simply musicians, teachers, writers, etc who find KVR a useful place to get news and hang out. And to this contingent, the bias of KVR can be rather misleading.

For example, the RTAS format is not "open standard", so is not included. Look through the "instruments" listings here and you can easily find out which instruments are available in AU, DX or VST format… but not whether there is an RTAS version. So the product details for the plugins are intentionally incomplete… and misleading.

The point was made by one of the Reason-haters earlier in this thread that the Propellerheads have deliberately ignored the current industry standard protocols, and so have been left behind. Well, let's test that theory by checking out which industry standard protocols the five longest-running professional-grade hosts support:

Pro Tools: Rewire, RTAS
Digital Performer: Rewire, AU, RTAS
Logic: Rewire, AU, VST
Cubase: Rewire, VST, AU, (?DX)
Sonar: Rewire, DX, VST-wrapper.

Well, I can only see ONE truly universal standard on that list. And that's the Rewire protocol that Propellerhead actually created. And the reason that Rewire is in ALL the major products is that host developers realise the immense success of Reason, and want their hosts to be equipped for it.

Now let's consider the others:
VST is in just two of the five, although you can use wrappers (supplied in the case of Sonar) to get VSTs into the others. Digidesign reject it as an unstable format, and insist on RTAS which they can monitor the quality of. Fair enough. That is exactly why more than 90% of commercial releases pass through Pro Tools - it is reliable, thanks in part to RTAS.
AU is hardly standard. Even on the Mac platform it is not in all the four products.
DX seems to be on the way out altogether.
RTAS is a genuine industry standard for reasons already mentioned.

So in conclusion, the people who suggest Propellerhead are lagging behind industry standards, or stubbornly refusing to keep up to date are entirely misguided. Propellerhead invented the only protocol on the list that is truly universal! (Of course they also invented the REX format, which is also an industry standard). The only problem here is with the inaccurate perception that KVR somewhat creates for musicians because of its (historically justified) bias.
This is THE best essay of 2006! Thanks Headquest. :D

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I didn't expect this thread to end so quickly :hihi:
RIP Black Tom and Beckett. They weren't just cats, they were MY cats, the best cats ever.

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anopenscroll wrote:And I'm waiting for someone to actually create a hardware keyboard workstation using reason :)
5 years ago that would be the shit idea! But in this day and age, I cant see it fly, well maybe, I mean people are scooping up Receptors, so maybe there would be a place for a hardware synth based around Reason. Would be cool tho. A workstation of that caliber would blow away any Motif or Triton. A small TFT screen, dedicated knobs and sliders, running in a stripped down Windows enviroment. mmmm....

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