Of all the things that unsettle me in this thread, I find this statement the most unsettling.blank/diod wrote:That's cool. If your principles are worth more than being able to use the tools you want to use, then stick with the principles, I hear they're really great for generating sound.
Record: New DAW from Propellerheads
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- KVRAF
- 12235 posts since 18 Aug, 2003
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- KVRAF
- 7315 posts since 7 Mar, 2003
I manage a perfect take pretty much first time.. but then again... I rehearse my arse off until it's perfected.DHR53 wrote:I live in Charlotte, NC. And... I've been playing guitar for 30 years, and very rarely do I hit a "perfect take"... It's more about finding a take you like, mixing bits of various takes (if you can, that is) and not having to re-record over and over again... Sort of how Pro-Tools became an industry standard... so many shitty musiciansAmberience wrote:Are you living in a bubble? There are plenty of musicians out there who are amazing at their instrument, but just don't know DAW software well enough.DHR53 wrote:So... This is for people who are damn good musicians, who just don't know anything about computers or recording? If you can't stretch or change the pitch of that audio you'll be doing a lot of takes I'm assuming? Kind of odd that a program that is supposed to be easy to use for beginner's or non-professional's would assume that they could also play perfectly in time... Unless I missed something in that overview. Hmmm...
My Youtube Channel - Wires Dream Disasters
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- KVRAF
- 7315 posts since 7 Mar, 2003
v1o wrote:Listen to how professional this track sounds http://digg.com/u134k5
My Youtube Channel - Wires Dream Disasters
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longbongsilver longbongsilver https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=76888
- KVRist
- 253 posts since 3 Aug, 2005
I'm assuming since Record can directly load Reason instruments, that now means that you can sample (read: record audio, cut, then drag and drop) into NNXT and ReDrum using it.
Am I correct?
Am I correct?
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- KVRAF
- 7489 posts since 6 Jul, 2004
Not just any old dongle though - a special innovative one... you can still use Record without the dongle, it's just that you can't, erm, open any of your projects...christianmusicmaker wrote:Never even crossed my mind that they would add a dongle to Reason 5. I guess it is a real possibility now.djanthonyw wrote:Really? I wonder if they plan on doing that with Reason too... if that's the case then I'll be uninstalling my NFR even though I hardly ever use it. I won't be supporting anymore companies that use dongles.
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- KVRAF
- 3617 posts since 26 Sep, 2003 from Bradford - The Armpit of Britain
I'm hoping it allows tight integration with an external audio editor of ones' choice - i'd be fairly happy with that.
for someone like me who mainly uses just Reason nowadays this would be a welcome addition - a tightly coded (it's the props) & tightly integrated rewire host, it's kinda all I need personally.
Might jump on the Beta @ some point to check it out.
for someone like me who mainly uses just Reason nowadays this would be a welcome addition - a tightly coded (it's the props) & tightly integrated rewire host, it's kinda all I need personally.
Might jump on the Beta @ some point to check it out.
- KVRAF
- 7794 posts since 20 Jul, 2004 from Clearwater
The only products that require a dongle and IMO don't have a viable, non-dongled alternative is the Korg stuff. I'm not interested in Record, but I do have Reason, so the Propellerheads decision on this still pisses me off. If they decide to use a dongle for Reason then they just lost any possibility of me upgrading.blank/diod wrote:That's cool. If your principles are worth more than being able to use the tools you want to use, then stick with the principles, I hear they're really great for generating sound.djanthonyw wrote:I think the best use for dongles would be to have the devs sit on them. It might make them feel better instead of f*cking their customers.
Dongle protection has been breached countless times, the solution isn't to punish your customers. There are a few users that don't mind it, but there are plenty of users that do. I for one like using software that is really just... software.blank/diod wrote:Cubase has been dongle-protected for 20 years and is (or at least used to be) the best selling music software of all time, so apparently there are more users who are more keen on protecting *their* investment than giving it away to pirates.
If you think purchasing products that use a dongle is a great way to "protect your investment" you might as well purchase the same software you already purchased... it's an even better way to further protect *your* investment.
Wavsen.com - Professional mix delivery platform with client approval, watermarking, and portfolio page builder.
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- KVRist
- 258 posts since 10 May, 2005
I really don't see how the Props are going to survive in the long term. All of Reason's modules are completely obsolete by today, there are free VSTs that do what any Reason component does (not to mention the vastly superior commercial products). This Record thing seems to be for novice producers/songwriters to get introduced into the recording world, or Reason users. Why would anybody with a serious DAW switch to Record? Props should have turned themselves into a company that makes crucial plugins. A good enough plugin can sell for $250 on the market. Why make a limited "host" for a very limited subset of people. Why make software that can record but can barely manipulate the recording? I mean what are you people seeing in this product that I am not (besides the interesting timestretch, which isn't enough to warrant a switch). This type of bad strategy is exactly why Reason fell behind from its glory days. I hoped to get something special from the Props but this is certainly not it.
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- KVRist
- 408 posts since 16 Jan, 2007
Aha. And you don't find it unsettling or the least bit weird that the tools matter less than their copy protection? "This is my favorite product and the one I'm most productive with, but it comes with this little plastic stick that I don't like, so I'm going to to settle for whatever second best that doesn't come with a plastic stick". Mmmmkay...shamann wrote:Of all the things that unsettle me in this thread, I find this statement the most unsettling.blank/diod wrote:That's cool. If your principles are worth more than being able to use the tools you want to use, then stick with the principles, I hear they're really great for generating sound.
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- KVRist
- 291 posts since 2 Aug, 2007
Just picking you as an example for no particular Reason.zion7 wrote:I really don't see how the Props are going to survive in the long term. All of Reason's modules are completely obsolete by today, there are free VSTs that do what any Reason component does (not to mention the vastly superior commercial products). This Record thing seems to be for novice producers/songwriters to get introduced into the recording world, or Reason users. Why would anybody with a serious DAW switch to Record? Props should have turned themselves into a company that makes crucial plugins. A good enough plugin can sell for $250 on the market. Why make a limited "host" for a very limited subset of people. Why make software that can record but can barely manipulate the recording? I mean what are you people seeing in this product that I am not (besides the interesting timestretch, which isn't enough to warrant a switch). This type of bad strategy is exactly why Reason fell behind from its glory days. I hoped to get something special from the Props but this is certainly not it.
Why are you talking about Propellerheads viability when you don't understand the program?
Propellerheads are going to be fine because they've invented technology that is going to have all of the DAW's not just looking over their shoulder but begging for a chance to license the tech.
This doesnt just make all timestreching efforts before it look ancient.
It has the down to earth effect of relegating MIDI to the sidelines where it belongs.
Because of the extreme malleability of the hybrid data format you no longer need the flexibility that MIDI previously afforded you.
Having seen and heard it in person at the producers conference I will definitely purchase and record my next album with it.
Record will cause a Revolution in Recording
Last edited by ehdyn on Mon May 11, 2009 6:54 pm, edited 1 time in total.
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Muzik 4 Machines Muzik 4 Machines https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=9550
- KVRAF
- 7829 posts since 6 Oct, 2003 from Quebec
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- KVRAF
- 16154 posts since 2 Dec, 2003 from Nashville, TN
For me, there is far more than that. Heck, just considering Altiverb and VSL, there isn't an equal that doesn't use a dongle for either one of them.djanthonyw wrote:The only products that require a dongle and IMO don't have a viable, non-dongled alternative is the Korg stuff.
I now use Cubase as well, which is pretty darn good. And some people prefer to work with it and don't feel there is an alternative for them.
So for some people, there are alternatives. For others, the best products available for their uses just happen to have a dongle. And I would rather have better tools as opposed to making a statement any day of the week. But again, that's just me. Of course, it's not just a few users that don't mind it. Most professional studios have at least one dongle, and some dongled software is the best selling in it's field. So it's much more than a "few people".
Fortunately, we all work differently and prefer different tools. So you can not like dongles and I can be fine with them, and neither one is "wrong" in their thinking. Wonderful world, i'nt it?
Brent
My host is better than your host
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- KVRAF
- 10170 posts since 2 Jan, 2005 from somewhere in the woods
i think, you're totally wrong, but you have the biggest one, grantedzion7 wrote:I really don't see how the Props are going to survive in the long term. All of Reason's modules are completely obsolete by today, there are free VSTs that do what any Reason component does (not to mention the vastly superior commercial products). This Record thing seems to be for novice producers/songwriters to get introduced into the recording world, or Reason users. Why would anybody with a serious DAW switch to Record? Props should have turned themselves into a company that makes crucial plugins. A good enough plugin can sell for $250 on the market. Why make a limited "host" for a very limited subset of people. Why make software that can record but can barely manipulate the recording? I mean what are you people seeing in this product that I am not (besides the interesting timestretch, which isn't enough to warrant a switch). This type of bad strategy is exactly why Reason fell behind from its glory days. I hoped to get something special from the Props but this is certainly not it.
"It dreamed itself along"

