Thanks a lot for this great comparison! Now... when are we going to find out which comp is which???
10 commercial compressors compared in a dance context
- KVRian
- 592 posts since 15 Dec, 2000 from Montreal, Canada
Markus,
Thanks a lot for this great comparison! Now... when are we going to find out which comp is which???
Thanks a lot for this great comparison! Now... when are we going to find out which comp is which???
My website: https://www.lesynth.com/
- AcousticHippie
- 4769 posts since 12 Mar, 2003
Hey Ned,Ned Bouhalassa wrote:Markus,
Thanks a lot for this great comparison! Now... when are we going to find out which comp is which???
nice to see you around here again... greetings
mully
- KVRAF
- 2488 posts since 2 Dec, 2004 from Sydney, Australia

what about me? what about this one, what about this one???
check out this example, using the original drumlooop of this thread, using a *secret* plugin with *fantastique* result! The .wav is uploaded at megaupload.com because i don't have any webspace, sorry for that.
http://www.megaupload.com/?d=UENTCZ8T
Last edited by dalor on Thu Aug 17, 2006 1:49 am, edited 1 time in total.
Cowbells!
- KVRAF
- 12615 posts since 7 Dec, 2004
the reason my compressor seems to distort easy is that it gives you about ten times as much compression range as others out there, and doesnt apply any rediculous filtering. it is the same as an average insert compressor, actually it is exactly the same as this: http://xhip.cjb.net/temp/public/tinycompressor.png
i think those 'opto compressors' are pussy compressors :P
of course, it is highly subjective i suppose. try not using extreme ranges on the compressor i made and you might notice a difference though (more than 1/40 is extreme)
also, it is a compressor. plain and simple. just like my gate effect, it is a gate, plain and simple. no 'magic' going on in the background, just one simple action using one simple method. if you look at it that way without expecting every control configuration to sound 'magic' somehow (as if the controls are added just to impress you and actually do almost nothing, like in most compressors) it becomes more understandable. to my knowledge, no basic 'real' compressor like the one i quickly wrote exists anywhere else in software.
i really didnt want to bother saying that, i really dont mind if nobody other than myself gets any use out of it, but i think you dont know how to use it since you're too used to other so called 'compressors' in software.
i think those 'opto compressors' are pussy compressors :P
of course, it is highly subjective i suppose. try not using extreme ranges on the compressor i made and you might notice a difference though (more than 1/40 is extreme)
also, it is a compressor. plain and simple. just like my gate effect, it is a gate, plain and simple. no 'magic' going on in the background, just one simple action using one simple method. if you look at it that way without expecting every control configuration to sound 'magic' somehow (as if the controls are added just to impress you and actually do almost nothing, like in most compressors) it becomes more understandable. to my knowledge, no basic 'real' compressor like the one i quickly wrote exists anywhere else in software.
i really didnt want to bother saying that, i really dont mind if nobody other than myself gets any use out of it, but i think you dont know how to use it since you're too used to other so called 'compressors' in software.
- KVRAF
- 11396 posts since 3 Feb, 2003 from Finland, Espoo
Dunno, to me it sounds quite bad at nearly all settings. Probably it would work ok as insert to tame dynamics but to me a good compressor is so much more than just an utilitarian tool.
I usually get a quite good feel for what a compressor can do and what the inherent sounds of it is by trying it on a few basic things: Drums, percussion, piano, vocal and a full mix. I couldn't get yours to "enhance" any of my test files. Usually a bad sign.
Sorry.
- bManic
I usually get a quite good feel for what a compressor can do and what the inherent sounds of it is by trying it on a few basic things: Drums, percussion, piano, vocal and a full mix. I couldn't get yours to "enhance" any of my test files. Usually a bad sign.
Sorry.
- bManic
"Wisdom is wisdom, regardless of the idiot who said it." -an idiot
"They don't ban hate speech; they ban speech they hate." -an oracle
"They don't ban hate speech; they ban speech they hate." -an oracle
- KVRAF
- 11396 posts since 3 Feb, 2003 from Finland, Espoo
I'm sure this is the case. Or then maybe the case is that you look at a compressor as a tool? I look at it as an effect. There's a slight difference there.aciddose wrote: i really didnt want to bother saying that, i really dont mind if nobody other than myself gets any use out of it, but i think you dont know how to use it since you're too used to other so called 'compressors' in software.
Cheers!
bManic
"Wisdom is wisdom, regardless of the idiot who said it." -an idiot
"They don't ban hate speech; they ban speech they hate." -an oracle
"They don't ban hate speech; they ban speech they hate." -an oracle
- KVRian
- 592 posts since 15 Dec, 2000 from Montreal, Canada
Hey Mully,multree wrote:nice to see you around here again... greetings
You got some really beautiful pics in your myspace slideshow. Very moody, takes me away to a great place. Thanks for sharing!
Ned
My website: https://www.lesynth.com/
-
- KVRian
- 1243 posts since 24 Oct, 2003 from Maine
c03 is so marquis it's not even funny.
Unless I'm wrong that is.
T1 mode, so punchy, I love it.
If you don't like the way it plays with the dynamics (I love it), set the detector to "classic" mode. It'll sound more like every other compressor.
C01 and 08 are great too, I'd love to know what those are.
It's kinda funny, I'm the only one who likes c03 the best, everyone else is either indifferent or hates it.
And I was thinking of changing my sig too.
Unless I'm wrong that is.
T1 mode, so punchy, I love it.
If you don't like the way it plays with the dynamics (I love it), set the detector to "classic" mode. It'll sound more like every other compressor.
C01 and 08 are great too, I'd love to know what those are.
It's kinda funny, I'm the only one who likes c03 the best, everyone else is either indifferent or hates it.
And I was thinking of changing my sig too.
♫♪♫♫♪♫
-
- Banned
- 316 posts since 3 Apr, 2006
It IS a volume thing. Psychologically, louder music is percieved as better, which is why when comparing speakers (like in a review of studio monitors) they have to use microphones to detect the overall volume average of each at the listening position, and then have an engineer adjust the volume quickly, before the lister "forgets" what they just heard.pendle wrote:it may be a volume thing and i might be missing the point , but after a quick listen i gotta say that the unprocessed version sounded much better.
don't shoot me.
This can be accomplished quickly if tracks are played using mutlimedia software that can detect audio-in levels, and instantly make adjustments to the volume of the output to keep it at a steady level.
This is also why monitors must be the same distance from the listener to allow a unbiased review; Preferably behind an acousticallly transparent screen, or with blindfolded listener(s)!
This could be compensated for in the 10 demo tracks, by chaining a gain plugin or boosting the "output dB" or equivalent parameter, in each compression plugin's GUI.
- KVRAF
- 11396 posts since 3 Feb, 2003 from Finland, Espoo
One of my examples is a freebie. The MjCompressor.3*s wrote:Maybe this has already been mentioned, but it would've been nice to have included some popular freebies like Blockfish, classic comp, stardust, or whatever else.
Cheers!
bManic
"Wisdom is wisdom, regardless of the idiot who said it." -an idiot
"They don't ban hate speech; they ban speech they hate." -an oracle
"They don't ban hate speech; they ban speech they hate." -an oracle
-
- KVRAF
- 13446 posts since 14 Nov, 2000 from Hannover / Germany
Well, at least the demo files could (no, should!) be brought up close to 0dB during the original mixdown. As is, "neutral" comparisons are quite impossible, the max. level differences are just incredibly high.djdorian wrote: This could be compensated for in the 10 demo tracks, by chaining a gain plugin or boosting the "output dB" or equivalent parameter, in each compression plugin's GUI.
There are 3 kinds of people:
Those who can do maths and those who can't.
Those who can do maths and those who can't.
-
- KVRist
- 47 posts since 29 Oct, 2005 from Stockholm, Sweden
I read thru all 6 pages.
I wanna hear the names now!

Did I mention I too loves compressors.
I eat them 3 times aday....
I wanna hear the names now!
Did I mention I too loves compressors.
I eat them 3 times aday....
-
- KVRist
- 47 posts since 29 Oct, 2005 from Stockholm, Sweden
Brings out the crunch in you
