sound design tips for THIS bassline
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- KVRist
- 307 posts since 19 Sep, 2006
hi sound designers!
Could someone give me any tips on how to synthesize/modulate to get results like the very nice bass in this clip?
http://www.whiterabbitpress.com/downloads/sample3.mp3
Thanks in advance!
Max
Could someone give me any tips on how to synthesize/modulate to get results like the very nice bass in this clip?
http://www.whiterabbitpress.com/downloads/sample3.mp3
Thanks in advance!
Max
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- KVRist
- Topic Starter
- 307 posts since 19 Sep, 2006
bump
oh man... no one has a clue?
oh man... no one has a clue?
Max Hodges
Publisher
White Rabbit Press
www.whiterabbitpress.com
There are two rules for success in life.
First, never tell anyone all that you know.
Publisher
White Rabbit Press
www.whiterabbitpress.com
There are two rules for success in life.
First, never tell anyone all that you know.
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- KVRAF
- 5666 posts since 23 Mar, 2006 from pendeLondonmonium
Square wave it is, well, two of them and a sine wave for extra flavour, live LPF modulation, 'ave a listen:
http://www.mediafire.com/?emtwmn0vwzl
http://www.mediafire.com/?emtwmn0vwzl
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- KVRAF
- 5666 posts since 23 Mar, 2006 from pendeLondonmonium
Synth: Saturn in Tassman.
You are right
they are just slightly detuned. No PWM.
You are right
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- KVRist
- Topic Starter
- 307 posts since 19 Sep, 2006
are they maybe gating the amp to get that pulse part?
Max Hodges
Publisher
White Rabbit Press
www.whiterabbitpress.com
There are two rules for success in life.
First, never tell anyone all that you know.
Publisher
White Rabbit Press
www.whiterabbitpress.com
There are two rules for success in life.
First, never tell anyone all that you know.
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- KVRAF
- 5666 posts since 23 Mar, 2006 from pendeLondonmonium
Or perhaps just using the piano roll to input notes ?maxhodges1 wrote:are they maybe gating the amp to get that pulse part?
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- KVRAF
- 5629 posts since 22 Sep, 2005
Sounds almost like some kinda of delay on the repetative parts. Perhaps try a dub delay that feeds back into itself and automate the routing so you can cut the signal fast.
OR
You could play it normally (half notes), render it and open it into a slicer. Then take the part you want to repeat and cut into smaller parts (quarters) and then envelope them so they repeat in a stuttery pattern.
L
OR
You could play it normally (half notes), render it and open it into a slicer. Then take the part you want to repeat and cut into smaller parts (quarters) and then envelope them so they repeat in a stuttery pattern.
L
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- KVRAF
- 5666 posts since 23 Mar, 2006 from pendeLondonmonium
There is delay there obviously, but using slicers is way too much trouble, imho.
That stuttering pattern is (or can be) simply programmed in the piano roll. Then move the mod wheel with filter cut off assigned to it, as the bassline plays.
That stuttering pattern is (or can be) simply programmed in the piano roll. Then move the mod wheel with filter cut off assigned to it, as the bassline plays.
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- KVRist
- 111 posts since 31 Jul, 2004 from NEUK
Seems like there are two square wave tracks playing - one has a multi breakpoint envelope modulating the amplitude, creating that stuttering effect, and seems to drop into the sequence every so often, with a short but fairly wet delay (1/32?) with a fast degeneration.
The main square track seems pretty 'conventional' - has the usual filter cutoff modulation going on, as already described, also with occasional delay, different division/pattern.
Personally, I don't feel that this sort of editing could be done solely in the piano roll; it seems like there is too much fluidity between the notes, ie a lot of blending going on around 2/3rds into the piece; if this was attempted in the paino roll I think the only way to get near would be to automate the amplitude env attack and I just don't think that has been done here, because the note lengths are so short that it would be difficult to accurately automate the attack.
So in my opinion, two square wave tracks, both with different delays brought in & out, one track with a fast multi breakpoint increasing in amplitude, creating a building stuttering effect.
or something...
The main square track seems pretty 'conventional' - has the usual filter cutoff modulation going on, as already described, also with occasional delay, different division/pattern.
Personally, I don't feel that this sort of editing could be done solely in the piano roll; it seems like there is too much fluidity between the notes, ie a lot of blending going on around 2/3rds into the piece; if this was attempted in the paino roll I think the only way to get near would be to automate the amplitude env attack and I just don't think that has been done here, because the note lengths are so short that it would be difficult to accurately automate the attack.
So in my opinion, two square wave tracks, both with different delays brought in & out, one track with a fast multi breakpoint increasing in amplitude, creating a building stuttering effect.
or something...
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- KVRian
- 1022 posts since 14 Feb, 2005 from Concord, CA
yea, seems like a piano roll could easily get that, along with some lpf modulation
.:my music and stuff.:Ephesians 6:12.:http://www.myspace.com/atdigs:.
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- KVRist
- Topic Starter
- 307 posts since 19 Sep, 2006
that stutter effect could be tempo synced gating huh?
I found the sound in this electribe mix 1 mp3:
http://www.korg.com/gear/info.asp?a_prod_no=ermkii
I found the sound in this electribe mix 1 mp3:
http://www.korg.com/gear/info.asp?a_prod_no=ermkii
Max Hodges
Publisher
White Rabbit Press
www.whiterabbitpress.com
There are two rules for success in life.
First, never tell anyone all that you know.
Publisher
White Rabbit Press
www.whiterabbitpress.com
There are two rules for success in life.
First, never tell anyone all that you know.

