compression wet/dry why?

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Please explain something. Some compressors allow you to mix wet and dry signals. I don't understand why you would want to do this or why this would be advantageous over just compressing the whole signal. (I'm talking about clean compression--not distorted type.)
Thanks for helping to clarify.

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Mixing a heavily compressed signal with the dry signal is called New York compression, which gives you a much more powerful sound that doesn't really sound compressed. etc etc.

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M'Snah wrote:Mixing a heavily compressed signal with the dry signal is called New York compression, which gives you a much more powerful sound that doesn't really sound compressed. etc etc.
Hehe...was just reading about this trick in the "Mixing Engineer's Handbook." 8)
Last edited by torhan on Tue Mar 28, 2006 3:44 pm, edited 1 time in total.

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I guess I'm used to the all-or-none compression with most guitar pedals. (I run into the front of the amp, not into an effects return.) I'll give it more of a try.

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torhan wrote:
M'Snah wrote:Mixing a heavily compressed signal with the dry signal is called New York compression, which gives you a much more powerful sound that doesn't really sound compressed. etc etc.
Hehe...was just reading about this trick in the "Mixing Engineer's Handbok." 8)
page 52.

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Parallel compression is what i know it as. It allows you to compress with little or no effect on transient peaks.

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It's like having and eating your cake.
Sometimes it works great other times it doesn't.
I like to do this with FX's as well. (chorus, flanger and so on)

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