Now that I have time signatures down, mostly. I'd like to ask a few other questions that have been boggling me...and there are no shortage of them, believe me!
1. After reading about various markings used in writing music, I came across the "Repeating Sections" markings, more spefically the "Coda" marking. I'm having one hell of a time understanding the idea behind the "D.C. al Coda" because in this book it says "Go back to the beginning and play to the Coda sign; then skip to the Coda section". The problem I have is that it doesn't seem so clear to those of us who knew nothing about such a marking. Do we just continue forward past the Coda marking, or, for whatever reason (and I believe that if i'm reading in to this too much, this is an idiotic assumption) we skip past the section where the Coda marking is? If it is right at the beginning of a specific measure, do we skip that next measure altogether? I would normally take it as it says, but everytime I do such things, thinking it is obvious, it comes back to bite me in the ass!
2.Now, note repeat marks. It is the markings for us lazy folks who can signify a number of successive notes, of course these notes are all the same value. For instance, if you wanted an easier way to write out 2 quarter notes, you would simply write a half note with a slash through it to signifify that there should be two quarter notes played. It is all a walk in the park until I try to understand note repeats with dotted notes. My book states "When you put a single slash on a dotted note, you play three notes of the next higher value." Huh?
I sound...and feel like a dumb ass