compression wet/dry why?
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- KVRian
- 503 posts since 28 Mar, 2005 from Annapolis, MD
Please explain something. Some compressors allow you to mix wet and dry signals. I don't understand why you would want to do this or why this would be advantageous over just compressing the whole signal. (I'm talking about clean compression--not distorted type.)
Thanks for helping to clarify.
Thanks for helping to clarify.
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- KVRAF
- 3345 posts since 8 Nov, 2003 from Amsterdam
Mixing a heavily compressed signal with the dry signal is called New York compression, which gives you a much more powerful sound that doesn't really sound compressed. etc etc.
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- KVRAF
- 2139 posts since 15 Jul, 2003 from ex-NJ, PA
Hehe...was just reading about this trick in the "Mixing Engineer's Handbook."M'Snah wrote:Mixing a heavily compressed signal with the dry signal is called New York compression, which gives you a much more powerful sound that doesn't really sound compressed. etc etc.
Last edited by torhan on Tue Mar 28, 2006 3:44 pm, edited 1 time in total.
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- KVRian
- Topic Starter
- 503 posts since 28 Mar, 2005 from Annapolis, MD
I guess I'm used to the all-or-none compression with most guitar pedals. (I run into the front of the amp, not into an effects return.) I'll give it more of a try.
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- KVRAF
- 3345 posts since 8 Nov, 2003 from Amsterdam
page 52.torhan wrote:Hehe...was just reading about this trick in the "Mixing Engineer's Handbok."M'Snah wrote:Mixing a heavily compressed signal with the dry signal is called New York compression, which gives you a much more powerful sound that doesn't really sound compressed. etc etc.
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- KVRAF
- 2565 posts since 30 Mar, 2004 from Phoenix AZ USA
It's like having and eating your cake.
Sometimes it works great other times it doesn't.
I like to do this with FX's as well. (chorus, flanger and so on)
Sometimes it works great other times it doesn't.
I like to do this with FX's as well. (chorus, flanger and so on)
