Sascha using Ableton Live for DJ sets
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- KVRian
- 620 posts since 18 Nov, 2004 from Orlando, Bitches!
name calling? Over a Live vs turntable debate? lol...
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- KVRist
- Topic Starter
- 380 posts since 27 Jul, 2004 from london
So So trueJoeSchmoe wrote:johnnytluxury wrote:JoeSchmoe wrote:stevieb19 wrote:
It's just that nowadays many DJ's seem to have forgotten that, for the most part, they're only people that play other people's music, to entertain a crowd. I'm against the whole "DJ as a rockstar" thing, and I'm a purist in the sense that, to me, the music is still what makes the party.
But don't get me started on this cause I can rant on this for hours.
Athlon 3800+ x2, 1 gig ram, 200gb SATA
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
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- KVRist
- 121 posts since 27 Sep, 2003 from Lisboa, Portugal
Forget it man, we're not helping the OP.johnnytluxury wrote:name calling? Over a Live vs turntable debate? lol...
And anyway, I have a lot of respect for people who DJ with the traditional tools but also keeps his mind open enough to use the new technologies, like you seem to do. So ther eyou go and thanks for the interest in my stuff.
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Reverse Engineer Reverse Engineer https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=9129
- KVRAF
- 4968 posts since 23 Sep, 2003 from Glasgow
I know for the most part it's all to do with the music, but you'd easily change your mind if you heard a good norman cook/dave clarke/kid koala/paul oakenfold/slam/Mr.C etc etc set.
There have been a number of times i've went and playlisted a set i've heard with the individual tracks, and rest assured, it's nowhere near as exciting as having the records well mixed. A lot of dj's are bland and basically just beatmatch and fade, that's very poor and truly just about anyone could do that, but to seamlessly segue totally contrasting tracks, throwing in samples and beats of your own and knowing how to build build build a set is an art in itself afaic.
There have been a number of times i've went and playlisted a set i've heard with the individual tracks, and rest assured, it's nowhere near as exciting as having the records well mixed. A lot of dj's are bland and basically just beatmatch and fade, that's very poor and truly just about anyone could do that, but to seamlessly segue totally contrasting tracks, throwing in samples and beats of your own and knowing how to build build build a set is an art in itself afaic.
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- KVRist
- 121 posts since 27 Sep, 2003 from Lisboa, Portugal
And that's exactly where Live can help a DJ go beyond the traditional "beatmatch and fade",in so many ways. That is in fact,for me, the main point of this debate.Reverse Engineer wrote:I know for the most part it's all to do with the music, but you'd easily change your mind if you heard a good norman cook/dave clarke/kid koala/paul oakenfold/slam/Mr.C etc etc set.
There have been a number of times i've went and playlisted a set i've heard with the individual tracks, and rest assured, it's nowhere near as exciting as having the records well mixed. A lot of dj's are bland and basically just beatmatch and fade, that's very poor and truly just about anyone could do that, but to seamlessly segue totally contrasting tracks, throwing in samples and beats of your own and knowing how to build build build a set is an art in itself afaic.
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- KVRist
- 116 posts since 1 Sep, 2002
Transitions... rings any bells?
Poor Richie he's been doing it for soooo long.
Anyway, first and foremost I love my turntables but the whole computer based mixing is very interesting I may add. Personally never got into CDs but computer mixing with Live or Acid or anything else is a very interested concept. You can get tons of music and use tons of effects to mangle beats around. In conjunction with a nice MIDI controller you can create a nice living hell, manipulating beats till they get something completely new.
To conclude by me its not the tools that define if someone is a good DJ or not. Q-Bert manages to rock the crowd pretty well with just the trusted wheels of steel and Richie Hawtin manages to entertain the crowd too using every possible DJ weapon available.
Two completely different approaches, same result, a happy crowd.
Poor Richie he's been doing it for soooo long.
Anyway, first and foremost I love my turntables but the whole computer based mixing is very interesting I may add. Personally never got into CDs but computer mixing with Live or Acid or anything else is a very interested concept. You can get tons of music and use tons of effects to mangle beats around. In conjunction with a nice MIDI controller you can create a nice living hell, manipulating beats till they get something completely new.
To conclude by me its not the tools that define if someone is a good DJ or not. Q-Bert manages to rock the crowd pretty well with just the trusted wheels of steel and Richie Hawtin manages to entertain the crowd too using every possible DJ weapon available.
Two completely different approaches, same result, a happy crowd.
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- KVRist
- Topic Starter
- 380 posts since 27 Jul, 2004 from london
This is why for me DJ'ing is such a rush.
I have been spinning tunes since 1981 and I have seen DJ technology move enormous amounts since then as you can imagine.
I am really keen to move my sets forward in terms of adding effects looping etc. but have been always restricted in recent years as you are as a DJ restricted to what the pub\club provide in terms of equipment so the idea of taking a laptop which can do say what Ableton can do in to the venue plugging it in and playing almost a completly different sounding set is appealing.
However, because I do not adhere to a single music policy as a DJ my only worry would be that I could given the comments made here get lost in the technolgy whilst playing and forget what, as a multi genre DJ, I should be dooing which is watching the crowd.
Discuss.
I have been spinning tunes since 1981 and I have seen DJ technology move enormous amounts since then as you can imagine.
I am really keen to move my sets forward in terms of adding effects looping etc. but have been always restricted in recent years as you are as a DJ restricted to what the pub\club provide in terms of equipment so the idea of taking a laptop which can do say what Ableton can do in to the venue plugging it in and playing almost a completly different sounding set is appealing.
However, because I do not adhere to a single music policy as a DJ my only worry would be that I could given the comments made here get lost in the technolgy whilst playing and forget what, as a multi genre DJ, I should be dooing which is watching the crowd.
Discuss.
Athlon 3800+ x2, 1 gig ram, 200gb SATA
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
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- KVRist
- 160 posts since 3 Oct, 2004 from Torquay England
Have you seen this guy using live really taking things to the next level I can do simler things using mobius in ext lots of fun which i think is what its all about.
- KVRAF
- 8705 posts since 9 Jan, 2004 from leroyaumeuni
I'm enjoying your mixes as we speakJoeSchmoe wrote:You edited your post, so I'll edit mine. You can find my site (still incomplete, mind you) on the left, underneath my nick.
My other host is Bruce Forsyth
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- KVRist
- 43 posts since 25 Jul, 2006
I thought it was Tiesto, cause he got $500,000 for the Olympics in Athens...stevieb19 wrote:I'm not sure if this is accurate but I believe he now commands the highst pay for any DJ worldwide. I believe it was around $20,000 a set.
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- KVRist
- Topic Starter
- 380 posts since 27 Jul, 2004 from london
I was talking regularly.HOUDINIwithFL wrote:I thought it was Tiesto, cause he got $500,000 for the Olympics in Athens...stevieb19 wrote:I'm not sure if this is accurate but I believe he now commands the highst pay for any DJ worldwide. I believe it was around $20,000 a set.
Also I think Carl Cox earn't more than that for his millenium gigs.
Two gig's both at midnight on different sides of the globe.
Athlon 3800+ x2, 1 gig ram, 200gb SATA
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
- KVRAF
- 8705 posts since 9 Jan, 2004 from leroyaumeuni
he must have very long armsstevieb19 wrote: Two gig's both at midnight on different sides of the globe.
My other host is Bruce Forsyth
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- KVRist
- 286 posts since 13 Mar, 2006 from Detroit, MI USA
This baby kicks it!
Welcome to KVR, where the PC vs. Mac debate never ends.
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- KVRist
- Topic Starter
- 380 posts since 27 Jul, 2004 from london
spaceman wrote:he must have very long armsstevieb19 wrote: Two gig's both at midnight on different sides of the globe.
Athlon 3800+ x2, 1 gig ram, 200gb SATA
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
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- KVRist
- Topic Starter
- 380 posts since 27 Jul, 2004 from london
coreydavid wrote:
This baby kicks it!
Whats the betting he needed to replace a least 1 fader, 1 cart and buy some new vinyl after that
Athlon 3800+ x2, 1 gig ram, 200gb SATA
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
Terratec 24/96 sound card, ATI all-in-wonder x600 graphics card, Windows XP Home SP2, Steinberg Cubase SX2, Reason 2.5
