http://en.wikipedia.org/wiki/Tubular_Bells
in the hall of the mountain king...similar concept in pop?
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- KVRist
- 150 posts since 18 Jul, 2005 from Australia
5, 4, 3, ..
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- KVRAF
- 2616 posts since 17 Apr, 2004
Not quite sure if this is what you're looking for - I understood you to mean songs with just one theme/melody, i.e. not a traditional pop verse/chorus/bridge thingy.
This is basically the same central little ditty repeated ad infinitum with the vocals and build up adding some variation.
Same here, though less build up, more an iteration through variations on the central theme:
Just the one central melody and beats:
This is basically the same central little ditty repeated ad infinitum with the vocals and build up adding some variation.
Same here, though less build up, more an iteration through variations on the central theme:
Just the one central melody and beats:
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- KVRist
- 102 posts since 11 Mar, 2008
Hmm... How about "Paradise City" by Guns N' Roses? Starts out fairly slowly and then picks up speed throughout until its pretty fast by the end.
And would the intro to Metallica's "Enter Sandman" be something similar to what you want? If so, In Flames' "The Jester Race" is another one that has an intro that gradually gets added to over the first 30 seconds or so.
Cradle of Filth's "Swansong for a Raven" has a slow intro that is rapidly sped up a few seconds into the song.
I think I have heard at least one metal song that repeats a riff that gradually increases in speed throughout the entire song (not just the intro), but I can't remember it/them at the moment. I almost want to say something by MegaDeth, but I don't think that's right.
EDIT: Not metal, but there's a song called "Iyansa" by a band named Faun. It definitely builds up slowly over the course of the song, gradually getting faster and louder while repeating the same phrase. The song "calls on the Afro-Brasilian goddess of wind and builds into a frenzy," according to http://www.rambles.net/faun_renaiss05.html. It does get pretty intense at the end there, much like the "Mountain King."
And would the intro to Metallica's "Enter Sandman" be something similar to what you want? If so, In Flames' "The Jester Race" is another one that has an intro that gradually gets added to over the first 30 seconds or so.
Cradle of Filth's "Swansong for a Raven" has a slow intro that is rapidly sped up a few seconds into the song.
I think I have heard at least one metal song that repeats a riff that gradually increases in speed throughout the entire song (not just the intro), but I can't remember it/them at the moment. I almost want to say something by MegaDeth, but I don't think that's right.
EDIT: Not metal, but there's a song called "Iyansa" by a band named Faun. It definitely builds up slowly over the course of the song, gradually getting faster and louder while repeating the same phrase. The song "calls on the Afro-Brasilian goddess of wind and builds into a frenzy," according to http://www.rambles.net/faun_renaiss05.html. It does get pretty intense at the end there, much like the "Mountain King."
Software: Windows XP (SP2), Sony ACID Music Studio 7, Ableton Live Lite 6 and 7, Cakewalk z3ta+ 1.4
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Hardware: M-Audio Axiom 49
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- KVRist
- 350 posts since 11 May, 2008
Portuguese traditional Lisbon Fados. They got 1 theme that's repeated over and over and over and over. Sometimes a song is just singing the same theme with four different lyrics.
Some examples:
(Rosa cor de rosa - Ana Moura)
(A moda das tranças Pretas)
Some examples:
(Rosa cor de rosa - Ana Moura)
(A moda das tranças Pretas)
Play fair and square!
- KVRAF
- 5948 posts since 19 Jun, 2008 from Melbourne, Australia
There was a concept album titled "Hall of the Mountain King" by progressive metal band Savatage released in 1987.
http://en.wikipedia.org/wiki/Hall_of_th ... ng_(album)
... though it's probably not what you are looking for
Peace,
Andy.
http://en.wikipedia.org/wiki/Hall_of_th ... ng_(album)
... though it's probably not what you are looking for
Peace,
Andy.
- KVRAF
- 11162 posts since 16 Mar, 2003 from Porto - Portugal
Although a little more varied in the melody sense, I think "My Sweet Lord" from George Harrison may clasify. And "Bridge Over Troubled Water", from Simon and Garfunkel definitely classifies as a similar concept.
Fernando (FMR)
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- KVRian
- Topic Starter
- 632 posts since 30 Jan, 2005 from berlin
yeah!! great example!!someone called simon wrote:how about "something in the air" by Thunderclap Newman (sp?). No tempo change i think but simple melody modulating up. except for the honky tonk piano break... speaking of which, can you ever imagine something so out-of-left-field making into a pop song in today's formulaic world?
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- KVRian
- Topic Starter
- 632 posts since 30 Jan, 2005 from berlin
5.1 wrote:Mike Oldfield, Tubular Bells (the original version)
http://en.wikipedia.org/wiki/Tubular_Bells
this version is perfectly what i was looking for!
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- KVRian
- Topic Starter
- 632 posts since 30 Jan, 2005 from berlin
I didn't think of tempo as a main criteria. I thought of a piece whichMax Headroom wrote:Hmm... How about "Paradise City" by Guns N' Roses? Starts out fairly slowly and then picks up speed throughout until its pretty fast by the end.
And would the intro to Metallica's "Enter Sandman" be something similar to what you want? If so, In Flames' "The Jester Race" is another one that has an intro that gradually gets added to over the first 30 seconds or so.
Cradle of Filth's "Swansong for a Raven" has a slow intro that is rapidly sped up a few seconds into the song.
I think I have heard at least one metal song that repeats a riff that gradually increases in speed throughout the entire song (not just the intro), but I can't remember it/them at the moment. I almost want to say something by MegaDeth, but I don't think that's right.
EDIT: Not metal, but there's a song called "Iyansa" by a band named Faun. It definitely builds up slowly over the course of the song, gradually getting faster and louder while repeating the same phrase. The song "calls on the Afro-Brasilian goddess of wind and builds into a frenzy," according to http://www.rambles.net/faun_renaiss05.html. It does get pretty intense at the end there, much like the "Mountain King."
only hast only meoldy throughout the song.Not like A part,B ..A again...
only one line that does it..maybe modulated or changing colours by instrumentation.
Last edited by forw on Tue Jan 20, 2009 9:43 pm, edited 1 time in total.
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- KVRist
- 33 posts since 10 Apr, 2008
Here's some trivia for you: Andy "Thunderclap" Newman was the piano player...and the bass player was some guy named.....Bijou Drains....aka Peter Townsend....I wonder what happened to him?someone called simon wrote:how about "something in the air" by Thunderclap Newman (sp?). No tempo change i think but simple melody modulating up. except for the honky tonk piano break... speaking of which, can you ever imagine something so out-of-left-field making into a pop song in today's formulaic world?
Keith
Last edited by Odieman on Tue Jan 20, 2009 9:41 pm, edited 1 time in total.
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- KVRian
- Topic Starter
- 632 posts since 30 Jan, 2005 from berlin
cool! thanks!Musicologo wrote:Portuguese traditional Lisbon Fados. They got 1 theme that's repeated over and over and over and over. Sometimes a song is just singing the same theme with four different lyrics.
Some examples:
(Rosa cor de rosa - Ana Moura)
(A moda das tranças Pretas)
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- KVRian
- Topic Starter
- 632 posts since 30 Jan, 2005 from berlin
Odieman wrote:Here's some trivia for you: Andy "Thunderclap" Newman was the piano player...and the bass player was some guy named.....Bijou Drains....aka Peter Townsend....I wonder what happened to him?someone called simon wrote:how about "something in the air" by Thunderclap Newman (sp?). No tempo change i think but simple melody modulating up. except for the honky tonk piano break... speaking of which, can you ever imagine something so out-of-left-field making into a pop song in today's formulaic world?
Keith
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- KVRian
- Topic Starter
- 632 posts since 30 Jan, 2005 from berlin
So true! ..never noticed that!fmr wrote:Although a little more varied in the melody sense, I think "My Sweet Lord" from George Harrison may clasify. And "Bridge Over Troubled Water", from Simon and Garfunkel definitely classifies as a similar concept.