I've used my Rev C on gigs before but only in a very simple fashion - one sound for one midi channel.
I'm now doing the sound design and keys for an artist (finalist from a TV comp we all know and love
I'm VERY happy to report that the Receptor worked like a champ! Even after the back of the truck roadtrips.
Ivory and B4 were constantly engaged and other instruments like Kontakt (x2), Stringer, NI Elektric Piano and OP-X were on various snapshots. All running on 64k buffers.
Program messages were sent from my Korg SGproX which is a great master controller but does not have the best keyboard action. These PC's were sent to the receptor as well as the Korg Trinity. So one button push changed the SG, Trinity and Receptor to the right sounds.
Now....
I still managed to have 3 meltdowns at the gig. Here's why.
I am using an EMAGIC unitor 8 as a midi merger and when I had the first meltdown, I looked down at the receptor thinking it was the issue, however, what had happened, was that the unitor8 had locked up and was sending note on messages but no not off messages. All the lights were stuck on. So I finally found the 'Panic' button and all was fixed.
This happened another two times at the gig, usually with the combination of a hammond slide and the sustain pedal. So I'm guessing the Unitor8 is not built for massive midi throughput.
Has anyone experienced this type of midi lockup?
And, I guess I'm in the market for a better midi interface/merger. Any recomendations eg MOTU midi timepiece AV?
Thanks for your time, and again the receptor at a live gig is rather special.
Kim
