Mastering what do you all use?
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christianmusicmaker christianmusicmaker https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=12152
- KVRAF
- 1670 posts since 1 Feb, 2004 from UK
Last edited by christianmusicmaker on Sat May 29, 2004 3:48 pm, edited 1 time in total.
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- The Teach
- 8273 posts since 23 Jul, 2002 from flatness
i use ozone3 mostly
for mastering i use it direct in adobe audition but if you want to load it (or any other dx effect for that matter) in a vst host then grab the free ffx-4 dx>vst rack from http://www.vb-audio.com
many users swear by the voxengo stuff too
slainte
rob
for mastering i use it direct in adobe audition but if you want to load it (or any other dx effect for that matter) in a vst host then grab the free ffx-4 dx>vst rack from http://www.vb-audio.com
many users swear by the voxengo stuff too
slainte
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christianmusicmaker christianmusicmaker https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=12152
- KVRAF
- Topic Starter
- 1670 posts since 1 Feb, 2004 from UK
Surely that cannot be the only DX - VST wrapper out there!
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- KVRist
- 68 posts since 9 Jul, 2003
I pay a real mastering house to master it. Thats the only way to do it. Unless you have a acousticly treated room excellent monitoring system and so on and so on it is a waste of time because you wont hear what to correct anyway. Worth every penny.
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- The Teach
- 8273 posts since 23 Jul, 2002 from flatness
odd - the installer works fine here (win98se)
others ???
console (sorry - no link) will do it (will load dx instruments too) - not freeware though
slainte
rob
others ???
console (sorry - no link) will do it (will load dx instruments too) - not freeware though
slainte
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- KVRist
- 212 posts since 23 Feb, 2003 from Charlotte, VT
Ozone is a great program but it's got a bit of a learning curve: get a bunch of cheap CDs! It has a certain look and feel: you'll either love it or hate it. Also, it's generally agreed to be more pristine than warm; several people have mentioned going into Ozone on the warm side.I've found this to work but would ALSO HEARTILY AGREE that THE ROOM IS AN ISSUE for mastering and a very big one. Recent research -- for example -- has shown that my 12x16 room, though a good proportion for audio, has major standing waves at 150 and 300hz: any wonder my CDs sound funny? There's lots of info out there about room treatments; I'd be happy to share what I've learned. Long story short: if you want to do the best job possible with your equipment you've got to hear it correctly first. To do this, any room needs some treatment, absorbtion, diffusion, or both. The RealTraps site has a huge article by Ethan Winer that's very good as well as a free program ModeCalc to figure out what's going on in your room. But you asked about mastering so I'll shut up. 
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- KVRer
- 29 posts since 17 Oct, 2003 from AZ
A real Mastering studio is the best, because of all the reasons stated and also a fresh experienced Mastering Engineer who does it for a living and knows how to make it sound right!
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- KVRAF
- 3441 posts since 15 Mar, 2003
A way around the room problem is to use proper monitors at low to moderate volume, supplemented with a good pair of headphones for double checking the bass. If the headphones have an honest low end you can then hear the low end without the room interfering.
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- KVRian
- 1272 posts since 11 Apr, 2002 from Nashville, TN
He might not frequent the Tracktion forum. Although I have seen a good many Xarc post, I don't remember any here.
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- KVRist
- 71 posts since 20 Jun, 2003 from New Mexico
I totally agree that the best path is to hire a mastering engineer with all the cool equipment
However, a lot (most? all?) of what I do is not good enough to really justify the cost. It is not stuff I am really planning to put out into the world, but I would still like it to be somewhat mastered for my edification and distribution to friends and family.
For this I find T-racks to be pretty cool....
Here is a link to Bob Katz's thoughts on the subject
http://www.tcelectronic.com/media/bobkatz.pdf
http://www.digido.com
However, a lot (most? all?) of what I do is not good enough to really justify the cost. It is not stuff I am really planning to put out into the world, but I would still like it to be somewhat mastered for my edification and distribution to friends and family.
For this I find T-racks to be pretty cool....
Here is a link to Bob Katz's thoughts on the subject
http://www.tcelectronic.com/media/bobkatz.pdf
http://www.digido.com
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- KVRist
- 142 posts since 3 Jun, 2003 from Edmonton AB Canada
Well I can understand hiring a mastering guy to do the job right. But how can you learn when you sluff everything off to somebody else? Why not just leave the music writing to Bach while you're at it...
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- KVRist
- 212 posts since 23 Feb, 2003 from Charlotte, VT
I'd like to commend the poster's folly in wanting to do it all himself.
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- KVRist
- 68 posts since 9 Jul, 2003
Innominandum apples and oranges, your logic is like saying hey all I have a crescent wrench so I am going to rebuild my engine No I am not going to one of those mechanics who actually has invested hundreds of thousand in the tools to do it right and has been doing it for YEARS, I can learn on my own with my wrench.
