Were the good old days better
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- KVRAF
- 6519 posts since 13 Mar, 2002 from UK
Zimmer's terrible. Check out Thomas Newman's "Road to Perdition" OST or Michael Giacchino's work on "The Incredibles".stevieb19 wrote:That would give Mr Zimmer a run for his money methinksnuffink wrote:Soundtracks. It's where the dosh is if you know your shit.stevieb19 wrote:Changing the tack slightly.
If Mozart was making music today what genre do you believe he would be making.
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- KVRian
- 763 posts since 30 Nov, 2000 from Vienna, Austria
Are you sure? I always thought Mozart's music wasn't too much of a revolution. I agree with Nuffink, he'd probably go where the money is - he'd need it to buy drugs or whatever. His personality was probably ruined in a similar way to Michael Jacksons...Personally I think he was pretty avantgarde for his time so maybe something leftfield, IDM or maybe Ambient Drum & Bass
You have no right to remain silent!
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www.soundcloud/phunkberater
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- KVRAF
- 6519 posts since 13 Mar, 2002 from UK
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- KVRist
- 380 posts since 27 Jul, 2004 from london
I did not mean to say he was good he just seems to have a huge amount of work.nuffink wrote:Zimmer's terrible. Check out Thomas Newman's "Road to Perdition" OST or Michael Giacchino's work on "The Incredibles".stevieb19 wrote:That would give Mr Zimmer a run for his money methinksnuffink wrote:Soundtracks. It's where the dosh is if you know your shit.stevieb19 wrote:Changing the tack slightly.
If Mozart was making music today what genre do you believe he would be making.
I find it difficult to take him seriously anyway because he used to be in Buggles in the 80's
Athlon 3800+ x2, 1 gig ram, 200gb SATA
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- KVRAF
- 7217 posts since 21 Aug, 2004 from Trondheim, Norway
Heard Maurerische Trauermusik?Josmoker wrote:Are you sure? I always thought Mozart's music wasn't too much of a revolution. I agree with Nuffink, he'd probably go where the money is - he'd need it to buy drugs or whatever. His personality was probably ruined in a similar way to Michael Jacksons...Personally I think he was pretty avantgarde for his time so maybe something leftfield, IDM or maybe Ambient Drum & Bass
Rakkervoksen
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- KVRian
- 568 posts since 20 Nov, 2003 from Basel, Switzerland
This is from a different thread but it equally applies here - I claim that if Mozart were alive today nobody would notice:dick wrote:How many Mozarts do you know?
http://www.kvraudio.com/forum/viewtopic ... 81#1758381
--th
I'm the stereo chancellor
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- KVRist
- 285 posts since 24 Feb, 2005 from Berlin, Germany
josmokerJosmoker wrote:I wrote:No really, I think this discussion is useless really. Talent is something you cannot measure, it's not even defined. So you can argue and argue and argue. To me Luke Vibert and Amon Tobin are both musical geniuses, certainly as much as Mozart.Please re-read what I wrote - it was exactly the same thing you wrote. Just for the record, though, I am right of course - Luke Vibert is a genius (just look at him for christ's sake!)!edoosx wrote:someone can say that luke vibert is a genius, i can say he isn't, so who's right? how to demonstrate this?
it was just an example, i was not directly referring to your post (i didn't quote it), even if both, yours and mine, have... well.. luke vibert in common
- KVRAF
- 2818 posts since 30 Aug, 2001 from where dinosaurs are still alive
finally. Zimmer is the diametral opposite of genius.nuffink wrote:Zimmer's terrible. Check out Thomas Newman's "Road to Perdition" OST or Michael Giacchino's work on "The Incredibles".stevieb19 wrote:That would give Mr Zimmer a run for his money methinksnuffink wrote:Soundtracks. It's where the dosh is if you know your shit.stevieb19 wrote:Changing the tack slightly.
If Mozart was making music today what genre do you believe he would be making.
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- KVRAF
- 13446 posts since 14 Nov, 2000 from Hannover / Germany
While I don't think Zimmer is a genius, he seems to get the job done quite well. And personally, I liked the soundtrack of "Samurai" a lot as well.
There are 3 kinds of people:
Those who can do maths and those who can't.
Those who can do maths and those who can't.
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- KVRAF
- 4960 posts since 21 Oct, 2003 from UK
- Suspended
- 17890 posts since 14 Jun, 2001 from Somewhere you're not!
That's just totally irrelevant. What percentage of electronic music relies on synthesised versions of real instruments? f**k-all, your honour!Distorted_Mastermind wrote:To an extent there's quite a bit of truth in that......music is about feeling, so expression is going to be much better on an instrument rather than a synthesised version of that instrument.
How does that stack up for those who program their sequencers by playing in performances? Again you're only taking account for certain situations, not the whole gamut.Playing vs Programming.....Real vs Synthesised.....Apples vs Oranges
And yet in Australia you would have to ask 1000 people before you found someone who had ever heard of them. I certainly have never heard so much as a single song of theirs, although I've seen their albums in import record shops.arke wrote:Neil Peart, Geddy Lee, Alex Lifeson. AKA, Rush.dick wrote:How many Mozarts do you know?
I'll bite. Paul McCartney, Burt Bacarach, maybe Elton John. Not my cup of tea but some of their stuff will stand the test of time. I'd also add people like Danny Elfman, Justin Sullivan, Adrian Borland and Jim Thrirwell even though they will never get a fraction of the recognition they deserve. The problem for future history is that it will be virtually impossible for everything to be remembered so some degree of contemporary popularity will ensure greater recognition in the future.eidenk wrote:Who for example ? Not that I like Mozart myself.stefancrs wrote: But I'd still rate quite a lot of artists / bands as more talented than for instance Mozart, even if the rest of the world won't agree with me
That's a great point. How many people in Mozart's day could have been as talented but never had his opportunitites? It seems likely that there would have been plenty. Its kind of like what I always thought of Pearl Jam, that there were 1000 other bands that could have done as well as them given the same opportunity.stevieb19 wrote:I do think that the spread of technology has helped certain artists to come through who would not normally have been heard.
But that's just fanboyism. Surely we can look beyond that. My favourite acts are Leaether Strip and Numb but I hardly think that Claus Larsen and Don Gordon are musical geniuses, they just do something that totally connects with me.Josmoker wrote:To me Luke Vibert and Amon Tobin are both musical geniuses, certainly as much as Mozart.
That's totally a matter of perspective. I think that Scraping Foetus Off the Wheel's Nail is the greatest masterpiece of all time. Overture to Pigdom Come is certainly right up there with Mozart.bugbug wrote:With the technology at peoples fingertips,masterpieces should be made.
That's true, as is the inverse - that technology allows people to develop latent talents which in another age may have gone unnoticed. Its a two-way street.bluelife wrote:This I have thought a long time, technology also lets people who have little or no musical knowledge make music, even if they can't play an instrument or don't know what a C#m7b9 is, which means the quantity increases.
Just because you own word, doesn't mean you can write a book kind of thing.
I really can't see that. In terms of popular music I find the 90's totally devoid of worthwhile material.stefancrs wrote:In 30 years we no doubt will think a lot of the popular music from for instance the 90's were great tracks.
No, it would have benn more like "If that piece isn't ready for the ball on Saturday you'll spend the rest of your days locked in a dungeon" kind of situation. But you're right, imagine what you could get done with someone sponsoring you and paying for your upkeep.fandango wrote:Mozart, Beethoven, Bach etc. would've had a good (probably un-interrupted) 18 hours to work with per day. The employers (rich noblemen, church, etc.) wouldn't be saying "We need to publish and market this music by Friday or we're moving to your competitors".
Really? I know Trevor Horn was, are you sure you're not mixed up? Seems pretty amazing that they both were.stevieb19 wrote:I find it difficult to take him seriously anyway because he used to be in Buggles in the 80's
Now for my original thoughts:
Find me an classical piece with the pure rage of Ministry's Just One Fix or the distilled hatred of Cubanate's Oxyacetelene. Its just not soemthign that can be done with anywhere near the saame intensity as it can with modern technology. I think it was Ralf Hutter who once said, in response to something David Bowie said about the lack of warmth and emotion in synthesised music, that there are all kinds of emotions and that Kraftwerk explored the cold emotions, which was equally valid. I think its hard to argue that musci today is capable of expressing the full gamut [twice in one post] of emotions in a way that wasn't possible even 50 years ago.
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Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
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- KVRist
- 380 posts since 27 Jul, 2004 from london
Really? I know Trevor Horn was, are you sure you're not mixed up? Seems pretty amazing that they both were.[/quote]stevieb19 wrote:I find it difficult to take him seriously anyway because he used to be in Buggles in the 80's
I s**t you not see below
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Athlon 3800+ x2, 1 gig ram, 200gb SATA
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5

