Not sure you can actually find them any longer. When I bought my first pair they were like $200. When I bought my 2nd (the ones I'm using), they were like $70, but quite hard to get by.bduffy wrote:Never seen those before...
The hard part is actually getting to hear all these models!
never been asked.....best headphones!
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- KVRAF
- 4738 posts since 20 Feb, 2004 from Gothenburg, Sweden
Stefan H Singer
https://dropshotaudio.com/
https://dropshotaudio.com/
- KVRAF
- 19156 posts since 13 Feb, 2003 from Vancouver, Canada
Looks like we still have them in Vancouver:stefancrs wrote:Not sure you can actually find them any longer. When I bought my first pair they were like $200. When I bought my 2nd (the ones I'm using), they were like $70, but quite hard to get by.bduffy wrote:Never seen those before...
The hard part is actually getting to hear all these models!
http://www.tomleemusic.ca/main/recordin ... inv=105974
Interesting...I was planning to go there tomorrow anyway to demo some monitors (I think the left woofer is blown on my Near05!), maybe I'll really bug them and do some headphones too.
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- KVRAF
- Topic Starter
- 42529 posts since 21 Dec, 2005
simple to explain (sorry, thought you'd understand)Shy wrote:I'm really not sure what you mean when you say HD580 is not good for tracking bass. They're amazing headphones with great and accurate frequency response in the low region as well. Maybe the problem is that you don't have something to drive them loud enough? Also, not sure what you mean by "tink tink" sound.
580's are "open".......aamof, VERY open and that doesn't work for me when doing bass in particular. Listening back......yeah......that rocks, but I cannot handle the tink tink of the clacking bass strings when tracking OR even worse yet when practicing/learning a line!
- KVRAF
- 19156 posts since 13 Feb, 2003 from Vancouver, Canada
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- KVRAF
- Topic Starter
- 42529 posts since 21 Dec, 2005
when you say "no bass" that worries me since that is what is needed.bduffy wrote:Oh: and I'm using Sony MDR7506's as we speak, and I really like the way they sound at home, through my mixer, but not at work; they had no bass whatsoever, but at home, they're quite dandy.
again, I could just use the stupid overpriced "high end" suddenly disappeared dt770's for bass tracking, but......
btw, any thought on these
http://www.guitarcenter.com/Sony-MDR-75 ... 1134484.gc
the "yak" sounds a bit weird to me, I usually find that fancy shmancy giberish doesn't cut it (ultrasones come to mind
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- KVRAF
- Topic Starter
- 42529 posts since 21 Dec, 2005
I "hear" that, but it is quite nice for so many things.....EXCEPT BASS!bduffy wrote:I'm not a big fan of open headphones; kinda defeats the purpose!
drums.....fine
guitars......er, as you know.....fine
keys (mostly) fine
vocals......um, I don't sing
bass? did you say bass? URRRRRRRGGGGGGGGGGG
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- KVRAF
- 5139 posts since 27 Jun, 2004
I see. In that case, I'd definitely recommend the already recommended HD200. Or HD280 Pro.hibidy wrote:simple to explain (sorry, thought you'd understand)Shy wrote:I'm really not sure what you mean when you say HD580 is not good for tracking bass. They're amazing headphones with great and accurate frequency response in the low region as well. Maybe the problem is that you don't have something to drive them loud enough? Also, not sure what you mean by "tink tink" sound.
580's are "open".......aamof, VERY open and that doesn't work for me when doing bass in particular. Listening back......yeah......that rocks, but I cannot handle the tink tink of the clacking bass strings when tracking OR even worse yet when practicing/learning a line!
- KVRAF
- 19156 posts since 13 Feb, 2003 from Vancouver, Canada
The Sony 7509's are a notch up from mine, and considered some of the best in that price range.
Like I said: I found on my day-to-day machine at work, where they were plugged into the sound card, or in my mp3 player, they had zilch bass and were rather quiet. Through the mixer at home, they're near-perfect sounding, and I did much comping and mixing of the album on them, so I guess they may tend to shine with headphone amplification.
My tiny AKG K26P's, however, have tons of juice, regardless of what they're plugged into. Not sure what's up with that?
Like I said: I found on my day-to-day machine at work, where they were plugged into the sound card, or in my mp3 player, they had zilch bass and were rather quiet. Through the mixer at home, they're near-perfect sounding, and I did much comping and mixing of the album on them, so I guess they may tend to shine with headphone amplification.
My tiny AKG K26P's, however, have tons of juice, regardless of what they're plugged into. Not sure what's up with that?
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- KVRAF
- 5139 posts since 27 Jun, 2004
bduffy: the "purpose" of Sennheiser's "open" headphones is to provide the best possible accurate reproduction of the audio, meaning flat frequency curve and high amount of detail. It's extremely hard to achieve that with closed headphones. The studio oriented open headphones aren't for walking around outside listening to an iPod anyway, they're for studio work.
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- KVRAF
- Topic Starter
- 42529 posts since 21 Dec, 2005
which of course is great for mixing, er, not trying to sell you on them or anything, just saying.....Shy wrote:bduffy: the "purpose" of Sennheiser's "open" headphones is to provide the best possible accurate reproduction of the audio, meaning flat frequency curve and high amount of detail. It's extremely hard to achieve that with closed headphones. The studio oriented open headphones aren't for walking around outside listening to an iPod anyway, they're for studio work.
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- KVRAF
- 3645 posts since 27 Nov, 2003 from beach side australia
Just got some bose triport headphones off a mate pretty cheap. They make things sound pretty good and they're pretty light. Good for mucking around recording and listening to stuff on the bus (vehicle type!
Don't think i'd mix with them tho'..
- KVRAF
- 19156 posts since 13 Feb, 2003 from Vancouver, Canada
Yes, I know why they make open headphones, thanks. I just prefer the privacy (and less mike-bleed) of closed headphones. Plus, I didn't like the sound of the open Sennheisers at all, so that left a bad taste in my mouth.Shy wrote:bduffy: the "purpose" of Sennheiser's "open" headphones is to provide the best possible accurate reproduction of the audio, meaning flat frequency curve and high amount of detail. It's extremely hard to achieve that with closed headphones. The studio oriented open headphones aren't for walking around outside listening to an iPod anyway, they're for studio work.
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- KVRAF
- Topic Starter
- 42529 posts since 21 Dec, 2005
EDITbduffy wrote:The Sony 7509's are a notch up from mine, and considered some of the best in that price range.
Like I said: I found on my day-to-day machine at work, where they were plugged into the sound card, or in my mp3 player, they had zilch bass and were rather quiet. Through the mixer at home, they're near-perfect sounding, and I did much comping and mixing of the album on them, so I guess they may tend to shine with headphone amplification.
My tiny AKG K26P's, however, have tons of juice, regardless of what they're plugged into. Not sure what's up with that?
You know, I have had some creepy ohm/power issues with sony's in the past. For example, I had (till recently cause they were trashed from years of abuse
- KVRAF
- 19156 posts since 13 Feb, 2003 from Vancouver, Canada
I find Sony to be all over the map below the $180 range. But I think the volume levels - at least on my end - have to do with drivers/wattage, but I'm just not techy enough to think about it right now.hibidy wrote:You know, I have had some creepy ohm/power issues with sony's in the past. For example, I had (till recently cause they were trashed from years of abusebduffy wrote:The Sony 7509's are a notch up from mine, and considered some of the best in that price range.
Like I said: I found on my day-to-day machine at work, where they were plugged into the sound card, or in my mp3 player, they had zilch bass and were rather quiet. Through the mixer at home, they're near-perfect sounding, and I did much comping and mixing of the album on them, so I guess they may tend to shine with headphone amplification.
My tiny AKG K26P's, however, have tons of juice, regardless of what they're plugged into. Not sure what's up with that?) some sony "dj" 700's which were nice. Not great, very uncomfy.....but nice sounding. However, some of the other sony's I tried at the time were AWFUL! Strange impedance problems, tinny or buzzy sounds.........ick! Wondering if that has something to due with it
