what's your problem? It seems like there are 3 people in this entire forum with thousands upon thousands of posts attacking anyone that doesn't agree with them. Someone starts a thread and it ends up with hibidy and hink going on and on about nothing.Hink wrote:ironic, this is exactly why you can't do testsdeathwish wrote:Can we get some blind tests in here so we can see how good people's ears are? If they can pick out the fake marshall/fender etc out of the mix vs a real one playing the same music? preferably high gain? I don't own any real amps anymore so I can't do this
you see, on such tests the subject is not the vox so what good does this post do? You ask for guitar samples an criticize the vox? That might be why people are reluctant to do testsdeathwish wrote:The vocals... are they serious?metalifuxx wrote:Ok, so all this talk of real amps and micing them got me re-interested in doing it and actually recording something. This tune will please Susiwong and all you 70's rockers.
Just Got Paid - ZZ Top cover, but kind of the way Joe Bonamassa does it minus the extended jam with all the Zeppelin riffs thrown in.
http://dl.dropbox.com/u/6185854/kvr%20s ... 0cover.mp3
Cranked the amp to an insane level (well master was only halfway up on 5) and yes it got hard to monitor with the headphones and hard to hear the backing tracks sometimes with the amp being in the same room. I hope it didn't cause tinnitus![]()
Tubescreamer clean boosting the Soldano Hot Rod 50 in vintage crunch mode on clean channel on medium gain with a dark bassy heavy tone dialed in on the amp EQ. Mic, a vintage Shure SM53, is moved a good 4-5 inches back to compensate for the heavy bass response coming from the cab. Just an M-Audio USB Mobile Pre as the preamp. Midi drums and bass.
The Shure SM53 mic I used, if the history of how it was acquired is accurate, could be the very mic that recorded the Free Bird and Sweet Home Alabama guitar tracks and the other songs on that Skynyrd album. If there were live recordings, those as well.
I didn't ask that guy to record a live guitar and song with vocals. And how is that in anyway an A/B recording of the same riff recorded live and with an amp simulator.
To be honest I don't see any science just a bunch of rhetoric in this overly long thread. I'm out bye.
