Zebra Dirty Girl
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- KVRist
- 46 posts since 16 Apr, 2007
I would be very interested in a version of Zebra that offered the grimeiest analog recreations of all its usual parts.
I think the over all design is second to none but I am just never to excited about the sound. I suppose this may sabotage the upcoming triage of goodies, but I must say Ace seems far less compelling.
I guess this is coming from a want of an vst version of a very full featured Buchla... An analog modular with non specific flexibility and exotic processes. Zebra seems to be that in many (if not abstract) ways...
I would be all over the hairy dirty doppleganger that could load any of the old patches and maybe add some Buchlaesq oddities.
Just a thought.
I think the over all design is second to none but I am just never to excited about the sound. I suppose this may sabotage the upcoming triage of goodies, but I must say Ace seems far less compelling.
I guess this is coming from a want of an vst version of a very full featured Buchla... An analog modular with non specific flexibility and exotic processes. Zebra seems to be that in many (if not abstract) ways...
I would be all over the hairy dirty doppleganger that could load any of the old patches and maybe add some Buchlaesq oddities.
Just a thought.
- KVRAF
- 13133 posts since 7 May, 2006 from Southern California
I've made two patch libraries with some patches based on my experience with the 200e and other analog modulars. Find them here...CaseyJames wrote:I guess this is coming from a want of an vst version of a very full featured Buchla... An analog modular with non specific flexibility and exotic processes. Zebra seems to be that in many (if not abstract) ways...
http://www.3amnoise.net/BWR.zip
http://www.3amnoise.net/Zebra2_3am_patches.zip
U-he's modular Bazille is also great for those kinds of sounds.
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someone called simon someone called simon https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=185637
- KVRian
- 543 posts since 24 Jul, 2008 from a small city in a small country in the antipodes
'triage of goodies'?
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- KVRist
- Topic Starter
- 46 posts since 16 Apr, 2007
Triage -- isn't the plan to release three synths ACE, Bazille and a third unreleased something or other... That was the impression I was under.
Justin: Tomorrow morning I will be all over those patches. I look forward to seeing what you did.
I haven't tried Bazille yet but I was under the impression that it was designed for a very specific type of synthesis. Is that not the case?
Justin: Tomorrow morning I will be all over those patches. I look forward to seeing what you did.
I haven't tried Bazille yet but I was under the impression that it was designed for a very specific type of synthesis. Is that not the case?
- KVRAF
- 13133 posts since 7 May, 2006 from Southern California
Bazille's uses phase distortion oscillators but they are incredibly flexible. Plus it's got these signal processing blocks that can be used for audio or control signals. the s&h can be used as a sample rate reducer, the quantizer can be used as a bit crusher and the rectifiers can be very cool wave shapers.
I posted this elsewhere but what the hell...
http://www.3amnoise.net/bipolarwaveshaping.mp3
this was a demo I did with Bazille.
I posted this elsewhere but what the hell...
http://www.3amnoise.net/bipolarwaveshaping.mp3
this was a demo I did with Bazille.
- KVRAF
- 18470 posts since 26 Jun, 2006 from San Francisco Bay Area
Urs' synths always have a kind of hi-fi politeness about them and if they have a "weakness" it would be they lean toward "nice" sounds. They can scream and cry.. but if you're looking for raunch... you'd be better off running Zebra into Redoptor or something. IMO, the only modular software that really gets gritty is Vaz.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
- Banned
- 6129 posts since 9 Oct, 2007 from an inharmonious society
I never think that any capable synth has limits that can be so generally defined with any words used in this thread, or similar can't get that sound threads.
The only limits with trying to get a sound, "raunchy" or whatever...
are almost completely up to ones ability in sound design.
The only other factors of course are the design of the synth, and in Zebra's case that design exceeds all that's necessary to create raunchy, crunchy, thick, warm, or any other adjective you can think of.
So long as you have enough diligence to find that sound, and willing to put in the necessary effort to find it.
The only limits with trying to get a sound, "raunchy" or whatever...
are almost completely up to ones ability in sound design.
The only other factors of course are the design of the synth, and in Zebra's case that design exceeds all that's necessary to create raunchy, crunchy, thick, warm, or any other adjective you can think of.
So long as you have enough diligence to find that sound, and willing to put in the necessary effort to find it.
- KVRAF
- 5223 posts since 20 Jul, 2010
Along these lines, I'd like to suggest also the following Osc FX for consideration, given that they're dirty and most probably easy as pie to impliment.
1) Hard clip. Similar to wrap, but, obviously, instead of wrapping, the clipped portions just collect there, generating pulsey badness
2) Waveform quantizer. I know you can do this with the SR filter and keytracking on, but it would be REALLY interesting to be able to do this with an Osc FX and then use *another* Osc FX on the stepped waveform.
As for Zeb being less suitable for dirty, aggressive sounds, I think this is mostly caused by the fact that the sound quality is so liquid and perfect that it's staggering at times. However, I've run into quite a few roaring, dirty sounds, so whilst sometimes I wish there were a few more distortion options or something, I think the dirt is there if you know how to get it (Try combining Osc FX!)
As a side note, I'd REALLY REALLY love it if Zebra had a bipolar waveshaper module, where you can set your own output curves/shapes. I love this kind of thing, not just for making dirty sounds but also in helping morphing type sounds.
1) Hard clip. Similar to wrap, but, obviously, instead of wrapping, the clipped portions just collect there, generating pulsey badness
2) Waveform quantizer. I know you can do this with the SR filter and keytracking on, but it would be REALLY interesting to be able to do this with an Osc FX and then use *another* Osc FX on the stepped waveform.
As for Zeb being less suitable for dirty, aggressive sounds, I think this is mostly caused by the fact that the sound quality is so liquid and perfect that it's staggering at times. However, I've run into quite a few roaring, dirty sounds, so whilst sometimes I wish there were a few more distortion options or something, I think the dirt is there if you know how to get it (Try combining Osc FX!)
As a side note, I'd REALLY REALLY love it if Zebra had a bipolar waveshaper module, where you can set your own output curves/shapes. I love this kind of thing, not just for making dirty sounds but also in helping morphing type sounds.
http://sendy.bandcamp.com/releases < My new album at Bandcamp! Now pay what you like!
- u-he
- 30216 posts since 8 Aug, 2002 from Berlin
Thanks for the ideas! Again!Sendy wrote:Along these lines, I'd like to suggest also the following Osc FX for consideration, given that they're dirty and most probably easy as pie to impliment.
1) Hard clip. Similar to wrap, but, obviously, instead of wrapping, the clipped portions just collect there, generating pulsey badness
2) Waveform quantizer. I know you can do this with the SR filter and keytracking on, but it would be REALLY interesting to be able to do this with an Osc FX and then use *another* Osc FX on the stepped waveform.
(note though that the bandlimiting sits behind the waveform generation, so the outcome might not *look* exactly like a hard clipped or stepped waveform)
Yeah, waveshapers are a big topic for future additions!As a side note, I'd REALLY REALLY love it if Zebra had a bipolar waveshaper module, where you can set your own output curves/shapes. I love this kind of thing, not just for making dirty sounds but also in helping morphing type sounds.
- KVRAF
- 26978 posts since 3 Feb, 2005 from in the wilds
I would argue with that to an extent... Zebra could still use a distortion module, though with 2.5 it got better, but especially before 2.5 you could use things like the shapers but there are/were kinds of distortion sounds I just could not get nor did I hear in others presets. 2.5 filter upgrades gave the drive parameter more range, but I would still like the distortion module. I quite like the distortion module in String Studio for example.mcnoone wrote:I never think that any capable synth has limits that can be so generally defined with any words used in this thread, or similar can't get that sound threads.
The only limits with trying to get a sound, "raunchy" or whatever...
are almost completely up to ones ability in sound design.
The only other factors of course are the design of the synth, and in Zebra's case that design exceeds all that's necessary to create raunchy, crunchy, thick, warm, or any other adjective you can think of.
So long as you have enough diligence to find that sound, and willing to put in the necessary effort to find it.
- Banned
- 6129 posts since 9 Oct, 2007 from an inharmonious society
Yea okay.zerocrossing wrote:Urs' synths always have a kind of hi-fi politeness about them and if they have a "weakness" it would be they lean toward "nice" sounds. They can scream and cry.. but if you're looking for raunch... you'd be better off running Zebra into Redoptor or something. IMO, the only modular software that really gets gritty is Vaz.
Take these examples.
http://www.box.net/shared/214c43u7tm
http://www.box.net/shared/8kofpf83rv
http://www.box.net/shared/1d00evpmon
These are too clean or nice in your opinion?
If so...please post your grittiest Vaz patch mp3, so I can see exactly what your trying to describe with very generalized words, and proceed to copy exactly whatever sound you put forth.
Just some fingered wankery will do. Not some sequenced thing or something with external fx.
My examples only used internal eq, comp, and slight reverb.
btw, I tried the Vaz demo, and heard all the mp3 demos.
Sorry but I have yet to hear the raunch and grit you speak of.
I heard a lot of arpeggiator supersaw trance things, and the demo sounded a little thin in the mids imo.
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very angry mobster very angry mobster https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=11047
- KVRian
- 611 posts since 15 Dec, 2003 from Melbourne, Australia
- Banned
- 6129 posts since 9 Oct, 2007 from an inharmonious society
Of course.very angry mobster wrote:Did you play this on a keyboard?
All of them.
There is aftertouch and modwheel used.
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very angry mobster very angry mobster https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=11047
- KVRian
- 611 posts since 15 Dec, 2003 from Melbourne, Australia
- KVRAF
- 26978 posts since 3 Feb, 2005 from in the wilds
Great stuff...mcnoone wrote:Yea okay.zerocrossing wrote:Urs' synths always have a kind of hi-fi politeness about them and if they have a "weakness" it would be they lean toward "nice" sounds. They can scream and cry.. but if you're looking for raunch... you'd be better off running Zebra into Redoptor or something. IMO, the only modular software that really gets gritty is Vaz.
Take these examples.
http://www.box.net/shared/214c43u7tm
http://www.box.net/shared/8kofpf83rv
http://www.box.net/shared/1d00evpmon
These are too clean or nice in your opinion?
If so...please post your grittiest Vaz patch mp3, so I can see exactly what your trying to describe with very generalized words, and proceed to copy exactly whatever sound you put forth.
Just some fingered wankery will do. Not some sequenced thing or something with external fx.
My examples only used internal eq, comp, and slight reverb.
Not my cup of tea, but here is a quick attempt I just made at 'not nice'
http://draigathar.org/sounds/stilted.wav
