objectman wrote:Well I'll be back here for some tips, if you don't mind rlahalla. I hardly know anything about these things besides how to load a preset!
It's 12:05am here in Australia and I've got Bootcamp at 5am, so I'd better stop mangling. I've already had 2 hours of mangling - which has easy been worth my AU$150 - even if Urs was to physically take it off me right now. I'm using these sound manglers for a ghost character that appears in a feature film I'm involved with. Plus I'm mangling music / atmospheres on a series of short Documentaries I'm doing.
What fun this is! I feel like I've just made friends with a bit of software. Right. Bed. Then after Bootcamp - more fun. I'm wagging* work to play with this puppy ALL day tomorrow...
*In Oz, "wagging" means skiving off (taking a sick day).
Yeah, Filterscape can be kind of addicting really, I've had to pull myself away from the computer a few times over the past few weeks with it. I've found Filterscape to be very useful for theatrical work in scoring scenes myself - some very unique sounds you can get from this thing. You can check out the soundbank I've been working on later on down the forum, should have something in there useful to you. I should be updating it tomorrow with quite a few sounds also.