Squids,Squids wrote: Oh and yeah btw I did do a lot of tips and tricks video clips for Philharmonik. More than anything else. It's in the download section on www.philharmonik.com
I hope you get some personal kudos for this comment - your vids are what caused me to buy Miro in the first place! Don't think that for a second that this thread implies some kind of alck or deficiency exists in either presenting the features or how to work the plug - both you and Kim have done extremely well and even "above and beyond" in this respect.
This is one of those types of plugs, though, where it's not the plug itself, it's usage, etc, that is causing any sort of technical-related difficulty, but in how to use it for the greatest impact of musical expression in a reasonable amount of time and not have a year-long, head beating learning curve (kind of like learning to play guitar is for the first year - I don't know many people who actually make much music the first year of guitar and are confident and happy with themselves.)
I wanted to give the 100% impression right off the bat that nothing was wrong, no balls were dropped, and nobody is dissatisfied with anything but our own ability to DRIVE the thing to our own, or in some cases just a decent amount of, satisfactory output.
Heck, I know that the GPO & related stuff is Gary's full-time endeavour, and I don't at all expect or am even asking for a similar one from IK and it's co-patriots. I just wanted to gauge the interest of the helpfulness of even a smaller "diet, low-carb" version of some of what theyve got going on applied to Miro because for ANY orcehstral plug it would be well worth it.
And I shouldn't admit this, but after getting so frustrated with Miro I was going to license transfer, it ws only Kim's "tips and tricks" post that ended a whole lot of that creative musical frustation and caused me to give it a second glance, with GregJazz's mp3's and willingness to share how he does his workflow keeping me from doing that, I think, permanently.
I know that the reason that the GPO support is so essential is that basically buyers of these generally, I would guess, aren't first-time musicians or writers. I, myself, have been playing and writing for over 20 years, and even have a semester of college as a classical guitar major. To be totally up front, though, my writing has been mostly rock and new age stuff (like I mentioned) and not at all up to this point orchestral.
What, then, makes the GPO-realted community something to drool over is that I feel like, if I were, say, building a house, I've got the tools, I've got the "blueprint" (the music in my head), I've got the materials, but assembling them all is, as eloquently as I can put, a total bitch of a job that seems to be something beyond what I, personally can handle...YET...I KNOW that it's "doable" since others are obviously not having problems due to hearing some of the good demos with this.
Well, this is getting a little long - frankly I don't think that it's needed to go much further with the "interest only" topics as obvously we'be now established that quite a few people think it's quite a good idea.
Is it too early to start "putting our heads together" as to what would be valuabe as far as a Miro user community?
I'd vote for any sort of area where those that are willing would share their DAW project files along with the combi presets if so willing, too. I'd share whatever I, myself, do as well. And I have Cubase 4, Tracktion 2, and Sonar 5 so it might not be too much to port examples to these different hosts since it's just a matter of importing the MIDI file and setting up the instrument tracks.
And obvously a "user showcase" section for those who are more adept to get some much-deserved recognition.
Heck, we could pretty much take any of the areas or concepts that seem to be of help for the GPO community and apply that to Miro, too.
Just some more thoughts...
