I recently picked up a Blofeld and Micro-Q and definitely dig their rather idiosyncratic, hard-to-describe sound (nice job on the Q patches you did that are reproduced in the Blofeld, by the way - I grinned every time I brought up a patch with "HS" at the end). Waldorf's digital filters seem to have their own personality, and the Waldorfs also seem good at putting a very hard, almost metallic spike on the attack with fast envelope times that I haven't found as easy to achieve with my VST synths.
Granted, there's nothing wrong with having a collection of instruments and not expecting Zebra to cover everything under the sun, but even just as an interesting exercise, I'd be intrigued to see how close you could get to a handful of the Q sounds ("Very Compleqs," "Rain After Sun" and some of the more punchy and standout bass sounds like "Norebass#2" come to mind, but of course anything that struck your fancy would be interesting).
Clearly you're a very busy man these days, but I just thought I'd throw it out there as a potentially fun diversion during a slower period. I honestly don't know how difficult it would be to simulate Waldorf's filter response and other characteristics within Zebra's architecture, but it wouldn't hurt my feelings if you nailed it like you did the Virus...I love the sound of the Waldorfs, but they've also reminded me of how much less convenient it is to deal with external hardware.
but i've been quite happy with the amount of dirt i can get from the zebra. as far as glitchyness, i do find that hard to get from *any* software, let alone HW emulations of other classic hardware. for example, i just picked up that boss re-20 chorus echo pedal. it's quite fun, but nothing like my actual RE-301. i mean, when you KICK it, it makes an incredibly wonderful noise! now that's glitch hahaha!
