# Virtual Analog Models:
* Pulse with Pulse Width Modulation
* Sawtooth
* Triangle
* Sine
# Wavetables:
* Q Alt 1 and Alt 2 Wavetable
the Q is unrivalled in its emulation of analog circuits.
.
# Virtual Analog Models:
* Pulse with Pulse Width Modulation
* Sawtooth
* Triangle
* Sine
# Wavetables:
* Q Alt 1 and Alt 2 Wavetable
the Q is unrivalled in its emulation of analog circuits.
ew wrote:The Largo has multiple waves per table and you can scan through the tables.
ew
That is a wonderful demo..pschelfh wrote:There's a bit more to it. For starters it as all the Microwave XT wavetables.vieris wrote:Hmmm a 3 osc 2 filter virtual analog for $250 or so. Hard to get excited or compete with what is already available.
Go here : http://waldorf.electro-music.com/microw ... dio-demos/ and listen to 'Shortened Days' : pure class !!![]()
Peter.
Ah- the info on the site's wrong. If you download the manual, you'll see in the appendix that there's 68 wavetables- Alt 1 and Alt 2 are two of them.vieris wrote:From Waldorf.
# Virtual Analog Models:
* Pulse with Pulse Width Modulation
* Sawtooth
* Triangle
* Sine
# Wavetables:
* Q Alt 1 and Alt 2 Wavetable
Yep. Waldorf's filters are excellent IMO.ckatrun411 wrote:Do you expect, the filters on Largo, to best Rapture's?
vieris wrote:How do Largos osc's differ from Raptures multi-mode wavetable oscillators?
Your right about the time investment. I took my time over buying the blofeld for these reasons. It's 24 voice poly and multitimbral so i can just use the blofeld for synth sounds, well until the poly runs out. Add to that the sample upgrade and you have everything you need to at leat get down the basis of a track. The blofeld has a very aggressive in your face sound when pushed and i'd expect largo to have that same character. From some of the youtube clips i heard it does but then the demos sound tame by comparison. Listen to this blofeld demo:ckatrun411 wrote:I wasn't that impressed with the audio files on Waldorf website. It's great for people who, "must have the waldorf sound," and would rather a software than a hardware synth.
Synths take a huge time investement. Not just a money investment. Actually, the time investment is so huge, that even a great synth, like, ScanSynth, which has become so affordable, is only worth buying if you really, really want it.
Right now, I've only got the slightest boner for Synth Squad. Its really not on my, "must have," list because of the, "time investment."
For myself, I do better limiting my synths, than I do my FX, and other gear. Right now, I've stopped using all synths, except for two: Sugar-bytes Unique, and Cakewalk Rapture.
What I like about Synth Squad, is it is so different from Rapture, and Unique. The vibe, the ideas, just about everything in Synth Squad differs from the two synths I've seriously committed too. That would make the time investment, it would take to learn FXexpansions's new software, well worth it.
If the Largo, was a totally new idea, instead of repackaged/reworked ideas, I might be singing a different tune.
At the heart of Rapture's six-part sound engine are powerful, multi-mode wavetable oscillators.
For example, let's compare Dimension Pro which emphasizes the Expression Engine's multisample rendering, to Rapture which emphasizes the Expression Engine's wavetable synthesis. Dimension Pro provides sample offsets, key shifting, and vector mixing, useful for working with multisamples, and mixing instruments and program variants. And Rapture uses oscillator multiplication and detuning to create fat sounds, along with step generators for trance-style modulation. In addition, instead of a vector mixer, Rapture provides an X-Y controller to extend parameter modulation even further.
It should be a cross between Microwave (wavetables) + Q (synth engine), so yes, it should be able to do much more than that.SolarRainUK wrote:That is a wonderful demo..pschelfh wrote:There's a bit more to it. For starters it as all the Microwave XT wavetables.vieris wrote:Hmmm a 3 osc 2 filter virtual analog for $250 or so. Hard to get excited or compete with what is already available.
Go here : http://waldorf.electro-music.com/microw ... dio-demos/ and listen to 'Shortened Days' : pure class !!![]()
Peter.![]()
So the Largo can do all those sounds, and more?
Yep, a Waldorf wavetable exist of 64 singe cycle waves (similar or completely different) and you can sweep through them with an LFO or an envelope (or with any modulator actualy).DragonSagoth wrote:It's because in Rapture you can play one oscillator per midi channel. That is, instead of triggering 6 oscs with one midi channel, you trigger oscs separately over channels 1-6.
Rapture doesn't do real wavetable scanning, as ALL Waldorf and PPG synths do!
There is a difference in understanding the word "wavetable", between Cakewalk and Waldorf. Whereas Rapture refers to a single-cycle waveform as a wavetable, Waldorf refers to a multitude of such single-cycle waveform, sorted in a vector, with index point which decides which wave from the table will be read and played, and that index point can be realtime modulated.
Rapture can't do that.
The Alt 1 and 2 tables are 127 waves (one position's an empty slot). The rest of Largo's are 64 as you mentioned.pschelfh wrote:Yep, a Waldorf wavetable exist of 64 singe cycle waves (similar or completely different) and you can sweep through them with an LFO or an envelope (or with any modulator actualy).
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