Largo must have presets like that.
Largo is here!
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- KVRist
- 190 posts since 26 Aug, 2004 from Budapest, HU
now that was a really noob sentence matey. it doesn't matter what do you play, synths, guitars, drums, panflute, people want to tweak sounds so to buy a sample cd for synth sounds is the dumbest idea I ever heard (even if I know you wanted to be sarcasticfilterfilter wrote:ckatrun411 wrote:pablex wrote:Feng, that was nice, not exactly what I was looking for but you gave me some kind of idea of how fat Largo can be. I was asking some old arped melody from a trance tune with higher notes rather than a "bass", something with the high freqs a bit boosted some release and reverb, take any trance tune as an example... If its a pita for you its ok, I really appreciate the example!
I am not buying this synth unless it can do this...
Synced saws, hi res, low cut off, OMFG
In all fairness, Feng did get the bass right. But we want to hear an arp, like the one that starts around 4:25
to do those silly trance sounds, that are all the same since years, you don't need the LARGO at all. Just buy one sample-cd
of course you buy a Virus if you are sophisticated-silly trance sound lover
Last edited by daradei on Sun Jun 14, 2009 11:29 am, edited 1 time in total.
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- KVRAF
- 8094 posts since 16 Oct, 2006
i don't know about their being any demo version of Largo mate..i just ordered mine and it's coming tuesday.if you meant mp3 demo of the sounds i create then of courseDocT wrote:And now?daradei wrote:Ok DadDocT wrote:Btw, this isn't pure microQ/Q, but heavily processed with high quality reverb, delay and compression.I knew
Will there be a demo version?rob_lee wrote:well give me a couple of months and i'll have a commercial bank out for Largo
rob
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- Banned
- 4072 posts since 7 Nov, 2007
filterfilter wrote: to do those silly trance sounds, that are all the same since years, you don't need the LARGO at all. Just buy one sample-cd
Actually, I'm making a Psy variant, and would be interested in using Largo for that. Sample cd's don't work for me, as I really enjoy doing my own sound design.
Meanwhile, You need a great synth for trance. Trance-- Hard, soft, vocal, flaming, whatever. Is great music, I don't know why a lot of folk on this website think they listen to Opera, or whatever IDM flavor of the month, and diss trance so much.
A bunch of people too good for trance, and listening to experimental blips.
If all you need is a sample cd for trance, all you need is a pop-corn machine for minimal.
ckatrun411 wrote:pablex wrote:Feng, that was nice, not exactly what I was looking for but you gave me some kind of idea of how fat Largo can be. I was asking some old arped melody from a trance tune with higher notes rather than a "bass", something with the high freqs a bit boosted some release and reverb, take any trance tune as an example... If its a pita for you its ok, I really appreciate the example!
I am not buying this synth unless it can do this...
Actually, I was kinda joking, and referring to the poster above. He seems like he really wants to hear a massive trance arp.
I can't blame him though.
By the way, I can't stand todays electro garbage.
- KVRian
- 1394 posts since 6 May, 2005 from Michigan, USA
It floors me that Waldorf has finally put out a softsynth with all the PPG/Microwave/Q wavetables and a multitude of other sound design options, and still it seems like most of the posts in this thread lately are people wanting to know, "Can it do a good supersaw?" I mean, if you're probably not even going to use the oscillators in anything but VA mode spitting out sawtooths, why bother with something like Largo when most of its potential will be wasted on you anyway? It's like buying a big analog modular and using it for nothing but Minimoog bass emulations.
Nice job on the demos btw, Doc (it's not my place to apologize for others, but I do find the perplexing and uncalled-for disrespect shown towards you rather embarrassing).
Nice job on the demos btw, Doc (it's not my place to apologize for others, but I do find the perplexing and uncalled-for disrespect shown towards you rather embarrassing).
http://www.davidvector.com
New album, Chasing Fire, out now on Amazon, iTunes, etc.
Bandcamp: https://davidvector.bandcamp.com/releases
New album, Chasing Fire, out now on Amazon, iTunes, etc.
Bandcamp: https://davidvector.bandcamp.com/releases
- KVRAF
- 6504 posts since 25 May, 2002 from Bobo-dioulasso\BF__Geneva/CH
i do agree on that point, it wasn't very fair...
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- KVRAF
- 8094 posts since 16 Oct, 2006
+1Vectorman wrote:It floors me that Waldorf has finally put out a softsynth with all the PPG/Microwave/Q wavetables and a multitude of other sound design options, and still it seems like most of the posts in this thread lately are people wanting to know, "Can it do a good supersaw?" I mean, if you're probably not even going to use the oscillators in anything but VA mode spitting out sawtooths, why bother with something like Largo when most of its potential will be wasted on you anyway? It's like buying a big analog modular and using it for nothing but Minimoog bass emulations.
Nice job on the demos btw, Doc (it's not my place to apologize for others, but I do find the perplexing and uncalled-for disrespect shown towards you rather embarrassing).
well said Vectorman
rob
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- KVRist
- 190 posts since 26 Aug, 2004 from Budapest, HU
nobody said we only interested in supersaw, all the other possibilities are respected. I only want to know how fat its sound can be, because if it's fat enough, no need to buy a mQ
- KVRAF
- 6504 posts since 25 May, 2002 from Bobo-dioulasso\BF__Geneva/CH
I'm still wondering, how external samples would be integrated in Largo's synthesis ?
- obviously nothing in common with alchemy for instance...
- obviously nothing in common with alchemy for instance...
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- KVRist
- 190 posts since 26 Aug, 2004 from Budapest, HU
as user-created wavetables for example or if you know Tone2 Gladiator which has nice loops integrated for rhytmic patches used via vocoderKrakatau wrote:I'm still wondering, how external samples would be integrated in Largo's synthesis ?
- obviously nothing in common with alchemy for instance...
- KVRAF
- Topic Starter
- 8644 posts since 2 Oct, 2006 from Leeds, UK
lol at the demo version.BFunKu wrote:That sucks. What does Largo having Sample Import have to do at all with Blofield though? Keep sample loading unique? Umm... Sample Import is rather common these days. I'm not seeing how it is unique at all? It's almost as Waldorf are making a total Joke out of themselves? That and No Largo Demo version? Waldorf keep getting more and more lame. I seriously don't get them anymore? They use to be Cool back in the day. These days I'd have to say their rather shady and lame? Come on Waldorf redeem yourself by releasing a Largo Demo version! Is that really that much to ask for? I guess releasing a Demo version isn't "Unique" enough for them?musikmachine wrote:No it doesn't. Someone on the waldorf list asked about it and they basically said there are already plenty of software options for your samples and they want to keep sample loading as something unique to the blofeld so they probably wont be adding it. Or something to that effect.BFunKu wrote:Does Largo allow you to load your own samples? Just curious.![]()
Shady? I don't know. The blofeld is an awesome synth and you get a lot for your money. The sample upgrade expands the blofeld significantly and i think waldorf want to keep that as a unique selling point of the blofeld as it turns it into a standalone sound module and like they say, there are a few alternatives like alchemy etc. Perhaps all this james bond villain stuff is making them look like the bad guys.
Latest release and Socials: https://linktr.ee/ph.i.ltr3
- KVRAF
- 37420 posts since 14 Sep, 2002 from In teh net
If they do they are misinformed. I bought it for the wavetable and graintable synthesis and great non dance presets designed by people like Howard Scarr and Pix (which are in the majority by far)drmesmer wrote:its so simple. People mainly buy Virus TI for dance/trance/house presets
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- KVRist
- 136 posts since 9 Nov, 2006
That is exactly what I wanted to say in my "sarcastic" post! (if only my english was betterVectorman wrote:It floors me that Waldorf has finally put out a softsynth with all the PPG/Microwave/Q wavetables and a multitude of other sound design options, and still it seems like most of the posts in this thread lately are people wanting to know, "Can it do a good supersaw?" I mean, if you're probably not even going to use the oscillators in anything but VA mode spitting out sawtooths, why bother with something like Largo when most of its potential will be wasted on you anyway? It's like buying a big analog modular and using it for nothing but Minimoog bass emulation
totaly right!
No trees were killed in the sending of this message. However a large number of electrons were terribly inconvenienced
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- Banned
- 4072 posts since 7 Nov, 2007
filterfilter wrote:That is exactly what I wanted to say in my "sarcastic" post! (if only my english was betterVectorman wrote:It floors me that Waldorf has finally put out a softsynth with all the PPG/Microwave/Q wavetables and a multitude of other sound design options, and still it seems like most of the posts in this thread lately are people wanting to know, "Can it do a good supersaw?" I mean, if you're probably not even going to use the oscillators in anything but VA mode spitting out sawtooths, why bother with something like Largo when most of its potential will be wasted on you anyway? It's like buying a big analog modular and using it for nothing but Minimoog bass emulation)
totaly right!
Totally snobby.
The tone of a musical instrument is of paramount importance. If it wasn't, than a difference wouldn't exist between Les Paul's and Telecaster's.
Frankly, a supersaw, is a supersaw, is a supersaw, is just not the case. If it were, than any old synth would do.
Reaktor is an amazing program, more capable, and complex than 98% of the things around. But you wouldn't catch me doing anything simple, or complex in it. I don't like the tone it has. To me, its very bright, and happy sounding.
Likewise, if I loved the tone of Reaktor more than any other soft synth software in the world, and all I wanted to do was make synced saws till hell froze over, what would I use?
To not understand the importance of tone in a musical instrument, to completely miss the fact that pure emotion most often comes from simple melodies, and simple sounds with great vibe, is to be standing underneath a night sky, forgetting the beauty of space and time.

